FILM CREDITS
Music Composed by Lorne Balfe & Stargate
Executive Music Producers: Stargate
Music Executive: Sunny Park
Music Editor: Tom Carlson
Score Recorded by Geoff Foster & Olga Fitzroy
Score Mixed by Stephen Lipson
Orchestrator: Oscar Senen
Additional Orchestrations by Joan Martorell
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Orchestra Conducted by Gavin Greenaway
Woodwinds & Choir Conducted by Ben Foster
Orchestra Leader: Perry Montague-Mason
Drums: Ian Thomas
Guitars: John Parricelli
Bass Guitar: Yolanda Charles
Choir: Metro Voices
Choirmaster: Catherine Bott
Music Programmer: Max Aruj
Librarian & Music Preparation: Jill Streater, Global Music Service
Booth Reader: Thomas Farnon
Score Recorded at Air Studios, London
Studio Manager: Alison Burton
Digital Recordists: Chris Barrett & Fiona Cruickshank
Score Technical Engineers: Max Aruj & Thomas Farnon
Score Assistant Engineers: Laurence Anslow & John Prestage
Scoring Editor: Richard Robson
Score Mixed at Battery Studios, London
Score Mix Assistant Engineer: Edd Hartwell
Score Production Supervisor: Charlene Ann Huang
Score Production Coordinator: Steven Kofsky
Score Technical Assistant: Steffen Thum
Music Coordinators: Tori Fillat & Sebastien Christie
Music Clearances: Julie Butchko
Music Business Affairs: Kevin Breen & Emily Morchower
Rihanna Vocals Produced by Kuk Harrell
Music Composed & Produced by Lorne Balfe
Executive in Charge of Music for DreamWorks Animation: Sunny Park
Executive in Charge of Soundtracks for Relativity Music Group: Jason Markey
Executive Soundtrack Producers: Jason Markey, Bob Bowen & Ryan Kavanaugh
Music Coordinators for Relativity Music Group: Ian Broucek & Meredith McBee
Album Mastered by Stephen Marsh
Music Editor: Tom Carlson
Score Recorded by Geoff Foster & Olga FitzRoy
Score Mixed by Stephen Lipson
Orchestrator: Oscar Senén
Additional Orchestrations by Joan Martorell
Music Programmer: Max Aruj
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Librarian & Music Preparation: Jill Streater, Global Music Service
Booth Reader: Thomas Farnon
Score Recorded at Air Studios, London
Studio Manager: Alison Burton
Digital Recordists: Chris Barrett & Fiona Cruickshank
Score Technical Engineers: Max Aruj & Thomas Farnon
Score Assistant Engineers: Laurence Anslow & John Prestage
Scoring Editor: Richard Robson
Score Mixed at Battery Studios, London
Score Mix Assistant Engineer: Edd Hartwell
Score Production Supervisor: Charlene Ann Huang
Score Production Coordinator: Kelly Johnson
Music Production Services: Steven Kofsky
Score Technical Assistant: Steffen Thum
Music Coordinators: Tori Fillat & Sebastien Christie
Music Clearances: Julie Butchko
Music Business Affairs: Kevin Breen & Emily Morchower
Orchestra & Soloists
Orchestra Conducted by Gavin Greenaway
Woodwinds & Choir Conducted by Ben Foster
Orchestra Leader: Perry Montague-Mason
Tuba / Cimbasso: Owen Slade
Flute / Piccolo: Eliza Marshall
Flute / Piccolo / Alto: Anna Noakes
Oboe: David Theodore
Bb Clarinet: Nick Rodwell
Bb Clarinet / Bass Clarinet: Anthony Pike
Bassoon: Gavin McNaughton
Drums / Drum Solos: Ian Thomas
Percussion: Frank Ricotti, Gary Kettel & Paul Clarvis
Guitars: John Parricelli
Bass Guitar: Yolanda Charles
Choir: Metro Voices
Choirmaster: Catherine Bott
Choir Conducted by Ben Foster
Lorne Balfe thanks:
Jeffrey Katzenberg, Tim Johnson, Suzanne Buirgy, Mireille Soria, Bill Damaschke, Sunny Park, Nick Fletcher, Kelly Johnson, Max Aruj, Thomas Farnon, Tom Carlson, Charlene Huang, Emily Nordwind, Tori Fillat, Sebastien Christie, Julie Butchko, Tor Hermansen, Mikkel Eriksen, Geoff Foster, Olga FitzRoy, Stephen Lipson, Edd Hartwell, Richard Robson, Gavin Greenaway, Ben Foster, Isobel Griffiths, Lucy Whalley, Alison Burton, Amos Newman, Bradley Rainey, Darrell Alexander, Christopher Gutch, Jake Kozarek, Tammy Krutchkoff-Saunt, Steffen Thum, Joe Cho, Hans Zimmer, Steve Kofsky, Russell Emanuel, David & Eva Balfe, Ruaridh Gordon, Emily Bremner, Struan Murray, Nina & Rufus Balfe
DreamWorks Animation thanks: Ann Daly, Bonnie Arnold, Dawn Taubin, Jim Gallagher, Melissa Baldwin, Jesimin Berman, Jim Beshears, Andy Birch, Alex Cardullo, Andy Chandra, Adam DesCombes, Myla Angela Cruz, Craig Dickey, Dave Dinsmore, Peter Ettinger, Kim Fast, Cathleen Girdner, Lisa Gunn, Christine Haslett, Sam Hinton, Rebecca Huntley, Paul Iannicelli, Jeff Kaye, Richard LaForge, Jessica Linares, Carole Sue Lipman, Debbie Luner, Charlotte Matthews, Dennis Park, Michele Reed, Lan Ross, Cristina Schweitzer, Waioli Shannon, Maria Trbojevic, Trisha Vo, Patrick Voetberg, David Yanover & Larry Weisberg & Josh Wood
Relativity Music Group thanks: Frank Banyai, Big Picture Media, Patricia Blair, Ryan Kavanaugh, Greg Lapidus, Tucker Tooley & Happy Walters
02 – Gratuity’s Apartment (1:58)
03 – Saying The Sorry (2:45)
04 – Two Fugitives (3:04)
05 – Come Into The Out Now (2:47)
06 – Smek Down (4:18)
07 – Patched-In (4:08)
08 – Moving Day (2:47)
09 – Sad-Mad (2:22)
10 – Running Towards Danger (2:16)
11 – Knock-Knock (2:39)
12 – Returning The Shusher (3:41)
13 – Frolicking In Paris (3:30)
Hybrid, the site isn't letting me see or play any of the music samples on scores, it it something only on my end?
Stargate is the band who wrote the songs…
The official movie credit is Music by LB & Stargate… So it's like that on the cover, but there's nothing of theirs in the score… It's all LB…
Well, not exactly….
I think some of score cues use some material from the songs… One of the last one is almost directly from “Feel the Light”
It is similar to Megamind and Madagascar. LIKE
This is a great suite!!! Fun, fun music.
Hybrid: on another note, do you know anything about a soundtrack for Killing Jesus, The Woman In Gold, or A.D.?
I was extremely turned off by the idea for more Terminator films… Then I saw the trailer. I actually think Genisys has the potential to be really good. I get the feeling whomever wrote the script actually found an interesting spin on it.
Genesys is just going to be another big cash grab, milking whatever little value this series has left.
As far as Lorne scoring this, I'm fairly excited. He did a fantastic job on Beyond: Two Souls which people always seem to forget exists. And if memory serves me right, Zimmer also produced that score.
Dude, just because Zimmer has helped out on a handful of tricky situations in the past does NOT guarantee that he's going to do it on Terminator! Why the heck are you so sure of yourself?
And Balfe may not have any solo action tentpoles to his name, but he does have some fairly big animated movies and – more importantly – has worked on practically every Zimmer score of the last decade or so (including some HUGE stuff like Inception, Dark Knight and Pirates…the sort of things this Terminator flick dreams of being as successful as). I have no doubt that the people who decided to hire him are aware of that last fact. He's hardly this untested newcomer you're making him out to be!
What's that supposed to mean, Anonymous? Lorne Balfe is an actual film composer, not a pop/electronica group – why the skepticism?
Whether he'll have help or not is a separate question. This is RC after all. And there's no problem with that.
An interesting turn of events indeed. I wonder what kind of score it will be like. I confess to being completely unaware of his works because I've never watched or played anything he scored. I kind of hope for a synthetic influence, actually, to harken back to the Brad Fiedel days.
The artwork just got approved, it should be out in a couple of weeks… :)
And yes Lorne is scoring Terminator 5… lol