FILM CREDITS
Music by Harry Gregson-Williams
Music Editors: Richard Whitfield & Curt Sobel
Additional Music by Stephanie Economou
Technical Score Engineers: Paul Thomason & Alvin Wee
Orchestrations by Ladd McIntosh
Score Consultant: Monica Zierhut
Score Coordinator: Peter Rotter
Music Preparation by Booker White
Score Recorded by Dennis Sands
Score Mixed by Al Clay
Scoring Stage: The Streisand Scoring Stage
ProTools Operator: Adam Olmstead
Piano: Harry Gregson-Williams
Soprano, Alto & Tenor Saxes: Chris Bleth
Guitars: George Doering
Electric Violin: Hugh Marsh
Electric Cello: Martin Tillman
Music Clerance: Margaret Yen
Score Composed by Harry Gregson-Williams
Additional Music: Stephanie Economou
Music Editor: Richard Whitfield
Orchestrations: Ladd McIntosh
Orchestration Coordinator: Esther McIntosh
Orchestra Conducted by Harry Gregson-Williams
Concert Master: Tereza Stanislav
Performed by The Hollywood Studio Symphony
Pro-Tools Engineer: Paul Thomason
Orchestra Recorded by Dennis Sands
Digital Workstation Operator: Adam Olmsted
Scoring Stage Recordist: David Marquette
Orchestra Recorded at Sony Scoring Stage, Culver City, CA
Score Mixed by Al Clay
Score Mix Assistant: Alvin Wee
Score Mixed at The Village Recorder, West LA
Orchestra Contractor: Peter Rotter
Music Preparation: Booker White, BTW Productions
Score Production Supervisor: Monica Zierhut
Featured Musicians:
Piano: Harry Gregson-Williams
Soprano, Alto & Tenox Saxes: Chris Bleth
Guitars: George Doering
Electric Violin: Hugh Marsh
Electric Cello: Martin Tillman
Vocals: Stephanie Economou
Album Compiled by Paul Thomason & Stephanie Economou
Album Mastered by Gavin Lurssen & Reuben Cohen, Lurssen Mastering
Score Produced by Harry Gregson-Williams
Executive Album Producer: Ben Affleck
Executives in Charge of Music for Warner Bros. Pictures: Paul Broucek & Amanda Narkis
Executive in Charge of WaterTower Music: Jason Linn
Music Supervisor: Amanda Narkis
Music Business Affairs: Dirk Hebert
Harry Gregson-Williams offers a special thanks to:
Ben, Billy, Tina, Amanda & Paul & all at Warner Bros. for their support. And to Erin & all my children - Jessie, Josh, Jude, Grace Willow & Hadley for their patience & love
Thanks to:
Katie Admire, Ben Affleck, Madison Ainley, Tina Anderson, Peter Axelrad, Maria Belli, Joseph Billé, Steve Bursky, Rocco Carrozza, Chay Carter, Julian Chavez, Jennifer Davisson, Stephanie Economou, Kristy Gibson, Billy Goldenberg, Ray Gonzalez, Afnahn Kahn, Joe Kara, Kevin Kertes, Kolette Kleber, Brian Lambert, Ny Lee, Alison Litton, Lisa Margolis, Genevieve Morris, Jason Owen, Jasper Randall, Jess Roncker, Peter Rotter, Marty Silvestone, Curt Sobel, Jordan Tappis, Paul Thomason, Jennifer Todd, Kevin Weaver, Richard Whitfield, Margaret Yen, Monica Zierhut & Robert Zick
02 – Albert’s Girl (2:44)
03 – The Getaway (3:04)
04 – Aftermath (2:54)
05 – Ybor City (1:00)
06 – Three Years, Four Months (2:56)
07 – The Distillery (2:27)
08 – Graciela (0:57)
09 – Live Like Kings (1:16)
10 – Loretta Figgis (3:42)
11 – Uncovering The Klan (3:03)
12 – Beatings, Bombings, And Murders (1:00)
13 – One Day (1:07)
14 – End Of Prohibition (2:02)
15 – One Final Stand (2:23)
16 – How Cheap Is Your Virtue? (3:27)
17 – Dion Takes Over (2:12)
18 – I’m Free, Joseph (2:27)
19 – This Is Heaven (3:55)
20 – Moonshine – Foy Vance feat. Kacey Musgraves (3:31)
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p
I would rather to listen to that if that was to happen ñ.
Hard agree right there! After all, HGW already played in the superhero sandbox with X-Men Origins (Marvel). It wouldn’t hurt to hear what he would bring to a DC movie!
HGW hasn’t composed a good score in ~20 years. So yes, he could totally match some of the best composers ever to live.
Christ, guys.
Ian, that is the dumbest thing I’ve heard all week.
20 years? So we’re throwing out the Narnia scores, Kingdom of Heaven, Prince of Persia, The Martian, Catch-22, The Gilded Age scores, The Last Duel, and the Disneynature scores?
Maybe think next time before posting with all the intelligence of an ape with a typewriter.
He is right that I don’t see the current HGW doing something as great as Hans, Elfman and Gia. But the HGW in the early 2000s certainly could. With that said, HGW definitely had done some good scores in the last 20 years. The Martian was my favorite score that year. Kingdom of Heaven, The Last Duel, Prince of Persia, Prince Caspian, and even Mulan were good scores.
“Ian, that is the dumbest thing I’ve heard all week. 20 years? So we’re throwing out the Narnia scores, Kingdom of Heaven, Prince of Persia, The Martian, Catch-22, The Gilded Age scores, The Last Duel, and the Disneynature scores?”
Two of these scores are good, and they were written effectively 20 years ago.
Chimp, indeed.
*ape, sorry
Yeah, HGW has written shitty music for effectively two decades. He needed backup (Lorne) to write non-shit music for The Crown
HGW didn’t write music for The Crown.
Rupert was.
Lmfao, thank you.
Further proves my point. HGW hasn’t written a good score in 20 years. Waiting for someone to tell me 19 years is not really 20 years.
I believe some of those examples prove wrong.