Hulk

2003 63'50 (Score : 59'41

Music by Danny Elfman

  1. Main Titles (4:36)
  2. Prologue (4:38)
  3. Betty’s Dream (2:14)
  4. Bruce’s Memories (2:45)
  5. Captured (3:41)
  6. Dad’s Visit (2:15)
  7. Hulk Out (4:00)
  8. Father Knows Best (3:34)
  9. …Making Me Angry (4:02)
  10. Gentle Giant (1:02)
  11. Hounds of Hell (3:47)
  12. The Truth Revealed (4:19)
  13. Hulk’s Freedom (2:36)
  14. A Man Again (7:48)
  15. The Lake Battle (4:32)
  16. The Aftermath (0:56)
  17. The Phone Call (1:34)
  18. End Credits (1:13)
  19. Set Me Free – Velvet Revolver (4:09)

22 Comments

  1. stitchl292 September 20, 2024 at 9:23 pm

    HULK, 2003, Directed by Ang Lee

    FILM CREDITS

    Music by Danny Elfman

    Executive in Charge of Music for Universal Pictures: Kathy Nelson
    Supervising Music Editor: Ellen Segal, M.P.S.E.
    Additional Music Editor: Shie Rozow, M.P.S.E.
    Score Produced by Danny Elfman
    Lead Orchestrator: Steve Bartek
    Additional Orchestrations: Edgardo Simone, David Slonaker, Bruce Fowler, Mark McKenzie, Jeff Atmajian, Nick Ingman, Robert Elhai
    Orchestra Conducted by Gavin Greenaway
    Score Coordinator: Marc Mann
    Orchestra Contractor: Isobel Griffiths
    Music Preparation: Dakota Music Services, Ron Vermillion
    Score Recorded by Nick Wollage
    Score Recorded at Air Lyndhurst Studios
    Scoring Recordists: Chris Barrett, Noah Snyder, Greg Dennen, Ryan Robinson
    Score Mixed by Dennis Sands
    Score Mixed at Eastwood Scoring Stage
    Score Programmers: Randy Kerber, Judd Miller, Buck Sanders, Clay Duncan, Ernie Lee
    Drum Master: Paul Clarvis

    “Mother”
    Written by Mychael Danna

    “Hulk Escapes”
    Written by Danny Elfman, Don Harper and Trevor Morris

    “Young Scientists”
    Written by Danny Elfman and Kenny Burgomaster

    Featured Vocals by Natacha Atlas

  2. stitchl292 September 20, 2024 at 9:23 pm

    HULK, 2003, Directed by Ang Lee

    FILM CREDITS

    Music by Danny Elfman

    Executive in Charge of Music for Universal Pictures: Kathy Nelson
    Supervising Music Editor: Ellen Segal, M.P.S.E.
    Additional Music Editor: Shie Rozow, M.P.S.E.
    Score Produced by Danny Elfman
    Lead Orchestrator: Steve Bartek
    Additional Orchestrations: Edgardo Simone, David Slonaker, Bruce Fowler, Mark McKenzie, Jeff Atmajian, Nick Ingman, Robert Elhai
    Orchestra Conducted by Gavin Greenaway
    Score Coordinator: Marc Mann
    Orchestra Contractor: Isobel Griffiths
    Music Preparation: Dakota Music Services, Ron Vermillion
    Score Recorded by Nick Wollage
    Score Recorded at Air Lyndhurst Studios
    Scoring Recordists: Chris Barrett, Noah Snyder, Greg Dennen, Ryan Robinson
    Score Mixed by Dennis Sands
    Score Mixed at Eastwood Scoring Stage
    Score Programmers: Randy Kerber, Judd Miller, Buck Sanders, Clay Duncan, Ernie Lee
    Drum Master: Paul Clarvis

    “Mother”
    Written by Mychael Danna

    “Hulk Escapes”
    Written by Danny Elfman, Don Harper and Trevor Morris

    “Young Scientists”
    Written by Danny Elfman and Kenny Burgomaster

    Featured Vocals by Natacha Atlas

  3. stitchl292 September 18, 2024 at 10:12 pm

    HULK, 2003, Directed by Ang Lee

    FILM CREDITS

    Music by Danny Elfman

    Executive in Charge of Music for Universal Pictures: Kathy Nelson
    Supervising Music Editor: Ellen Segal, M.P.S.E.
    Additional Music Editor: Shie Rozow, M.P.S.E.
    Score Produced by Danny Elfman
    Lead Orchestrator: Steve Bartek
    Additional Orchestrations: Edgardo Simone, David Slonaker, Bruce Fowler, Mark McKenzie, Jeff Atmajian, Pete Anthony, Robert Elhai
    Orchestra Conducted by Pete Anthony
    Score Coordinator: Marc Mann
    Orchestra Contractor: Debbie Datz-Pyle
    Music Preparation: Julian Bratolyubov, Ron Vermillion
    Score Recorded by Robert Fernandez
    Score Recorded at The Fox Newman Scoring Stage
    Scoring Recordists: John Rodd, Noah Snyder, Greg Dennen, Ryan Robinson
    Score Mixed by Dennis Sands
    Score Mixed at Eastwood Scoring Stage
    Score Programmers: Randy Kerber, Judd Miller, Buck Sanders, Clay Duncan, Ernie Lee
    Drum Master: Mike Fisher

    “Mother”
    Written by Mychael Danna

    “Hulk Escapes”
    Written by Danny Elfman, Don Harper and Trevor Morris

    “Young Scientists”
    Written by Danny Elfman and Kenny Burgomaster

    Featured Vocals by Natacha Atlas

  4. stitchl292 September 18, 2024 at 10:12 pm

    HULK, 2003, Directed by Ang Lee

    FILM CREDITS

    Music by Danny Elfman

    Executive in Charge of Music for Universal Pictures: Kathy Nelson
    Supervising Music Editor: Ellen Segal, M.P.S.E.
    Additional Music Editor: Shie Rozow, M.P.S.E.
    Score Produced by Danny Elfman
    Lead Orchestrator: Steve Bartek
    Additional Orchestrations: Edgardo Simone, David Slonaker, Bruce Fowler, Mark McKenzie, Jeff Atmajian, Pete Anthony, Robert Elhai
    Orchestra Conducted by Pete Anthony
    Score Coordinator: Marc Mann
    Orchestra Contractor: Debbie Datz-Pyle
    Music Preparation: Julian Bratolyubov, Ron Vermillion
    Score Recorded by Robert Fernandez
    Score Recorded at The Fox Newman Scoring Stage
    Scoring Recordists: John Rodd, Noah Snyder, Greg Dennen, Ryan Robinson
    Score Mixed by Dennis Sands
    Score Mixed at Eastwood Scoring Stage
    Score Programmers: Randy Kerber, Judd Miller, Buck Sanders, Clay Duncan, Ernie Lee
    Drum Master: Mike Fisher

    “Mother”
    Written by Mychael Danna

    “Hulk Escapes”
    Written by Danny Elfman, Don Harper and Trevor Morris

    “Young Scientists”
    Written by Danny Elfman and Kenny Burgomaster

    Featured Vocals by Natacha Atlas

  5. An0n September 8, 2024 at 10:43 pm

    I find it a bit wierd that a lot of Elfman scores have RCP/nonRCP workers and additionals and Danny never mentions them…

    And people think it’s only Hans who has a big team of additionals…

    • MrZimmerFan September 18, 2024 at 1:41 pm

      I spelling you if you don’t understand.

      Elfman write those scores, aside with the help of his orchestrators and conducters, because, he was at the time, self-taught to READ, not WRITE.

    • An0n September 18, 2024 at 2:10 pm

      I personally find Elfman scores repetetive (especially Burton stuff)
      (Maybe only first few were ‘original’ – Batman, for example)

      Then He became the Zimmer-type guy.
      But while Hans Zimmer got some hate, Elfman almost always is praised

    • MrZimmerFan September 18, 2024 at 2:27 pm

      I’m disagree.

      Mission Impossible, Black Beauty, Batman, Dolores Clairborne (for those who said Elfman isn’t capable to write emotional scores), demostrates how great Elfman is.

      Also he gets hate when he make scores like Spider-Man (yes, it was hated because wasn’t sound like Batman), Planet of the Apes, The Kingdom (that score is the most hated), Wanted, Terminator Salvation, even Hulk was hated for some, to much electronic in this.

    • An0n September 18, 2024 at 9:14 pm

      I forgot He did T4

      What a weird choice of composer…

    • An0n September 18, 2024 at 9:16 pm

      Spider-Man got hated…?

      Ha-ha, I imagining some guy watching opening of Spider-Mab and He is just “Naah, it sucks, ’cause no Batman theme in this”

    • An0n September 18, 2024 at 9:17 pm

      Spider-Man*

    • Ian September 19, 2024 at 4:25 am

      Yeah, the Spider-Man score was wonderful

    • MrZimmerFan September 19, 2024 at 12:06 pm

      Elfman got some harsh criticism in the late 90s, where his music was far from what he was doing with Burton (Extreme Measures, for example), and Spider-Man got criticism for using electronics and some experimental ideas (mainly percussion with paint buckets), and Planet of the Apes, because is mostly percussion, some folks forgetting some of this have Elfman-ish in his writing, as with Hulk.

  6. An0n September 8, 2024 at 10:43 pm

    I find it a bit wierd that a lot of Elfman scores have RCP/nonRCP workers and additionals and Danny never mentions them…

    And people think it’s only Hans who has a big team of additionals…

    • MrZimmerFan September 18, 2024 at 1:41 pm

      I spelling you if you don’t understand.

      Elfman write those scores, aside with the help of his orchestrators and conducters, because, he was at the time, self-taught to READ, not WRITE.

    • An0n September 18, 2024 at 2:10 pm

      I personally find Elfman scores repetetive (especially Burton stuff)
      (Maybe only first few were ‘original’ – Batman, for example)

      Then He became the Zimmer-type guy.
      But while Hans Zimmer got some hate, Elfman almost always is praised

    • MrZimmerFan September 18, 2024 at 2:27 pm

      I’m disagree.

      Mission Impossible, Black Beauty, Batman, Dolores Clairborne (for those who said Elfman isn’t capable to write emotional scores), demostrates how great Elfman is.

      Also he gets hate when he make scores like Spider-Man (yes, it was hated because wasn’t sound like Batman), Planet of the Apes, The Kingdom (that score is the most hated), Wanted, Terminator Salvation, even Hulk was hated for some, to much electronic in this.

    • An0n September 18, 2024 at 9:14 pm

      I forgot He did T4

      What a weird choice of composer…

    • An0n September 18, 2024 at 9:16 pm

      Spider-Man got hated…?

      Ha-ha, I imagining some guy watching opening of Spider-Mab and He is just “Naah, it sucks, ’cause no Batman theme in this”

    • An0n September 18, 2024 at 9:17 pm

      Spider-Man*

    • Ian September 19, 2024 at 4:25 am

      Yeah, the Spider-Man score was wonderful

    • MrZimmerFan September 19, 2024 at 12:06 pm

      Elfman got some harsh criticism in the late 90s, where his music was far from what he was doing with Burton (Extreme Measures, for example), and Spider-Man got criticism for using electronics and some experimental ideas (mainly percussion with paint buckets), and Planet of the Apes, because is mostly percussion, some folks forgetting some of this have Elfman-ish in his writing, as with Hulk.

Leave A Comment