FILM CREDITS
Music by John Powell
Music Editor: Ted Caplan
Score Music Editor: Tom Carlson
Additional Arranging, Midi Orchestration & Programming by James McKee Smith, Michael John Mollo, Paul Mounsey & Beth Caucci
Orchestra Conducted by William Ross
Concert Master: Bruce Dukov
Orchestral Contractor: Gina Zimmitti
Lead Orchestrator: John Ashton Thomas
Orchestrators: Dave Metzger, Rick Giovinazzo & Germaine Franco
Music Preparation: Mark Graham, JoAnn Kane Music Service
Score Recorded by Armin Steiner
Score Consultant: Hugo Nicolson
Mix Assistant: Marc Viner
Score Recorded & Mixed at The Newman Scoring Stage, Eastwood Stage & 5 Cat Studios, Los Angeles, CA
Recordists: Tim Lauber & Tom Hardisty
Engineers: Denis St. Amand & Ryan Robinson
Stage Managers: Tom Steel, Greg Dennen & Jaime Olvera
Scoring Editor: David Channing
Scoring Digital Recordist: Larry Mah & Tom Hardisty
Featured Musicians:
Guitars: Adam del Monte, George Doering, Federico Ramos & Michael Ripoll
Accordion: Nick Ariondo
Piano: Doug Petty & Otmaro Ruiz
Drums: Joey Waronker & Satnam Ramgotra
Bass: Alex Al & Eliseo Borrero
Percussion: Luis Conte
Music Composed & Produced by John Powell
Executive Producer for Varese Sarabande: Robert Townson
Executive Soundtrack Album Producer: James Mangold
Score Music Editor: Tom Carlson
Temp Music Editor: Ted Caplan
Additional Arranging, Midi Orchestration & Programming by James McKee Smith, Paul Mounsey, Michael John Mollo & Beth Caucci
Orchestra Conducted by William Ross
Concert Master: Bruce Dukov
Orchestral Contractor: Gina Zimmitti
Assistant Orchestral Contractor: Chrissy Brantley
Performed by The Hollywood Studio Symphony
Lead Orchestrator: John Ashton Thomas
Orchestrators: Dave Metzger, Rick Giovinazzo & Germaine Franco
Music Preparation: Mark Graham, JoAnn Kane Music Service
Score Recorded by Armin Steiner
Additional Recording by Hugo Nicolson
Mixed by Hugo Nicolson
Mix Assistant: Marc Viner
Score Recorded & Mixed at The Newman Scoring Stage, Eastwood Stage & 5 Cat Studios, Los Angeles, CA
Recordists: Tim Lauber & Tom Hardisty
Engineers: Denis St. Amand & Ryan Robinson
Stage Managers: Tom Steel, Greg Dennon & Jaime Olvera
Scoring Editor: David Channing
Scoring Digital Recordist: Larry Mah & Tom Hardisty
Music Production Assistants: John Traunwieser, Grace Lai, Erin McAnally, Jacob Merryman, Oliver Schnee & Jason Waters
Featured Musicians:
Guitars: Adam del Monte, Rodrigo y Gabriela, George Doering, Federico Ramos & Michael Ripoll
Accordion: Nick Ariondo
Piano: Doug Petty, Otmaro Ruiz & Randy Kerber
Drums: Joey Waronker & Satnam Ramgotra
Bass: Alex Al & Eliseo Borrero
Percussion: Luis Conte
Mastered by Patricia Sullivan Fourstar
Executive in Charge of Music for Twentieth Century Fox: Robert Kraft
Music Supervised for Twentieth Century Fox by Amy Driscoll
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Production Coordinator: Rebecca Morellato
John Powell wishes to thank James Mangold, Cathy Konrad, Tom Cruise, Robert Kraft, Amy Driscoll, Rebecca Morellato, Rodrigo y Gabriela, Laura Engel, Richard Kraft, Jeffrey Light, Armin Steiner, Hugo Nicolson, Paul Massey, Tom Carlson, Bob Hunt, Gerhard Lengeling, & Manfred Knauff, Betty Bennet, Danny Haikin, Doug Rogers, Paul J. de Benedictis, Maarten Spruijt, Jeff Petersen, Erica McDaniel, Ozzie Sutherland, David Channing, Scott Wride, Doug Magyari, & Gino D'Auri
Dedicated to Melinda Lerner & Oliver Powell
Thank You: Alexander Beltran, Tom Carlson, Ted Caplan, Aaron Downing, Laura Engel, Chad Fischer, Germaine Franco, Ted Gagliano, Ellen Ginsburg, Erin Hamilton, Cathy Merenda, Michael Mollo, Jo Ann Orgel, Jeffrey Taylor Light, Kevin Teasley & Aerli Quirarte
02 – Rough Landing (3:45)
03 – Trouble On I-93 (4:06)
04 – Running From Roy (2:21)
05 – Hostage (3:34)
06 – Car Ferry (1:34)
07 – To the Island of Love (4:21)
08 – In Austria (1:32)
09 – Galley Fight (3:38)
10 – Five Star (2:16)
11 – June Spies (3:28)
12 – He’s A Spy (1:13)
13 – Rooftops (3:20)
14 – The Villa (2:27)
15 – Reunion (4:26)
16 – Bull Run (4:55)
17 – Going To Cape Horn? Take A Jacket (3:07)
Why Knight and Day and Fair Game don’t have a Project Details here?
Both Recording Sessions and semi-available…
Why Knight and Day and Fair Game don’t have a Project Details here?
Both Recording Sessions and semi-available…
favorite* but I believe you understood the point nonetheless.
favorite* but I believe you understood the point nonetheless.
First time listening to it, unfortunately…. Good stuff. But judging from it it sounds like it inspired a lot of those POTC4 awful guitar jam tracks.
First time listening to it, unfortunately…. Good stuff. But judging from it it sounds like it inspired a lot of those POTC4 awful guitar jam tracks.
Ich würde so gerne von dem score ein expanded, complete, bootleg,… album haben
weis irgendeiner ob es den irgendwo gibt
Ich würde so gerne von dem score ein expanded, complete, bootleg,… album haben
weis irgendeiner ob es den irgendwo gibt
I’m listening it right now for the second time and it’s a very good score but not very original.
I’m listening it right now for the second time and it’s a very good score but not very original.