Hans Zimmer
Composer
Steve Mazzaro
Additional Arrangements
Andrew Kawczynski
Additional Arrangements
Bruce Fowler
Supervising Orchestrator
Walt Fowler
Supervising Orchestrator
Suzette Moriarty
Orchestrator
Elizabeth Finch
Orchestrator
Kevin Kaska
Orchestrator
Carl Rydlund
Orchestrator
Richard Harvey
Conductor
Gavin Greenaway
Conductor
Chas Smith
Musician
Ann Marie Simpson
Musician
Mary Scully
Musician
Caroline Dale
Musician
Frank Ricotti
Musician
Ryan Rubin
Music Editor
Alan Meyerson
Music Scoring Mixer
John Witt Chapman
Assistant Score Mixer
Christian Wenger
Additional Engineering
Daniel Kresco
Additional Engineering
Seth Waldmann
Additional Engineering
Chuck Choi
Technical Score Engineer
Stephanie McNally
Technical Score Engineer
Mark Wherry
Digital Instrument Design
Ben Robinson
Samples Coordinator
Raul Vega
Samples Coordinator
Taurees Habib
Samples Coordinator
Czarina Russell
Music Consultant
Cynthia Park
Assistant to Hans ZIMMER
Steven Kofsky
Music Production Services
Shalini Singh
Studio Manager
Chris Craker
Album Production
INTERSTELLAR, 2014, Directed by Christopher Nolan
FILM CREDITS
Music by Hans Zimmer
Supervising Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Music Production Services: Steven Kofsky
Sequencer Programming: Andrew Kawczynski & Steve Mazzaro
Technical Score Engineer: Chuck Choi
Digital Instrument Design: Mark Wherry
Supervising Orchestrators: Bruce Fowler & Walt Fowler
Orchestra Conducted by Gavin Greenaway & Richard Harvey
Organ Soloist: Roger Sayer
Violin Soloist: Ann Marie Simpson
Steel Guitar Soloist: Chas Smith
Tuned Percussion Soloist: Frank Ricotti
Orchestra Leader: Thomas Bowes
Score Recorded & Lyndhurst Hall, Air Studios & Temple Church
Score Recorded & Mixed by Alan Meyerson
Score Recorded by Geoff Foster
Assistant Engineer: John Witt Chapman
Supervising Score Coordinator: Shalini Singh
Score Coordinators: Cynthia Park & Czarina Russell
ALBUM ASSEMBLY
Dreaming Of The Crash : 1m1 Dreaming Of The Crash
Cornfield Chase : 1m2 ALT Chasing Drone
Dust : 2m6 ALT Decoding The Message
Day One : Suite
Stay : Suite
Message From Home : 3m13 Message From Home
The Wormhole : 3m14 Through The Wormhole
Mountains : 4m16B They're Not Mountains
Afraid Of Time : 4m18 Afraid Of Time
A Place Among The Stars : 5m22A We Are The Future
Running Out : 5m22B We're Running Out Of Time
I'm Going Home : 5m23 I'm Going Home
Coward : 6m24 Coward
Detach : 7m27 Detach
S.T.A.Y. : 7m30 S.T.A.Y.
Where We're Going : 8m33 Where We're Going
First Step : Teaser Music
Flying Drone : 1m3 Flying Drone
Atmospheric Entry : 4m16 Atmospheric Entry (Edited)
No Need To Come Back : 5m20 No Need To Come Back
Imperfect Lock : 6m25 Imperfect Contact
No Time For Caution : 6m26 ALT No Time For Caution
What Happens Now? : 8m32 What Happens Now
Who's They? : 2m7 Who's They?
Murph : Suite
Organ Variation : Suite
Tick-Tock : Suite
Day One (Original Demo) : Suite
Day One Dark : Suite
Do Not Go Gentle Into That Good Night : Suite
1m2 Chasing Drone (2:08)
1m2 ALT Chasing Drone (Alternate) (2:07)
1m4 Combines Went Haywire (1:54)
1m5 Dust Storm (1:14)
2m6 Decoding The Message (5:41)
2m6 ALT Decoding The Message (Alternate) (5:42)
2m7 Who’s They? (7:18)
2m8 Stay (5:33)
3m9 Docking (1:29)
3m10 Entering Endurance (2:40)
3m11 Rage Against The Dying Of The Light (0:56)
3m12 Down For The Long Nap (0:56)
3m13 Message From Home (1:41)
3m14 Through The Wormhole (1:31)
3m14B EDIT First Handshake (0:28)
3m15 We’re Here (0:43)
4m16A Atmospheric Entry (2:45)
4m16B They’re Not Mountains (3:39)
4m17 Years Of Messages (5:26)
4m18 Afraid Of Time (2:33)
5m19 Murph Comes Home (1:45)
5m20 No Need To Come Back (4:34)
5m21 Our World (3:54)
5m22A We Are The Future (3:27)
5m22B We’re Running Out Of Time (1:57)
5m23 I’m Going Home (5:49)
6m24 Coward (8:27)
6m25 Imperfect Contact (6:55)
6m26 No Time For Caution (4:06)
6m26 ALT No Time For Caution (Alternate) (4:06)
7m28 Eject (2:13)
7m29 Landing In Tesseract (4:42)
7m30 S.T.A.Y. (6:22)
8m31 Quantifiable Connection (3:31)
8m32 What Happens Now? (2:05)
8m33-34 Where We’re Going (7:36)
Suite – Day One (3:22)
Suite – Day One v7.09 (1:39)
Suite – Day One v10.03 (2:46)
Suite – Day One (Original Demo) (3:49)
Suite – Day One Dark (6:38)
Suite – Murph Gravity (11:21)
Suite – Tick-Tock (8:19)
Suite – Stay (6:52)
Suite – Organ Variation (4:52)
Suite – Do Not Go Gentle Into That Good Night Poem (1:39)
Teaser Music – First Step (1:48)
"Do Not Go Gentle Into That Good Night"
Poem by Dylan Thomas
Recited by John Lithgow, Ellen Burstyn, Casey Affleck, Jessica Chastain, Matthew McConaughey & Mackenzie Foy
Music Composed by Hans Zimmer
Score Produced by Christopher Nolan, Hans Zimmer & Alex Gibson
Soundtrack Album Produced by Chris Craker, Hans Zimmer & Christopher Nolan
Supervising Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Music Consultant: Czarina Russell
Sequencer Programming: Andrew Kawczynski & Steve Mazzaro
Music Production Services: Steven Kofsky
Technical Score Engineer: Chuck Choi & Stephanie McNally
Technical Assistants: Jacqueline Friedberg & Leland Cox
Digital Instrument Design: Mark Wherry
Supervising Orchestrator: Bruce L. Fowler
Orchestrators: Walt Fowler, Suzette Moriarty, Kevin Kaska, Carl Rydlund, Elizabeth Finch & Andrew Kinney
Orchestra Conducted by Gavin Greenaway & Richard Harvey
Score Recorded at Lyndhurst Hall, Air Studios & Temple Church, London
Score Recorded by Geoff Foster & Alan Meyerson
Score Mixed by Alan Meyerson
Score Mix Assistant: John Witt Chapman
Additional Engineering: Christian Wenger, Seth Waldmann & Daniel Kresco
Assistant to Hans Zimmer: Cynthia Park
Studio Manager for Remote Control Productions: Shalini Singh
Contractor: Isobel Griffiths
Sampling Team: Ben Robinson, Taurees Habib & Raul Vega
Music Preparation: Booker T. White
Music Librarian: Jill Streater
Score Mixed at Remote Control Productions, Santa Monica CA
Air Studios Sessions
Air Studios Bookings: Alison Burton
Booth Reader: Chris Craker
ProTools Recordist at Lyndhurst Hall: Chris Barrett
ProTools Recordist in Studio 1: Laurence Anslow
Temple Church Sessions
Protools Recordist at Temple Church: John Prestage
Assistant / Abbey Road Mobile: John Barrett
Assistant / Abbey Road Mobile: Jon Alexander
Technical Engineer: Dan Cole & Matt Kingdon
Booth Reader: Steve Mazzaro
Featured Musicians:
Ambient Music Design: Mario Reinsch
Soloists:
The Organ at Temple Church Performed by Roger Sayer
Piano: Hans Zimmer
Violin: Ann Marie Simpson
Steel Guitar: Chas Smith
Tuned Percussion: Frank Ricotti
Harp: Skaila Kanga
Synth Programming: Hans Zimmer
Orchestra:
Leader of the 1sts: Thomas Bowes
Leader of the 2nds: Roger Garland
First Cellist: Caroline Dale
First French Horn: Richard Watkins
First Viola: Peter Lale
Bass: Mary Scully
Choir: London Voices
Choirmasters: Ben Parry & Terry Edwards
String Quartet: Rita Manning, Emlyn Singleton, Bruce White & Tim Gill
Piano Quartet: Simon Chamberlain, Dave Arch, John Lenehan & Andy Vinter
Executive in Charge of Music for Warner Bros. Pictures: Paul Broucek
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Executive in Charge of WaterTower Music: Jason Linn
Art Direction & Soundtrack Coordination: Sandeep Sriram
Music Business Affairs Executive: Lisa Margolis
Hans Zimmer wishes to thank:
Emma Thomas, Lee Smith, Jonathan Nolan, Kip Thorne, Jordan Goldberg, Thomas Tull, Lynda Obst, Jake Myers, Paul Broucek, Hoyte Van Hoytema, Andy Thompson, Alison Burton, John Shearer, Ian Mayes, Christopher Moger, Rev Robin Griffith-Jones, Colette Barber, Randy Spendlove, Lisa Margolis, Ny Lee, Christina Toth, Lucy Whalley, Susie Gillis, Ann Barnard, Richard King, Gregg Landaker, Gary Rizzo, Brett Milan, Troels Folmann, Jonte Knif, Urs Heckmann, Suzanne Zimmer, Peter Asher, Max Golfar, James Golfar, Patricia Golfar, Emma Burnham, Kai Krause, Vau Teschner, Candace Carlo, Bonnie Abaunza, Jillian Abood, Tiffany Bordenave, Kelly Bush, BeBe Lerner, Rae Murillo and the ID team, Nick Douillard, Ari Emanuel, Sam Kubert, Chaz Lebrecque, Peter Nelson, Amos Newman, Albert Nolasco, Matthew O’Driscoll, Ryan Ouchida, Bradley Rainey, Chris Strong & Michael Caine
For Jake, Max, Zoë, Annabel, Flora, Rory, Oliver & Magnus
Water Tower Music thanks:
Susan Alexander, Peter Axelrad, Joseph Billé, Rocco Carrozza, Glenn Eckerle, Kerrylyn Genetieve, Joe Kara, Kevin Kertes, Ny Lee, Kris Little, Genevieve Morris, Jaimie Roberts, Bobby Thornburg, Raymond Walden, John F.X. Walsh & Robert Zick
02 – Cornfield Chase (2:06)
03 – Dust (5:41)
04 – Day One (3:19)
05 – Stay (6:52)
06 – Message From Home (1:40)
07 – The Wormhole (1:30)
08 – Mountains (3:39)
09 – Afraid Of Time (2:32)
10 – A Place Among The Stars (3:27)
11 – Running Out (1:57)
12 – I’m Going Home (5:48)
13 – Coward (8:26)
14 – Detach (6:42)
15 – S.T.A.Y. (6:23)
16 – Where We’re Going (7:41)
CD2
01 – First Step (1:47)
02 – Flying Drone (1:53)
03 – Atmospheric Entry (1:40)
04 – No Need To Come Back (4:32)
05 – Imperfect Lock (6:54)
06 – No Time For Caution (4:06)
07 – What Happens Now? (2:04)
08 – Who’s They? (7:17)
09 – Murph (11:21)
10 – Organ Variation (4:52)
11 – Tick-Tock (8:19)
12 – Day One (Original Demo) (3:49)
13 – Day One Dark (6:57)
14 – Do Not Go Gentle Into That Good Night (Poem) (1:39)
The music for the «Interstellar» film came into this world as if it had completed a space-time loop – it combined the romance of the 70s and 80s, when electronic music called to the stars, with the technology and realities of the 21st century, when people had no choice but to embark on endless journeys and search for a backup planet. What have we been doing for three decades? It seems we were asleep. And this music awakened many. In any case, it settled in my player in 2014 and I listen to it regularly to this day. Thank you, Hans Zimmer, for this beautiful musical world!
Where are the day one scores?? I want to learn more about its musical structure and its composition :D
Do we know anything about who worked on No Time for Caution? Is that cue all Hans or did anyone else (like Steve or Andrew) play a part in it as well?
First of all, it’s great to be back
Second, I dunno about this particular cue but based on my experience listening Mazzaro and Kaczynski additional music I can say this:
Cues like: 1m05 Dust Storm, 5m22B, and 6m24 Coward most likely are by Kawczynski
Mazzaro – 5m19, 5m21,…
I think most of what ended up on album is mostly just Hans… But since he is a busy boy, he handled less important cues to his additionals…
No Time For Caution was Hans + music editors
Is there a way to get a vinyl with the complete discography of this?
There is the extended edition which runs over five sides compared to the 2LP edition. It’s also sonically superior.
Are all the “day one suites” mockups only, that are:
Suite – Day One (3:22)
Suite – Day One v7.09 (1:39)
Suite – Day One v10.03 (2:46)
Suite – Day One (Original Demo) (3:49)
Suite – Day One Dark (6:38)
Are all of the above hans zimmer original mockups, or they were re-recorded with the orchestra?
Guys does anyone know,
in all the day one suites there are, are all hans zimmer mockups straight from his rcp ct studios, or some are re-recorded orchestral versions, just wanted to know?
Day one has a little more suites that it was in tracklist earlier. And it doesn’t havr composer’s credits on this to this day.
Hey in all the day one suites there are, are all hans zimmer mockups straight from his rcp ct studios, or some are re-recorded orchestral versions, just wanted to know?