Lorne Balfe
Composer
Alan Meyerson
Music Scoring Mixer
Steven Kofsky
Music Production Services
John Witt Chapman
Music Engineer
Queenie Li
Music Production Coordinator
Sven Faulconer
Additional Arrangements
Alfie Godfrey
Score Technical Assistant
Steffen Thum
Additional Arrangements
Max Aruj
Additional Arrangements
Steven Davis
Additional Arrangements
Tina Guo
Musician
Pedro Eustache
Musician
Shane Rutherfoord-Jones
Orchestrator
Mike Ladouceur
Orchestrator
FILM CREDITS
Music by Lorne Balfe
Music Editor: E. Gedney Webb
Additional Music Editors: Sam Zeines & Jennifer Dunnington
Music Production Coordinator: Queenie Li
Orchestra Conducted by Matt Dunkley
Orchestrations by Shane Rutherfoord-Jones & Mike Ladouceur
Orchestra Contractor: Sandra Park
Cello: Tina Guo
Drums: M.B. Gordy
Woodwind: Pedro Eustache
Double Bass: Nico Abondolo
Additional Arrangements: Steffen Thum, Steven Davis, Sven Faulconer & Max Aruj
Score Recording Engineer: Geoff Foster
Score Mixer: Alan Meyerson
Assistant Score Mixer: Timothy Marchiafava
ProTools Operator: Neal Shaw
Score Technical Assistants: Joseph Cho & Alfie Godfrey
Score Recording Engineers: John Chapman & Seth Waldmann
Soloist Contractor: Peter Rotter
Soloist Recorded at Remote Control Productions
Music Preparation by JoAnn Kane Music Service
Music Librarian: Josephine Bearden
Music Recorded at The Dimenna Center for Classical Music
Recording Services Provided by Audiosmith Digital Solutions
Score Mixed at Soundtrack Film & Television
Original Score by Lorne Balfe
Score Produced by Lorne Balfe
Music Production Coordinator: Queenie Li
Additional Arrangements: Steffen Thum, Steven Davis, Sven Faulconer & Max Aruj
Score Technical Assistants: Joseph Cho & Alfie Godfrey
Music Editor: Sam Zeines
Orchestrator: Shane Rutherfoord-Jones
Technical Assistant: Mike Ladouceur
Cello: Tina Guo
Drums: M.B. Gordy
Woodwinds: Pedro Eustache
Double Bass: Nico Abondolo
Score Mix Engineer: Alan Meyerson
Conductor: Matt Dunkley
Piano: Queenie Lie
Score Recording Engineers: John Chapman & Seth Waldmann
Soloist Contractor: Peter Rotter
Soloist Recorded at Remote Control Productions
Mastered by Reuben Cohen
Art Direction by Dan Goldwasser at Warm Butter Design
Production Assistance: Frank K. DeWald & Neil S. Bulk
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Executive Album Producers for La-La Land Records: MV Gerhard & Matt Verboys
Lorne Balfe would like to thank...
Ang Lee, Jerry Bruckheimer, Randy Spendlove, Chad Oman, David Ellison, Don Granger, Dana Goldberg, David Lee, Steven Kofsky, Kim Seiniger, Jennifer Lane, Queenie Li, Sandra Park, Max Aruj, Steffen Thum, Geoff Foster, Matt Dunkley, Alan Meyerson, Shane Rutherfoord-Jones, Steve Davis, Sven Falconscore, Sam Zeines, Gedney Webb, Jake Kozarec, David & Eva Balfe, Nina, Rufus Balfe & Marnie Balfe
Paramount Pictures Thanks
Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicoll, Alex Mosley, Michael Murphy, Vanessa Palmer, Areli Quirarte, Maddy Van Remortel, Eric Ybanez & Clare Yezerski
Dedicated to my Father.
Thank you for giving me every opportunity possible & making me the composer, father, husband & human being I am today. You made me understand what a good tune was and most importantly, how to collaborate & be a good person.
Love you dads.X
Lorne Balfe
02 – Burning The Past (3:45)
Lorne Balfe, Steffen Thum
03 – Are You Dia? (2:57)
Lorne Balfe, Steffen Thum
04 – First Confrontation (3:38)
Lorne Balfe, Steven Davis
05 – Cartagena (2:33)
Lorne Balfe
06 – Bike Fu (3:10)
Lorne Balfe, Sven Faulconer
07 – Catacombs (4:27)
Lorne Balfe
08 – I Know You Inside And Out (5:02)
Lorne Balfe
09 – Henry And Junior (2:32)
Lorne Balfe
10 – Fighting Gemini (4:00)
Lorne Balfe, Steven Davis
11 – Teaming Up (2:27)
Lorne Balfe
12 – Don’t You Feel Pain? (3:17)
Lorne Balfe
13 – Verris (3:38)
Lorne Balfe
14 – A Perfect Version Of You (3:52)
Lorne Balfe
15 – Those Ghosts (2:26)
Lorne Balfe
16 – Thanks, Brother (2:00)
Lorne Balfe
17 – Gemini Man (8:02)
Lorne Balfe
Booklet credits:
Original score by Lorne Balfe
Score produced by Lorne Balfe
Music production coordinator: Queenie Li
Additional arrangements: Steffen Thum, Steven Davis, Sven Faulconer and Max Aruj
Score technical assistants: Joseph Cho and Alfie Godfrey
Music editor: Sam Zeines
Orchestrator: Shane Rutherfoord-Jones
Technical assisstants: Mike Ladouceur
Cello: Tina Guo
Drums: M.B. Gordy
Woodwinds: Pedro Eustache
Double Bass: Nico Abondolo
Score mix engineer: Alan Meyerson
Soloist recording engineers: John Chapman and Seth Waldmann
Soloist contractor: Peter Rotter
Soloists recorded at Remote Control Productions
Mastered by Reuben Cohen
Art Direction by Dan Goldwasser at Warm Butter Design
Production assistance: Frank K. DeWald and Neil S. Bulk
Edmundo – you always stalk anyone complimenting a Balfe project for some reason?
Really boring your negative comments all the time
Edmund what is wrong with you ? Using childish language is pathetic. “Jizzing” is an idiotic term.If some of us like his music the why does it irritate you.You sound like a jealous failed composer always complaining when he releases a soundtrack.
Why do the Balfe loveres waste so much time jizzing over his music. Always comes of [sic] sounding like a 13-year-old fanboy discovering the internet for the first time I think.
Great film with a classic soundtrack.one of the best action soundtracks this year.The film was though a bit slow and one one good action scene.
Brilliant score.
Been a fan of Balfes since Genius and this fantastic.Watched the film last night and it worked great with the film.
@pong What do you mean? Does this score sound similar to Badelts " The Recruit"
no honestly, how much time did Lorne have to score this?
“recorded at AIR Lyndhurst Studios in 2 weeks’ time after Marco Beltrami’s Score was thrown out last minute” lmao
Ouch – if these are the promotional (ie. the good) tracks from the score, why don't they just release Badelt's The Recruit from 2002 under the same title. Same score, much less hassle. No one liked Badelt's score in 2002, no one ought to like it any better now that it's under the Balfe monicker.