Hans Zimmer
Composer
Lisa Gerrard
Composer
Klaus Badelt
Additional Music
Nick Glennie-Smith
Additional Music
Jeff Rona
Additional Music
Bruce Fowler
Orchestrator
Walt Fowler
Orchestrator
Suzette Moriarty
Orchestrator
Elizabeth Finch
Orchestrator
Ladd McIntosh
Orchestrator
Gavin Greenaway
Conductor
Heitor Pereira
Musician
Adam Smalley
Music Editor
Alan Meyerson
Music Scoring Mixer
Nick Wollage
Score Recordist
Slamm Andrews
Additional Recordings
Marc Streitenfeld
Technical Score Advisor
Justin Burnett
Technical Score Advisor
Gregg Silk
Assistant Score Engineer
Kevin Globerman
Assistant Score Engineer
Bruno Roussel
Assistant Score Engineer
Moanike’ala Nakamoto
Assistant to Hans ZIMMER
Jim Dooley
Assistant to Hans ZIMMER
Thomas Broderick
Studio Manager
Stéphane Humez
Album Production
GLADIATOR, 2000, Directed by Ridley Scott
Music by Hans Zimmer & Lisa Gerrard
Score Vocals Performed by Lisa Gerrard
Music Supervisor: Adam Milo Smalley
Executive in Charge of Music: Todd Homme
Music Editor: Dashiell Rae
Orchestrated by Bruce L. Fowler, Yvonnes S. Moriarty & Ladd McIntosh
Score Co-Produced & Additional Music by Klaus Badelt
Conducted by Gavin Greenaway
London Music Coordinator: Maggie Rodford, Air Edel & Associates, Ltd.
Music Recorded at Air Lyndhurst Studios, London
Music Recorded & Mixed by Alan Meyerson
Second Engineers: Nick Wollage, Jake Jackson, Gregg Silk, Slamm Andrews, Kevin Globerman & Bruno Roussel
Technical Score Avisors: Justin Burnett & Marc Streitenfeld
Music Production Services: Media Ventures
Orchestra Contracted by Tonia Davall
Copyist: Tony Stanton
Assistants to Mr. Zimmer: Moanike'ala Nakamoto, Michael Alexander & Jim Dooley
Extended Edition Music Editor: Marc Streitenfeld
ALBUM ASSEMBLY
Progeny : 1m2 Commodus - After The War (Edited)
The Wheat : 1m1A Strength & Honor, Part I
The Battle : 1m1B Strength & Honor, Part I (Edited) + Glad Waltz + 7m41B The Trap - Escape Fails (Edited)
Earth : 2m5 Marcus And Lucilla (Edited) + 7m40C The Kiss (Edited)
Sorrow : 3m11A The Bodies
To Zucchabar : Roman & Spanish (Edited)
Patricide : 2m8 Patricide
The Emperor Is Dead : 2m9 The Emperor Is Dead (Edited)
The Might Of Rome : 3m14 ALT I Salute You (Edited) + 3m17 The Greatness Of Rome
Strength And Honor : 4m21B ALT Win The Crowd (Edited)
Reunion : 4m22A Not Yet
Saves To Rome : 4m22B Slaves To Rome (Edited)
Barbarian Horde : 3m18 Rome Prepares For The Games + 5m29-30 Barbarian Horde - I Think I'll Meet Him (Edited)
Am I Not Merciful? : 8m42 Am I Not Merciful?
Elysium : 8m45 Death
Honor Him : 8m46 Honor Him
Now We Are Free : 8m47 ALT Now We Are Free
Duduk Of The North : Duduk Of The North
Now We Are Free (Juba's Mix) : 8m47 ALT 2 Now We Are Free
The Protector Of Rome : 4m21B Win The Crowd
Homecoming : 3m10 A Soldier's Death - Home (Edited)
The General Who Became A Slave : 3m12 RIDLEY To Marrakesh (Edited)
The Slave Who Became A Gladiator : 3m14 ALT I Salute You (Edited)
Secrets : 7m40A Secrets (Edited)
Rome Is The Light : Rome Is The Light
All That Remains : After The War (Edited)
Maximus : 6m37 GTR Figurines
Marrakesh Marketplace : Marketplace Music
The Gladiator Waltz : Gladiator Waltz
Figurines : 6m37 ALT Figurines
The Mob : 4m20 ALT Six Man Fight (Edited)
Busy Little Bee : 7m41A ALT Busy Bee
Death Smiles At Us All : 7m39 Wish Of A Dying Man (Edited)
Not Yet : 3m11A ALT The Bodies
Hans Zimmer
1m1A Strength & Honor, Part 1 (1:11)
Lisa Gerrard
1m1B Strength & Honor, Part 2 (10:32)
Hans Zimmer
1m1B INS Strength & Honor, Part 2 (Alternate Ending) (1:42)
Hans Zimmer
1m2 Commodus – After The War (2:44)
Hans Zimmer
2m5 Marcus & Lucilla (2:07)
Hans Zimmer
2m6A Tell Me About Your Home (1:07)
Klaus Badelt, Lisa Gerrard
2m6B (EDIT) One More Duty (1:48)
Hans Zimmer
2m7 Lucilla & Maximus (2:21)
Hans Zimmer
2m8 Patricide (4:02)
Hans Zimmer
2m9 The Emperor Is Dead (2:19)
Klaus Badelt, Lisa Gerrard
3m10 A Soldier’s Death – Home (4:20)
Hans Zimmer
3m11A The Bodies (1:30)
Klaus Badelt, Lisa Gerrard
3m11A ALT The Bodies (Alternate) (1:29)
Hans Zimmer, Lisa Gerrard
3m12 HANS To Marrakesh (4:08)
Hans Zimmer
3m12 WALTER To Marrakesh (Alternate I) (4:07)
Hans Zimmer
3m12 RIDLEY To Marrakesh (Alternate II) (4:12)
Hans Zimmer
3m13A Marketplace Music 1 (0:50)
Jeff Rona
Hans Zimmer
3m17 Rome (2:20)
Hans Zimmer
4m18 The Greatness Of Rome (1:28)
Hans Zimmer
4m19 Rome Prepares For The Games (0:49)
Jeff Rona
4m20 ALT Six Man Fight (2:46)
Hans Zimmer
4m21B ALT Win The Crowd (2:46)
Hans Zimmer
4m21B Win The Crowd (Alternate) (1:33)
Klaus Badelt, Lisa Gerrard
4m22A Not Yet (1:30)
Klaus Badelt, Lisa Gerrard
4m22B Slaves To Rome (2:28)
Hans Zimmer
4m23 He Sleeps So Well (1:06)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
4m24 ALT Afraid Of Dark – Coliseum (1:16)
Hans Zimmer, Klaus Badelt
4m24 Afraid Of Dark – Coliseum (Alternate) (0:49)
Hans Zimmer, Klaus Badelt
4m25 Walk To Coliseum (0:55)
Hans Zimmer
4m26A Marketplace Music 2 (0:26)
5m26A Marketplace Music 3 (0:45)
Jeff Rona, Adam Smalley
5m27 Maximus & Lucius Meet (1:33)
Klaus Badelt, Lisa Gerrard
5m29-30 Barbarian Horde – I Think I’ll Meet Him (13:49)
Hans Zimmer, Nick Glennie-Smith
5m32 I’m Vexed (1:22)
Hans Zimmer
6m33 I Knew A Man Once (1:03)
Hans Zimmer
6m34A Games Fanfare 1 (0:49)
Bruce Fowler, Walt Fowler
6m34B Games Fanfare 2 (0:23)
Hans Zimmer
6m34C Games Fanfare 3 (0:43)
Bruce Fowler, Walt Dowler
6m34D Maximus’ Fans (0:43)
Jeff Rona, Adam Smalley
6m35 Tigris – Waiting For Judgement (2:26)
Hans Zimmer
6m36 You Simply Won’t Die (3:00)
Hans Zimmer
6m37 Figurines (1:10)
Klaus Badelt, Lisa Gerrard
6m37 GTR Figurines (Alternate I) (1:11)
Hans Zimmer
6m37 ALT Figurines (Alternate II) (1:04)
Hans Zimmer
Hans Zimmer
6m38B We Will Lie Still (2:08)
Klaus Badelt
7m39 Wish Of A Dying Man (4:27)
Hans Zimmer, Klaus Badelt
7m40A Secrets (2:59)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
7m40B (EDIT) Persuasive Friends (0:57)
Hans Zimmer
7m40C The Kiss (2:09)
Hans Zimmer
7m41A Busy Bee (3:44)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
7m41A ALT Busy Bee (Alternate) (3:52)
Klaus Badelt, Lisa Gerrard
Hans Zimmer
7m41B INS The Trap (Insert) (0:45)
Hans Zimmer
Hans Zimmer
8m44 Flashback (0:50)
Klaus Badelt, Lisa Gerrard
8m45 Death (3:29)
Klaus Badelt, Lisa Gerrard
8m46 Honor Him (1:23)
Hans Zimmer
8m47 ALT Now We Are Free (4:25)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
8m47 Now We Are Free (Alternate I) (4:00)
Klaus Badelt, Lisa Gerrard
8m47 ALT 2 Now We Are Free (Alternate II) (5:08)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
Hans Zimmer
Suite – Duduk Of The North (5:34)
Hans Zimmer, Djivan Gasparyan
Suite – Sister Theme (3:34)
Hans Zimmer
Suite – Roman & Spanish (6:09)
Hans Zimmer
Suite – Opening Soldiers (Lisbeth) (5:21)
Hans Zimmer, Lisbeth Scott
Suite – After The War (4:47)
Hans Zimmer
Suite – Rome Is The Light (2:45)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
Hans Zimmer
Hans Zimmer
BOOKLET CREDITS
Music Composed & Arranged by Hans Zimmer & Lisa Gerrard
Executive Soundtrack Producers: Ridley Scott & Pietro Scalia
Score Produced by Hans Zimmer & Klaus Badelt
Additional Music & Arranging by Klaus Badelt & Nick Glennie-Smith
Orchestrated by Bruce Fowler, Yvonne S. Moriarty, Walt Fowler, Ladd McIntosh, Elizabeth Finch & Jack Smalley
Score Conducted by Gavin Greenaway
Score Recorded & Mixed by Alan Meyerson
Additional Recordings: Slamm Andrews
Music Supervisor & Music Editor:Adam Smalley
Temp Music Editor: Dashiell Rae
Music Production Supervisor: Gretchen O'Neal
Music Production Services: Media Ventures, Santa Monica
Media Ventures Studio Manager: Tom Broderick
Assistant Engineers for Media Ventures: Kevin Globerman, Bruno Roussel & Gregg Silk
Technical Score Advisors: Justin Burnett &Marc Streitenfeld
Assistants to Hans Zimmer: Moanike'ala Nakamoto, James Dooley,Michael Alexander & Clay Duncan
Assistant to Lisa Gerrard:Jacek Tuschewski
Score Recorded atAir Studios Lyndhurst, London
London Music Coordinator: Maggie Rodford at Air Edel & Associates, Ltd.
Music Preparation: Tony Stanton
Score Performed byThe Lyndhurst Orchestra
Music Contractor:Tonia Davall
Assistant Engineers for Air Studios: Nick Wollage & Jake Jackson
Orchestra Leader: Gavyn Wright
Featured Performers:
Solo Vocals: Lisa Gerrard
Guitars: Heitor Pereira
Duduk: Djivan Gasparyan
Solo Cello: Tony Pleeth
Solo Trumpet: Maurice Murphy
Flute: Jeff Rona
Yangqin: Lisa Gerrard
Synthesizers: Hans Zimmer & Klaus Badelt
"Opening Soldiers" Vocals: Lisbeth Scott
25th Anniversay Expanded Edition
Album Produced for La-La Land Records byStéphane Humez
Executive Producers for La-La Land Records:MV Gerhard &Matt Verboys
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Soundtrack Album Coordinator: Michael Murphy
Music Business Affairs for UME: Sean Roderick
Production Coordinator for UME: Jerry Stine
Album Edited & Mastered by Maxime Marion
Production Assistance: Frank K. DeWald &Neil S. Bulk
Art Direction: Dan Goldwasser at Warm Butter Design
All Tracks Published by SKG Songs Except: Disc 2 Track 19 & Disc 3 Tracks 21, 22 Published bySKG Songs, MVEG Music Publishing & Beggars Banquet Music
La-La Land Records Special Thanks: Hans Zimmer, Lisa Gerrard, Steve Kofsky, Jessica Gibson, Chuck Choi, Nolan Bacardi, Amir Halevi, Colby Donaldson, Cynthia Park & Everyone at Remote Control Productions, Henning Lohner, Brock Amoroso, Adam Smalley, Jeff Rona, Nick Glennie-Smith, Lisbeth Scott, Maggie Rodford, Lucy Evans & François Pheulpin
Paramount Pictures Special Thanks: Lina Ajao, Lilly Bennett, Micaela Cain, Sheryl Carlin, Dina Durant, Ray Gonzalez, Amanda Grossman, Elizabeth Kirkscey, Eric Lane, Vanessa Palmer, Adam Papila, David Sooc, Rebecca Ruud, Ishita Sinha, Megan Walla, Jonathan Weiss & Kaiyun Wong
CD1 – SCORE PRESENTATION
01 – Opening – Fields (1:40)
Hans Zimmer
02 – The Wheat (Film Version) (1:00)
Lisa Gerrard
03 – The Battle (Film Version) (10:36)
Hans Zimmer
04 – Commodus – After The War (2:46)
Hans Zimmer
05 – Marcus & Lucilla (2:06)
Hans Zimmer
06 – Tell Me About Your Home (1:07)
Lisa Gerrard, Klaus Badelt
07 – Lucilla & Maximus (2:20)
Hans Zimmer
08 – Patricide (Film Version) (4:00)
Hans Zimmer
09 – Emperor Is Dead (2:21)
Lisa Gerrard, Klaus Badelt
10 – A Soldier’s Death – Home (4:03)
Hans Zimmer
11 – The Bodies (1:27)
Lisa Gerrard, Klaus Badelt
12 – To Marrakesh (4:07)
Hans Zimmer, Djivan Gasparyan
13 – I Salute You (7:23)
Hans Zimmer
14 – Rome (2:20)
Hans Zimmer
15 – The Greatness Of Rome (1:33)
Hans Zimmer
16 – Six Man Fight (2:47)
Hans Zimmer
17 – Win The Crowd (2:38)
Hans Zimmer
18 – Reunion (1:15)
Lisa Gerrard, Klaus Badelt
19 – Slaves To Rome (Film Version) (2:07)
Hans Zimmer
20 – He Sleeps So Well (1:00)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
21 – Afraid Of Dark (1:11)
Hans Zimmer
22 – Walk To Colosseum (0:54)
Hans Zimmer
23 – Maximus & Lucius Meet (1:36)
Lisa Gerrard, Klaus Badelt
CD2 – SCORE PRESENTATION CONTINUED
01 – Barbarian Horde (Film Version) (9:17)
Hans Zimmer, Nick Glennie-Smith
02 – I Think I’ll Meet Him (4:32)
Hans Zimmer
03 – I’m Vexed (1:21)
Hans Zimmer
04 – I Knew A Man Once (1:00)
Hans Zimmer
05 – Tiger Fight – Waiting For Judgment (2:18)
Hans Zimmer
06 – You Simply Won’t Die (2:57)
Hans Zimmer
07 – Figurines (Film Version) (1:10)
Lisa Gerrard
08 – They Love Maximus (1:30)
Hans Zimmer
09 – We Will Lie Still (2:03)
Klaus Badelt
10 – Wish Of A Dying Man (4:25)
Hans Zimmer, Klaus Badelt
11 – Secrets (Film Version) (2:59)
Lisa Gerrard, Klaus Badelt
12 – The Kiss (2:07)
Hans Zimmer
13 – Busy Bee (3:32)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
14 – The Trap – Escape Fails (4:12)
Hans Zimmer
15 – Am I Not Merciful? (Film Version) (6:37)
Hans Zimmer
16 – Flashback (0:46)
Lisa Gerrard, Klaus Badelt
17 – Elysium (Film Version) (3:00)
Lisa Gerrard, Klaus Badelt
18 – Honor Him (1:20)
Hans Zimmer
19 – Now We Are Free (4:15)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
CD3 – THE GLADIATOR SKETCHBOOK
01 – Duduk Of The North (5:35)
Hans Zimmer
02 – Gladiator Waltz (Demo) (8:28)
Hans Zimmer
03 – Rome Is The Light (2:44)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
04 – After The War (4:42)
Hans Zimmer
05 – Opening Soldiers (feat. Lisbeth Scott) (5:21)
Hans Zimmer
06 – Sister Theme (3:31)
Hans Zimmer
07 – Roman & Spanish (6:32)
Hans Zimmer, Djivan Gasparyan
08 – After The War (Guitar Variation) (3:55)
Hans Zimmer
ADDITIONAL MUSIC
09 – The Wheat (Alternate) (1:18)
Lisa Gerrard
10 – The Battle (10:03)
Hans Zimmer
11 – The Bodies (Alternate) (1:27)
Hans Zimmer, Lisa Gerrard
12 – To Marrakesh (Alternate Opening Version 1) (1:33)
Hans Zimmer, Djivan Gasparyan
13 – To Marrakesh (Alternate Opening Version 2) (1:36)
Hans Zimmer
14 – Marrakesh Marketplace (0:44)
Jeff Rona
15 – Win The Crowd (Alternate) (1:30)
Lisa Gerrard, Klaus Badelt
16 – Afraid Of Dark (Alternate) (0:49)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
17 – Figurines (1:03)
Hans Zimmer, Lisa Gerrard
18 – Figurines (Alternate) (1:10)
Hans Zimmer
19 – Busy Bee (Alternate) (3:46)
Lisa Gerrard, Klaus Badelt
20 – The Trap – Escape Fails (Alternate) (3:20)
Hans Zimmer
21 – Now We Are Free (Alternate Version 1) (5:06)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
22 – Now We Are Free (Alternate Version 2) (4:01)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
Music Composed & Arranged by Hans Zimmer & Lisa Gerrard
Executive Soundtrack Producers: Ridley Scott & Pietro Scalia
Score Produced by Hans Zimmer & Klaus Badelt
Additional Music & Arranging by Klaus Badelt
Score Recorded & Mixed by Alan Meyerson
Score Conducted by Gavin Greenaway
Additional Recordings: Slamm Andrews
Music Editor: Adam Smalley
Temp Music Editor: Dashiell Rae
Assistant Engineers for Media Ventures: Kevin Globerman, Bruno Roussel & Gregg Silk
Technical Score Advisors: Justin Burnett & Marc Streitenfeld
Score Recorded at Air Studios Lyndhurst, London
London Music Coordinator: Maggie Rodford at Air Edel & Associates, Ltd.
Orchestrated by Bruce Fowler, Yvonne S. Moriarty, Walt Fowler, Ladd McIntosh, Elizabeth Finch & Jack Smalley
Music Preparation: Tony Stanton
Music Contractor: Tonia Davall
Assistant Engineers for Air Studios: Nick Wollage & Jake Jackson
Orchestra Leader: Gavyn Wright
Executive in Charge of Music for DreamWorks Pictures: Todd Homme
Chairman, Universal Classics Group: Chris Roberts
Business Affairs: Lenny Wohl & Gretchen O'Neal
Music Production Services: Media Ventures, Santa Monica
Media Ventures Studio Manager: Tom Broderick
Assistants to Hans Zimmer: Moanike'ala Nakamoto, James Dooley & Michael Alexander
Score Performed by The Lyndhurst Orchestra
Featured Performers:
Vocals: Lisa Gerrard
Guitars: Heitor Pereira
Duduk: Djivan Gasparyan
Solo Cello: Tony Pleeth
Solo Trumpet: Maurice Murphy
Hans & Lisa wish to thank: Ridley Scott, Doug Wick, David Franzoni, Branko Lustig, Walter Parkes, Laurie MacDonald, Pietro Scalia, David Geffen, Jeffrey Katzenberg, Steven Spielberg, Lisa Altman, Bob Beemer, Chris Bleth, Michael Brook, Jim Brooks, Emma Burnham, Eric Calvi, Patrick Cassidy, Ronni Chasen, Marty Cohen, Gerry Courtney, Bob Daspit, Bob Drwila, Nanette & John Gerrard, Kevin Gore, Michael Gorfaine, Harry Gregson-Williams, Michael Grillo, Per Hallberg, Marylata Jacob, Lisa Dennis-Kennedy, Gerry Kopecky, Anne Lai, Milly Leigh, Henning Lohner, Denis McNamara, Scott Millan, John Nelson, Elisa Perlman, John Powell, Michael Reynolds, Jay Rifkin, Chris Roberts, Jeff Rona, Steve R. Sacks, Sam Schwartz, Wesley Sewell, Tom Squires, Gary Stiffelman, Jacek Tuschewski, Teresa & Lashna Teschewski, Fulvio Valsangiacomo, Scott Wilkinson, Chisako Yokoyama, Nancy Zannini, Cindy Zaplachinski, Brigitte Zimmer, Jake Zimmer, Suzanne Zimmer, Zoe Zimmer & The Media Ventures Team
And Special Thanks to Nick Glennie-Smith & Lisbeth Scott
For Ollie
Hans Zimmer
02 – The Wheat (1:03)
Lisa Gerrard
03 – The Battle (10:02)
Hans Zimmer
04 – Earth (3:01)
Hans Zimmer
05 – Sorrow (1:26)
Lisa Gerrard, Klaus Badelt
06 – To Zucchabar (3:16)
Hans Zimmer, Djivan Gasparyan
07 – Patricide (4:08)
Hans Zimmer
08 – The Emperor Is Dead (1:21)
Lisa Gerrard, Klaus Badelt
09 – The Might Of Rome (5:18)
Hans Zimmer
10 – Strength And Honor (2:09)
Hans Zimmer
11 – Reunion (1:14)
Lisa Gerrard, Klaus Badelt
12 – Slaves To Rome (1:00)
Hans Zimmer
13 – Barbarian Horde (10:33)
Hans Zimmer, Nick Glennie-Smith
14 – Am I Not Merciful? (6:33)
Hans Zimmer
15 – Elysium (2:41)
Lisa Gerrard, Klaus Badelt
16 – Honor Him (1:19)
Hans Zimmer
17 – Now We Are Free (4:14)
Hans Zimmer, Lisa Gerrard, Klaus Badelt
Music Composed & Arranged by Hans Zimmer & Lisa Gerrard
Executive Soundtrack Producers: Ridley Scott & Pietro Scalia
Additional Music by Klaus Badelt
Produced by Hans Zimmer, Klaus Badelt & Alan Meyerson
Conducted by Gavin Greenaway
Score Recorded & Mixed by Alan Meyerson
Additional Recording by Slamm Andrews
Music Production Supervisor: Gretchen O'Neal
Music Production Services Provided by Media Ventures, Santa Monica, CA
Engineers for Media Ventures: Kevin Globerman & Gregg Silk
Score Recorded at Air Studios Lyndhurst, London
London Music Coordinator: Maggie Rodford at Air Edel & Associates
Orchestrated by Bruce Fowler, Yvonne S. Moriarty, Walt Fowler, Ladd McIntosh, Elizabeth Finch & Jack Smalley
Music Preparation: Tony Stanton
Music Contractor: Tonia Davall
Assistant Engineers for Air Studios: Nick Wollage & Jake Jackson
Orchestra Leader: Gavyn Wright
Assistants to Hans Zimmer: Moanike'ala Nakamoto, James Dooley & Clay Duncan
Assistant to Lisa Gerrard: Jacek Tuschewski
Vocals by Lisa Gerrard
Guitars by Heitor Pereira
Duduk by Djivan Gasparyan
Flute by Jeff Rona
Synthesizers: Hans Zimmer & Klaus Badelt
Executive in Charge of Music for DreamWorks Pictures: Todd Homme
Chairman, Universal Classics Group: Chris Roberts
Business Affairs: Lenny Wohl & Cindy Zaplachinski
Hans & Lisa wish to thank:
David Geffen, Jeffrey Katzenberg, Branko Lustig, Laurie MacDonald, Walter Parkes, Steven Spielberg, Douglas Wick
Bob Beemer, Chris Bleth, Tom Broderick, Emma Burnham, Ronni Chasen, Marty Cohen, Ramin Djawadi, Bob Drwila, Randy Dry, Harry Garfield, Nanette & John Gerrard, Teresa Gerrard, Kevin Gore, Michael Gorfaine, Michael Grillo, Per Hallberg, Lisa Dennis Kennedy, Anne Lai, Milly Leigh, James Mathieson, Scott Millan, John Nelson, Kathy Nelson, Leah Panlilio, Elisa Perlman, Michael Reynolds, Jay Rifkin, Chris Roberts, Steven R. Sacks, Sam Schwartz, Wesley Sewell, Tom Squires, Lashna Tuschewski, Fulvio Valsangiacomo, Jeff Wopperer, Scott Wilkinson, Chisako Yokoyama, Jake Zimmer, Suzanne Zimmer, Zoe Zimmer & The Media Ventures Team
Hans Zimmer
02 – Now We Are Free (Juba’s Mix) (4:47)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
03 – The Protector Of Rome (1:25) *
Hans Zimmer, Klaus Badelt, Lisa Gerrard
04 – Homecoming (3:36) *
Hans Zimmer
05 – The General Who Became A Slave (3:03)
Hans Zimmer
06 – The Slave Who Became A Gladiator (6:11) *
Hans Zimmer
07 – Secrets (1:59)
Klaus Badelt, Lisa Gerrard
08 – Rome Is The Light (2:43)
Hans Zimmer, Klaus Badelt, Lisa Gerrard
09 – All That Remains (0:54)
Hans Zimmer
10 – Maximus (1:09)
Hans Zimmer
11 – Marrakesh Marketplace (0:42)
Jeff Rona
12 – The Gladiator Waltz (8:25) *
Hans Zimmer
13 – Figurines (1:01)
Lisa Gerrard
14 – The Mob (2:22)
Hans Zimmer, Lisa Gerrard
15 – Busy Little Bee (3:47) *
Klaus Badelt, Lisa Gerrard
16 – Death Smiles At Us All (2:29) *
Hans Zimmer, Klaus Badelt
17 – Not Yet (1:32) *
Klaus Badelt, Lisa Gerrard
18 – Now We Are Free (Maximus Mix) (3:49)
Fred Jorio, Eric Calvi
To ześ się Hans nie napracował…😀 Matador del Mar , Piraci z Karaibów…. zerżnięte z Barbarian hords, z Gladiatora🫣😜… i nie tylko 🤫😘
To ześ się Hans nie napracował…😀 Matador del Mar , Piraci z Karaibów…. zerżnięte z Barbarian hords, z Gladiatora🫣😜… i nie tylko 🤫😘
To ześ się Hans nie napracował…😀 Matador del Mar , Piraci z Karaibów…. zerżnięte z Barbarian hords, z Gladiatora🫣😜… i nie tylko 🤫😘
“Opening Soldier” with Lisbeth Scott is suuuuuuuuch a beautiful cue, wow wow wow, what a masterpiece!
Got my copy too and that track is indeed beautiful.
@Hybrid: How does it come, that Lisbeth was the singer here? Was she the vocal choice before Lisa?
First half of “After The War” sounds a bit like Eye for an Eye from TDK
Yes Lisbeth was the “demo” singer (like she was on The Peacemaker) before Lisa joined the project.
Thank you, Stéphane, for sharing this information. It’s truly fascinating to hear at this release and having all those beautiful experiences through it. And an even bigger thank you for all the incredible effort you’ve put into bringing this project to life in such a complete form — with all the alternates, demos, and details for the fans. This is nothing short of a masterpiece release.
Honestly, I’m quite surprised that more people aren’t talking about it. It absolutely deserves all the recognition and praise.
Also, Stéphane — do you think there’s any chance we could see a LLL release of The Last Samurai? I remember reading back in the time that Hans went all the way to Japan, traveling through Asia to gather inspiration for the score. A release like this, with a Sketchbook of ideas and variations, would be incredibly exciting. Maybe even more so than Gladiator, because I’m sure Hans explored many different directions before settling on the final sound.
@An0n
Yes, it is the same temp track from TDK – Watch the World Burn.
It is also there in ”Am I not Merciful?”
Yes, but that track is credited “by James Newton-Howard”… So I don’t… wha..?
Some parts of PotC 3 has “Am I not Merciful” vibes too…
have*
That kind of rip-off/homage is really got me questioning –
Is this a case of composer intentionally (out of laziness or else)/unintentionally repeating his own work? Or every major director in Hollywood sees each other work and clearly tells composer to “do that cool thing from Gladiator! It was great, man”
An0n, I was watching the Rick Beato Hans Zimmer interview from a few months ago, and Zimmer’s reaction to others’ ripoffs of Journey to the Line was, “Hey, knock yourself out!” And yes, I suspect directors do ask their composers to copy the temp music. Sounding like another’s work is just a reality of the business sometimes.
Hans should probably do small movies more frequently…
Jerry’s gonna call anyway when Depp will be ready (or script, or who knows what …)
“Opening Soldier” with Lisbeth Scott is suuuuuuuuch a beautiful cue, wow wow wow, what a masterpiece!
Got my copy too and that track is indeed beautiful.
@Hybrid: How does it come, that Lisbeth was the singer here? Was she the vocal choice before Lisa?
First half of “After The War” sounds a bit like Eye for an Eye from TDK
Yes Lisbeth was the “demo” singer (like she was on The Peacemaker) before Lisa joined the project.
Thank you, Stéphane, for sharing this information. It’s truly fascinating to hear at this release and having all those beautiful experiences through it. And an even bigger thank you for all the incredible effort you’ve put into bringing this project to life in such a complete form — with all the alternates, demos, and details for the fans. This is nothing short of a masterpiece release.
Honestly, I’m quite surprised that more people aren’t talking about it. It absolutely deserves all the recognition and praise.
Also, Stéphane — do you think there’s any chance we could see a LLL release of The Last Samurai? I remember reading back in the time that Hans went all the way to Japan, traveling through Asia to gather inspiration for the score. A release like this, with a Sketchbook of ideas and variations, would be incredibly exciting. Maybe even more so than Gladiator, because I’m sure Hans explored many different directions before settling on the final sound.
@An0n
Yes, it is the same temp track from TDK – Watch the World Burn.
It is also there in ”Am I not Merciful?”
Yes, but that track is credited “by James Newton-Howard”… So I don’t… wha..?
Some parts of PotC 3 has “Am I not Merciful” vibes too…
have*
That kind of rip-off/homage is really got me questioning –
Is this a case of composer intentionally (out of laziness or else)/unintentionally repeating his own work? Or every major director in Hollywood sees each other work and clearly tells composer to “do that cool thing from Gladiator! It was great, man”
An0n, I was watching the Rick Beato Hans Zimmer interview from a few months ago, and Zimmer’s reaction to others’ ripoffs of Journey to the Line was, “Hey, knock yourself out!” And yes, I suspect directors do ask their composers to copy the temp music. Sounding like another’s work is just a reality of the business sometimes.
Hans should probably do small movies more frequently…
Jerry’s gonna call anyway when Depp will be ready (or script, or who knows what …)
“Opening Soldier” with Lisbeth Scott is suuuuuuuuch a beautiful cue, wow wow wow, what a masterpiece!
Got my copy too and that track is indeed beautiful.
@Hybrid: How does it come, that Lisbeth was the singer here? Was she the vocal choice before Lisa?
First half of “After The War” sounds a bit like Eye for an Eye from TDK
Yes Lisbeth was the “demo” singer (like she was on The Peacemaker) before Lisa joined the project.
Thank you, Stéphane, for sharing this information. It’s truly fascinating to hear at this release and having all those beautiful experiences through it. And an even bigger thank you for all the incredible effort you’ve put into bringing this project to life in such a complete form — with all the alternates, demos, and details for the fans. This is nothing short of a masterpiece release.
Honestly, I’m quite surprised that more people aren’t talking about it. It absolutely deserves all the recognition and praise.
Also, Stéphane — do you think there’s any chance we could see a LLL release of The Last Samurai? I remember reading back in the time that Hans went all the way to Japan, traveling through Asia to gather inspiration for the score. A release like this, with a Sketchbook of ideas and variations, would be incredibly exciting. Maybe even more so than Gladiator, because I’m sure Hans explored many different directions before settling on the final sound.
@An0n
Yes, it is the same temp track from TDK – Watch the World Burn.
It is also there in ”Am I not Merciful?”
Yes, but that track is credited “by James Newton-Howard”… So I don’t… wha..?
Some parts of PotC 3 has “Am I not Merciful” vibes too…
have*
That kind of rip-off/homage is really got me questioning –
Is this a case of composer intentionally (out of laziness or else)/unintentionally repeating his own work? Or every major director in Hollywood sees each other work and clearly tells composer to “do that cool thing from Gladiator! It was great, man”
An0n, I was watching the Rick Beato Hans Zimmer interview from a few months ago, and Zimmer’s reaction to others’ ripoffs of Journey to the Line was, “Hey, knock yourself out!” And yes, I suspect directors do ask their composers to copy the temp music. Sounding like another’s work is just a reality of the business sometimes.
Hans should probably do small movies more frequently…
Jerry’s gonna call anyway when Depp will be ready (or script, or who knows what …)