FILM CREDITS
Music by Danny Elfman
Score Produced by Danny Elfman
Orchestrations by Steve Bartek, Edgardo Simone, Dave Slonaker, Ed Trybek & Marc Mann
Score Recorded & Mixed by Peter Cobbin
Score Mixed by Kirsty Whalley
ProTools Operator: Chris Barrett
Conducted by Rick Wentworth
Orchestra Leaders: Tom Bowes & Everton Nelson
Choir: Metro Voices
Choirmaster: Jenny O'Grady
Additional Music & Arrangements by TJ Lindgren, Geoff Zanelli & Pinar Toprak
Score Programming: Jonathan Timpe & Peter Bateman
Technical Score Engineers: Mikel Hurwitz & Peace Nistades
Score Editor: Cécile Tournesac
Score Coordinator: Melisa McGregor
Music Supervisor: Karen Elliott
Music Preparation: Dakota Music Service
Recorded at Abbey Road Studios & Air Studios, London
Score Consultant: Melissa Karaban
"Batman Theme (1989)"
Composed by Danny Elfman
""Is She With You" From Batman V Superman - Dawn Of Justice"
Composed by Hans Zimmer, Robert Badami, Melissa Muik, Mark Andrew Wherry & Steve Mazzaro
""Krypton"" From Man Of Steel"
Composed by Hans Zimmer
"Superman Theme (1978)"
Composed by John Williams
"Come Together"
Written by John Lennon & Paul McCartney
Produced by Junkie XL & Mike Elizondo
Performed by Gary Clark Jr. & Junkie XL
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I do kinda prefer the 2014 score over the KOTM score, but McCreary's work does deserve more love than just being called a 'retreat of the original theme'.
It also deserved to be heard more, but the movie's sound mixing was terrible.
Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.
It’s really cool, I like that it is going for a more “Heroic” sound.
Just went back and rewatched the Snyder panel, if you listen closely throughout there is music playing in the background that is 100% Tom’s. Probably around 6-7 minutes from the score.
It sounds like a mix of Mad Max with heavy percussion, some emotional ambient/guitar portions, and his usual string patterns.
Tomorrow DC Fandome – A Look Behind the music – curious even for a few Junkies snippets from the score
https://schedule.dcfandome.com/e/5f3d2ef0437eb45ac7dc7aab
I sure hope so, it sounds really heroic.
Didn’t even notice this before but you might be right. Everything from the percussion down to the sound design samples and brass library definitely sound like Holkenborg. If it’s not him then it is a great imitation!
I wouldn't be surprised if we do, honestly, if they decide to go down the episodic format. I would be happy to have volume releases for 'Justice League' in the same vein as HBO's 'Watchmen'.
Because there was no time for him to do WW 1.
He was on tour for months… Had 2 tours in early 2016/17 + Dunkirk to handle. Wouldn't have worked at all.
So why exactly did Hans fight for Rupert with Wonder Woman and why is he scoring '84? Not criticizing, I just remember him thinking that it was better for more women to be involved as composers or performers on Wonder Woman projects.
I don't even necessarily agree with the concept that a woman needs to score a movie about women, I'm just curious why he wanted Rupert in and why he himself took over for the sequel if he felt that way?
Finally we are going to see Snyders vision and with Junkies score!