Bob Badami
Music Consultant
Tina Guo
Musician
Michael John Mollo
Assistant To Composer
Dave Metzger
Orchestrator
Satnam Ramgotra
Musician
John Ashton Thomas
Additional Music
Henry Jackman
Additional Music
James McKee Smith
Additional Music
John Powell
Composer
Blake Neely
Conductor
Don Harper
Conductor
Germaine Franco
Orchestrator
Edie Lehmann Boddicker
Vocals
FILM CREDITS
Music by John Powell
Music Supervision by George Drakoulias
Music Consultant: Bob Badami
Music Editors: Katie Greathouse & Katrina Schiller
Additional Music by James McKee Smith, John Ashton Thomas & Henry Jackman
Orchestra Conducted by Pete Anthony
Orchestrations by Kevin Kliesch & Germaine Franco
Score Mixer: Shawn Murphy
Music Contractor: Gina Zimmitti
Music Preparation: Mark Graham
ALBUM ASSEMBLY
SUV Chase : 1m07 v1F Joyride
John, Meet Ray : 1m12 v2E Ray's Pitch + 1m13 v1A The Pitch Goes Bad
Train Disaster : 1m13 v2E Train Save + 1m14 ALT v1D Thank You
Meatballs? : 1m16 v3F Meatballs
The Trailer : 2m18 v1F Roof Dream Box
French Asshole : 2m20 v2D French Asshole
Superhero Comix : 2m22 v1C Comics
You Should Go! : 2m23 v1B Go To Jail
Mary Brings Meatballs : 2m30 v2 ALT Mary Visits Jail
Getting Therapy : 3m32 v1F Dream + 2m30 v1 ALT Mary Visits Jail
To War : 3m32B To War
I Really Hate That Word : 3m33B v2C Bank Asshole
Standing Ovation : 3m36 v1D Standing Ovation
The Kiss : 3m40-42 v1H Bed - The Kiss
Indestructible : 3m43 v1C Indestructible Mary
Hollywood Blvd : 4m46-48 v6H Hollywood Blvd (Edited)
Mortal : 4m51-54 ALT Robbery
Upon Us All : 5m58B v1A Upon Us All
Death And Transfiguration : 5m60-61 v1F Death & Transfiguration (Edited) + 5m60-61 v4A Death & Transfiguration (Edited) + 5m62 v1E The Moon
The Moon And The Superhero : 5m63 v1A Transition + EC End Suite v2C Pt 3
1m07 v1F Joyride (2:01)
1m10 v1C Abandoned (1:06)
1m12 v2E Ray’s Pitch (0:58)
1m13A v1A The Pitch Goes Bad (1:08)
1m13 v1F Train Save (2:37)
1m13 v2E Train Save (Alternate) (0:55)
1m14 ALT v1D Thank You (Alternate I) (1:45)
1m14 v1B Thank You (Alternate II) (1:15)
1m16 v3F Meatballs (Alternate) (0:57)
2m20 v2D French Asshole (1:32)
2m22 v1C Comics (0:47)
2m23-24 v1C Go To Jail (1:33)
2m23 v1B Go To Jail (Alternate) (0:52)
2m26 v1A Jail Altercation (1:18)
2m28 v1A Coward (1:12)
2m30 v1E Mary Visits Jail (2:11)
2m30 v2B Mary Visits Jail (Alternate I) (2:08)
2m30 v1 ALT Mary Visits Jail (Alternate II) (1:36)
2m30 v2 ALT Mary Visits Jail (Alternate III) (1:32)
3m31-32 v1C Ball Escapes (1:06)
3m32 v1F Dream (0:58)
3m32B To War (1:19)
3m33 v1B Bank Walk In (0:57)
3m33 v2C Bank Asshole (0:49)
3m33 v2D Bank Robbery (5:38)
3m36 v1D Standing Ovation (1:06)
3m39 v1B Restaurant (0:49)
3m40-42 v1H Bed – The Kiss (2:23)
3m43 v1C Indestructible Mary (2:05)
3m45A v1B Power Talk (0:35)
4m46-48 v6H Hollywood Blvd (6:56)
4m49 v1E Mary Explains (1:48)
4m51-54 v2H Robbery (5:27)
4m51-54 ALT Robbery (Alternate) (6:33)
5m58A v2A Hospital Shootout (2:57)
5m58B v1A Upon Us All (1:19)
5m60-61 v4A Death & Transfiguration (3:09)
5m60-61 v1F Death & Transfiguration (Alternate I) (2:55)
5m60-61 v2A Death & Transfiguration (Alternate II) (3:25)
5m62 v1E The Moon (1:21)
5m63 v1A Transition (2:29)
EC End Suite v2C Pt 1 (1:33)
EC End Suite v2C Pt 2 (2:01)
EC End Suite v2C Pt 3 (0:53)
Music by John Powell
Produced by John Powell
Executive Producer for Varese Sarabande: Robert Towson
Executive in Charge of Music for Columbia Pictures: Lia Vollack
Music Consultant: Bob Badami
Music Supervisor: George Drakoulias
Music Editors: Katie Greathouse & Katrina Schiller
Assistant Music Editor: Mario Vitale
Additional Music & Programming by James McKee Smith, John Ashton Thomas & Henry Jackman
Conductors: Pete Anthony, Don Harper & Blake Neely
Score Performed by The Hollywood Studio Symphony
Guitars & Dulcimers: George Doering
Drums: Joey Waronker
Bass & Guitar: Larry Taylor
Hand Percussion: Alex Acuna, Lenny Castro, Lui Conte, Brian Kilgore & Walter Rodriguez
Additional Percussion: Satnam Ramgotra
Piano, Celeste, Organ & Harmonium: Doug Petty
Orchestral Contractor: Gina Zimmitti
Orchestrations by John Ashton Thomas
Additional Orchestrations by Kevin Kliesch, Dave Metzger, Randy Kerber, Brad Dechter, Germaine Franco & Jane Cornish
Music Preparation: Mark Graham, JoAnn Kane Music Service
Recorded & Mixed by Shawn Murphy
Additional Recording by Dan Lerner & Hugo Nicolson
Score Recorded & Mixed at The Barbra Streisand Scoring Stage, Sony Pictures, 5 Cat Studios, Los Angeles, CA
Additional Recording at The Village, West Los Angeles, CA
Scoring Editor: David Channing
Scoring Digital Recordist: Erik Swanson
Score Consultant: Koji Egawa
Music Production Coordinator: Germaine Franco
Assistant to John Powell: Michael Mollo
Scoring Crew: Adam Michalak, Greg Loskorn, Dave Marquette, Mark Eshelman, Bryan Clements, Jay Selvester & Dominick Gonzalez
Album Edited & Compiled by Daniel Lerner
Mastered by Patricia Sullivan Fourstar at Bernie Grundman Mastering
John Powell wishes to thank Peter Berg, Akiva Goldsman, Michael Mann, James Lassiter, Will Smith, Lia Vollack, Raul Perez, Bob Badami, Doug Belgrad, Andrea Giannetti, DeVon Franklin, Katie Greathouse, Katrina Schiller, Shawn Murphy, David Channing, Hugo Nicolson, Colby Parker, Paul Rubell, Rick Kline, Greg King, George Drakoulias, Laura Engel, Richard Kraft, Hans Zimmer, John Ashton Thomas, James McKee Smith, Henry Jackman, Bob Hunt, Gerhard Lengeling, Manfred Knauff, Alex Perez, Shanon Chaiken, Betty Bennet, Mitch Thomas, Paul J. de Benedictis, Danny Haikin, David Heydarian, Tammy Shea & Jeffrey Light
Dedicated to Melinda Lerner & Oliver Powell
Thanks to Lisa Bright, Shelly Bunge, Valerie Caton, Kim Davis, Rod Davis & Raul Perez
02 – John, Meet Ray (2:05)
03 – Train Disaster (2:40)
04 – Meatballs? (0:57)
05 – The Trailer (2:00)
06 – French Asshole (1:32)
07 – Superhero Comix (0:44)
08 – You Should Go! (0:51)
09 – Mary Brings Meatballs (1:33)
10 – Getting Therapy (2:18)
11 – To War (1:19)
12 – I Really Hate That Word (0:48)
13 – Standing Ovation (1:06)
14 – The Kiss (2:20)
15 – Indestructible (2:05)
16 – Hollywood Blvd (6:24)
17 – Mortal (5:27)
18 – Upon Us All (1:19)
19 – Death And Transfiguration (3:55)
20 – The Moon And The Superhero (3:13)
There should be alternate for “3m32B To War (1:19)”
Isn’t it?
Album version deffers from film one
There should be alternate for “3m32B To War (1:19)”
Isn’t it?
Album version deffers from film one
There should be alternate for “3m32B To War (1:19)”
Isn’t it?
Album version deffers from film one
I like Jaws and this score ¬¬ Great Powell & Williams !!!!!! OK ¬¬?
I like Jaws and this score ¬¬ Great Powell & Williams !!!!!! OK ¬¬?
I like Jaws and this score ¬¬ Great Powell & Williams !!!!!! OK ¬¬?
perhraps because before someone get that (and us all) , armageddon will come or I will have a gray beard , so this complete is just a shadow , a ghost of promise which eventually will never comes:)
so…. why does it say "The Haunting Complete Records" on the top??
I’m not fighting at all lol. I’m just want to know, that’s interesting to progress if i’m wrong ;)
and i assume, it’s powerful ;)
The front cover maker doesn’t know anything about fonts too!
And about the haunting-thing, like the Dutch did the same for the score of Oorlogswinter ”door de wereldberoemde componist Pino Donaggio”, ”by the world famous composer Pino Donaggio.”
That’s for losers :P