Tina Guo
Musician
Richard Harvey
Musician
Lorne Balfe
Composer
Steven Kofsky
Music Production Services
Max Aruj
Additional Arrangements
John Witt Chapman
Music Scoring Mixer
Steffen Thum
Additional Arrangements
Peter Gregson
Musician
Queenie Li
Music Production Coordinator
Seth Waldmann
Music Scoring Mixer
Alfie Godfrey
Score Technical Assistant
Michael Bitton
Score Technical Assistant
Boris Salchow
Additional Arrangements
Shane Rutherfoord-Jones
Additional Arrangements
Mike Ladouceur
Additional Arrangements
Soya Soo
Assistant Music Mixer
Aldo Arechar
Assistant Score Mixer
Ethan Gillespie
Additional Orchestrator
SERIES CREDITS
Music by Lorne Balfe
Music Editor: Al Green
Original Score by Lorne Balfe
Score Produced by Lorne Balfe
Music Production Coordinator: Queenie Li
Music Production Services: Steven Kofsky
Additional Arrangements: Steffen Thum, Max Aruj, Boris Salchow, Mike Ladouceur & Shane Rutherfoord-Jones
Music Editor: Al Green
Orchestrator: Shane Rutherfoord-Jones
Cello: Tina Guo & Peter Gregson
Drums: Chad Smith
Electric Guitar: Alexandre Fransche
Horn: Sarah Willis
Recorder: Richard Harvey
Vocal: KT Tunstall
Violin: Lindsey Stirling
Ethnic Choir: Vanya Moneva Bulgaria
Conductor: Matt Dunkley
Score Mix Engineers: Seth Waldmann & John Chapman
Assistant Mix Engineers: Soya Soo & Aldo Arechar
Score Technical Assistants: Michael Bitton & Alfie Godfrey
Score Recording Engineer: Simon Smith
Score Recorded by BBC National Orchestra of Wales
Score Mixed at Remote Control Productions
Executive Producers for Silva Screen Records: Reynold D'Silva & David Stoner
Digital Manager: James Borrer
Album Mastered by John Webber at AIR Mastering
Lorne Balfe would like to thank...
Jane Tranter, Dan McCulloch, Jessica Levin, Laurie Borg, Stephen Haren, Queenie Li, Max Aruj, Steffen Thum, Shane Rutherfoord-Jones, Mike Ladouceur, Michael Bitton, Alfie Godfrey, Joseph Cho, Matt Dunkley, Seth Waldmann, John Chapman, Soya Soo, Aldo Arechar, Al Green, Michael Haren, Jake Kozarec, Christopher Gutch, Darrell Alexander, Steven Kofsky, Chad Smith, Tina Guo, Lindsey Stirling, KT Tunstall, Alexander Preston, Laura Glass, Adina Friedman, Jessica Breslow, Richard Harvey, BBC National Orchestra of Wales, Silva Screen Records, David & Eva Balfe, Nina, Rufus Balfe & Marnie Balfe
02 – The Alethiometer (4:35)
03 – Lyra – The Child Of Prophecy (2:20)
04 – The Settling Of A Daemon (3:54)
05 – Scholastic Sanctuary (3:06)
06 – The General Oblation Board (2:58)
07 – The Life Of Roger Parslow (2:42)
08 – The Machinations Of Lord Boreal (2:50)
09 – A Gilded Cage (1:24)
10 – The Strength Of Gyptians (3:38)
11 – A Plea To Fate (3:13)
12 – The Legacy Of Svalbard (2:30)
13 – Mrs. M. Coulter (2:05)
14 – The Magisterium (3:03)
15 – The Path Foretold (2:15)
16 – Release The Spy-Fly (2:07)
17 – The Tales Of Lee Scoresby (2:43)
18 – The Compass Points North (2:34)
19 – Will – The Knife Bearer (2:15) (Physical CD Bonus Track)
20 – The Witches Of Lake Enara (3:15)
Original Score by Lorne Balfe
Score Produced by Lorne Balfe
Music Production Coordinator: Queenie Li
Music Production Services: Steven Kofsky
Additional Arrangements: Steffen Thum, Max Aruj, Boris Salchow, Mike Ladouceur & Shane Rutherfoord-Jones
Music Editor: Al Green
Orchestrator: Shane Rutherfoord-Jones
Cello: Tina Guo & Peter Gregson
Drums: Chad Smith
Electric Guitar: Alexandre Fransche
Horn: Sarah Willis
Recorder: Richard Harvey
Vocal: KT Tunstall
Violin: Lindsey Stirling
Ethnic Choir: Vanya Moneva Bulgaria
Conductor: Matt Dunkley
Score Mix Engineers: Seth Waldmann & John Chapman
Assistant Mix Engineers: Soya Soo & Aldo Arechar
Score Technical Assistants: Michael Bitton & Alfie Godfrey
Score Recording Engineer: Simon Smith
Score Recorded by BBC National Orchestra of Wales
Score Mixed at Remote Control Productions
Executive Producers for Silva Screen Records: Reynold D'Silva & David Stoner
Digital Manager: James Borrer
Album Mastered by John Webber at AIR Mastering
Lorne Balfe would like to thank...
Jane Tranter, Dan McCulloch, Jessica Levin, Laurie Borg, Stephen Haren, Queenie Li, Max Aruj, Steffen Thum, Shane Rutherfoord-Jones, Mike Ladouceur, Michael Bitton, Alfie Godfrey, Joseph Cho, Matt Dunkley, Seth Waldmann, John Chapman, Soya Soo, Aldo Arechar, Al Green, Michael Haren, Jake Kozarec, Christopher Gutch, Darrell Alexander, Steven Kofsky, Chad Smith, Tina Guo, Lindsey Stirling, KT Tunstall, Alexander Preston, Laura Glass, Adina Friedman, Jessica Breslow, Richard Harvey, BBC National Orchestra of Wales, Silva Screen Records, David & Eva Balfe, Nina, Rufus Balfe & Marnie Balfe
02 – The Great Flood (4:09)
03 – Lyra’s Jordan (1:49)
04 – Everyone Is Special (2:52)
05 – The Golden Compass (1:38)
06 – Where Is Roger? (2:32)
07 – Readying The Boats (1:53)
08 – Leaving Jordan (3:13)
09 – Tell Me Where He Is (2:02)
10 – Voyages (3:34)
11 – Cocktail Party (2:29)
12 – I Will Succeed (1:45)
13 – There Was A Gyptian Nurse (4:09)
14 – Daemons To Dust (2:56)
15 – Clear Your Mind (1:36)
16 – The List (2:41)
17 – Look To The Stars (1:16)
02 – You Loved A Witch (3:40)
03 – Iorek Breaks Loose (2:18)
04 – Some Sort Of Ghost (3:17)
05 – Polar Adventure (2:13)
06 – The Silver Guillotine (3:05)
07 – Battle Of Bolvangar (3:03)
08 – Parting Ways (2:11)
09 – Armored Claws (2:42)
10 – Assuming The Mantle (2:15)
11 – Airships Approaching (3:27)
12 – Fog And Ice (2:35)
13 – Bridge To The Stars (2:27)
14 – The End Of The Magisterium (2:47)
15 – Crossing Worlds (4:41)
16 – Into The Sky (1:21)


There’s a solid 40 minutes of strong material here. I particularly like how Balfe takes the various themes from the suites and develops them, it really is a good companion album to the Anthology set,
The rest is functional, not bad but nothing really standout either.
Really love the fact Lorne Balfe is posting the score music for all of the themes for piano.Volume 1 has to be the best tv soundtrack this year
Now in Itunes NZ, the album for the first season
https:/ /music.apple.com/nz/album/his-dark-materials-original-televi sion-soundtrac k/1491 851961
What is your source?
I heard Hans Zimmer is scoring Bond 25 :)
This is Balfe’s best music yet for sure and shows a side to his musical skills we don’t get to hear much I think.
It’s been interesting reading posts about Balfe doing Bond.Has he confirmed yet if he is ?
“The Alethiometer” might be my new favorite track of the year. Those chord progressions scream JNH/Jerry Goldsmith and are pretty similar to Balfe’s work on Beyond: Two Souls/Blackwood.
I’m glad to see this score getting some love, I’ve always been annoyed with how people seem to slam Balfe for his more workmanlike efforts while ignoring the stronger scores he has done over the years.
Damn. After skimming the album, you might be right about this being a great product from Balfe. Jesus, woodwinds, beautiful string and choral writing, melody, and an overall creative sound pallet. The only other score of his that gets close to this quality IMO is Genius Season 2.
There are a few moments where the electronics sound ugly and overbearing, but they're thankfully pretty sparse.
I fully agree that we need more of this Lorne style!
Okay, so I'm not the biggest Balfe fan, but when he does it right, I have to recognize it.
And this is a really good example of the best he can achieve. Tracks like the main theme, The Alethiometer, The Strength of Gyptians or A Plea To Fate show how great he can be, and makes me wonder why he would not use this style more often in his scores.
Anyway, I cannot wait to hear how he develops and uses the themes when the score album is released!
Tina Guo and Richard Harvey are musicians