FILM CREDITS
Music by Lorne Balfe
Music Editors: Richard Ziegler, Sally Boldt, Del Spiva, Scott Francisco & Philip Tallman
Music Arranged by Lorne Balfe, Max Aruj & Steffen Thum
Music Preparation by Booker White
Conductors: Nick Glennie-Smith & Max Aruj
Orchestrator: Oscar Senen
Score Produced by Lorne Balfe & Steffen Thum
Score Mixer: Daniel Kresco
Score Recorded by Jason LaRocca
Score Programmers: Clay Duncan, Kevin Lamb & Jon Aschalew
Score Coordinator: Queenie Li
Synth Programmers: Max Aruj & Steffen Thum
ProTools Operator: Tom Hardisty
Scoring Stage: Eastwood Scoring Stage
Technical Score Engineers: Joseph Cho & Jennifer Dirkes
Original Score by Lorne Balfe
Music Production Coordinator: Queenie Li
Music Production Services: Steven Kofsky
Score Produced by Lorne Balfe & Steffen Thum
Score Technical Assistant: Steffen Thum & Max Aruj
Music Editor: Richard Ziegler
Music Preparation by Booker White
Conductor: Nick Glennie-Smith & Max Aruj
Orchestrator: Oscar Senen
Score Mixers: Daniel Kresco
Score Recorded by Jason Larocca
Synth Programmers: Clay Duncan, Kevin Lamb & Jon Aschalew
Technical Score Assistant: Joseph Cho & Jennifer Dirkes
Scoring Stage: Eastwood Scoring Stage
Performed by The Hollywood Studio Symphony
Orchestra Contractor: Peter Rotter
Soundtrack Album Produced by Lorne Balfe
Executives in Charge of Music for Warner Bros. Pictures: Paul Broucek & Amanda Narkis
Executive in Charge of WaterTower Music: Jason Linn
Music Business Affairs Executives: Lisa Margolis & John F.X. Walsh
Lorne Balfe would like to thank:
Jerry Bruckheimer, Danny Canon, Dean Devlin, David Ellison, Amanda Narkis, Paul Broucek, Ny Lee, Richard Ziegler, Peter Rotter, Jake Kozarec, Max Aruj, Steffen Thum, Queenie Li, Darrell Alexander, Christopher Gutch, Will Greig, the WaterTower Team, the Eastwood Scoring Stage, David & Eva Balfe, & Nina & Rufus Balfe
Thanks to:
Pete Axelrad, Max Aruj, Jerry Bruckheimer, Rocco Carrozza, Declan Desart, Dean Devlin, Karen Elliott, David Ellison, Kerrylyn Genetive, Dana Goldberg, Tom Hardisty, Dirk Hebert, Joe Kara, Kevin Kertes, Afnahn Khan, Jake Kozarec, Ny Lee, Queenie Li, Chris Mangione, Genevieve Morris, Jamie Olvera, Ryan Robinson, Peter Rotter, Steffen Thum, Robert Zick & Rick Ziegler
02 – President Meeting (3:48)
03 – What About Us (2:07)
04 – Hong Kong Falling (3:49)
05 – Unspoken Code (3:52)
06 – Lightning Chase (5:07)
07 – Goodbye (2:09)
08 – Take-Off (3:01)
09 – Code Break (2:07)
10 – Spacewalk (2:37)
11 – Satellite Destruction (2:32)
12 – Office Raid (2:14)
13 – Zeus (2:37)
14 – Geostorm (7:18)
15 – May Day (3:28)
16 – Family (2:21)
Somehow 4m39 has two versions, first 30 seconds are different. On Lorne’s site is one. And on Recording Sessions cue is different
How is that happened?
Maybe Stephane could’ve update Project Details, since this one leaked anyway…
He doesn’t want to do this for Lorne…he said
i guess they got no credit, because nobody shall know, that the production was in big trouble. but lorne thanks both in the album credits, so they were involved for sure.
I couldn't agree with you more JBSO99. I don't know what's up this year because a ton of Balfe fanboys seem to have crawled out of the woodwork. He's having a very solid year but people are acting like every score he puts out is a masterpiece or something, which…nah.
Listen all the score and make the list yourself with the best moments for you, guy! Lol
can anybody recommend the absolute best themes on this score to me please!
Balfe is with all this year.
Best tv score of the year: Genius
Best movie score of the year: Lego Batman
Best action score of the year: Geostorm
Best drama score of the year: Churchill
And best scifi score: Ghost in the shell
2017 has been a hell of a year for him
Giacchino talk ?
You guys stop right there… lol
Maybe not in dksaster movies, but if you are talking about BiG themes again in filmmusic.
If you listen to a few scores of Michael Giacchino, there are enoigh themes in there