FILM CREDITS
Music Composer: Tom Holkenborg aka Junkie XL
Score Wrangler: Bob Badami aka Bobo
Additional Music by Christian Vorländer
Additional Music Editing by Ryan Rubin & Alex Gibson
Additional Music Programming by Stephen Perone
Orchestration by Emad Borjian
Orchestration Recording Coordination by Elaine Beckett
Orchestration Services by Jessica Wells
Music Production Services by Michiel Groeneveld
Music Recorded at The Simon Leadley Scoring Stage, Trackdown Studios, Sydney
Additional Guitars by Nick Zinner
Temporary Music Arrangements by Elliot Wheeler
Location Compositions: iOTA
Music Licensing by Kim Green
"Elegy For Rosa" & "Refugee's Theme Symphonic Variation No. 1"
Composed by Eleni Karaindrou
ALBUM ASSEMBLY
Survive : 1m1 Logo - Opening
Escape : 1m2 Attempted Escape
Immortan's Citadel : Preparations - Citadel Left Turn (Alternate)
Blood Bag : Blood Bag
Buzzards Arrive : Buzzards Arrive
Spikey Cars : Spikey Car Attack
Storm Is Coming : Into The Storm
We Are Not Things : Five Wives Theme
Water : Water (Edited)
The Rig : 3m1 This Rig Goes Nowhere Without Me
Into The Canyon : Into The Canyon
Brothers In Arms : Rock Riders Theme (Edited) + Rock Riders (Edited)
The Chase : Immortan Gives Chase
Moving On : Keep Moving (Edited)
The Bog : On The Go Vault (Edited)
Redemption : Redemption (Alternate)
Many Mothers : Redemption - Many Mothers - No Green Place
The Return To Nowhere : Hallucinations - We Return
Claw Trucks : Action #1
Immortan : Immortan Theme v4.53
Chapter Doof : Action #3
Walhalla Awaits : 7m3 Action #4
My Name Is Max : Blood Transfusion
Let Them Up : Return To The Canyon
Mary Jo Bassa : Valkyrie Theme
Coda : Many Mothers Theme
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Preparations – Citadel Left Turn (Alternate) (8:58)
Tom Holkenborg
Tom Holkenborg, Christian Vorländer
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Into The Canyon (2:49)
Tom Holkenborg
Rock Riders (6:24)
Tom Holkenborg
Immortan Gives Chase (3:17)
Tom Holkenborg
Immortan Suite (2:18)
Tom Holkenborg
Keep Moving (3:18)
Tom Holkenborg (Eleni Karaindrou)
On The Go Vault (12:32)
Tom Holkenborg, Christian Vorländer
Redemption – Many Mothers – No Green Place (8:58)
Tom Holkenborg (Eleni Karaindrou)
Redemption (Alternate) (1:46)
Tom Holkenborg
Hallucinations – We Return (5:18)
Tom Holkenborg
War Party Gives Chase (1:25)
Tom Holkenborg
Music Box Source (0:16)
Tom Holkenborg
Action #1 (6:03)
Tom Holkenborg, Christian Vorländer
Action # 1 (Alternate) (5:44)
Tom Holkenborg, Christian Vorländer
Action #2 (1:06)
Tom Holkenborg
Action #3 (6:49)
Tom Holkenborg, Christian Vorländer
7m3 Action #4 (2:40)
Tom Holkenborg
Blood Transfusion (2:23)
Tom Holkenborg
Return To The Canyon (2:37)
Tom Holkenborg
Suite – Rock Riders Theme (4:28)
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Tom Holkenborg
Music Composed by Tom Holkenborg aka Junkie XL
Additional Music by Christian Vorländer
Additional Music Programming by Stephen Perone
Orchestration by Emad Borjian
Orchestra Recording Coordination by Elaine Beckett
Orchestration Services by Jessica Wells
Music Recorded at The Simon Leadley Scoring Stage, Trackdown Studios, Sydney
Sound Rerecording Mixers: Chris Jenkins (and Others)
Score Wrangler: Bob Badami aka Bobo
Additional Editing by Ryan Rubin & Alex Gibson
Drum Recording: Tom Holkenborg aka Junkie XL
Score Recorded, Mixed & Produced by Tom Holkenborg aka Junkie XL
Music Mixed at Computer Hell Cabin Paradise, Encino, CA
Tom Holkenborg aka Junkie XL plays Drums, Percussion, Guitars, Bass & all Synths
Additional Guitars by Nick Zinner
Tom Holkenborg aka Junkie XL Managed by Michiel Groeneveld
Album Produced by Tom Holkenborg aka Junkie XL
Executive Album Producer: George Miller
Executive in Charge of Music for Warner Bros. Pictures: Darren Higman
Executive in Charge of WaterTower Music: Jason Linn
Music Business Affairs Executive: Lisa Margolis
Special Thanks:
Keith Zajic, David Altschul, Amos Newman, Bradley M. Rainey
Thanks to:
Peter Axelrad, Joseph Billé, Paul Broucek, Rocco Carrozza, Eve Foreman, Kerrylyn Genetive, Rachel Gill, Ray Gonzalez, Laura Haber, Dan Jensen, Joe Kara, Kevin Kertes, Kolette Kleber, Ny Lee, Kris Little, Kari Miazek, Lori Miyakawa, Genevieve Morris, Marlene Seki, Sandra Smokler, Laurie Soriano, Nina Stevenson, Bobby Thornburg, Raymond Walden, John F.X. Walsh, Robert Zick
Tom Holkenborg
02 – Escape (3:28)
Tom Holkenborg
03 – Immortan’s Citadel (8:58)
Tom Holkenborg
04 – Blood Bag (3:39)
Tom Holkenborg, Christian Vorländer
05 – Buzzards Arrive (1:26)
Tom Holkenborg
06 – Spikey Cars (4:08)
Tom Holkenborg
07 – Storm Is Coming (6:16)
Tom Holkenborg
08 – We Are Not Things (1:42)
Tom Holkenborg
09 – Water (6:25)
Tom Holkenborg
10 – The Rig (6:31)
Tom Holkenborg
11 – Into The Canyon (2:49)
Tom Holkenborg
12 – Brothers In Arms (5:52)
Tom Holkenborg
13 – The Chase (3:16)
Tom Holkenborg
14 – Moving On (1:56)
Tom Holkenborg (Eleni Karaindrou)
15 – The Bog (12:32)
Tom Holkenborg, Christian Vorländer
16 – Redemption (1:45)
Tom Holkenborg
17 – Many Mothers (8:58)
Tom Holkenborg (Eleni Karaindrou)
18 – The Return To Nowhere (5:17)
Tom Holkenborg
19 – Claw Trucks (5:43)
Tom Holkenborg, Christian Vorländer
20 – Immortan (11:10)
Tom Holkenborg
21 – Chapter Doof (6:49)
Tom Holkenborg
22 – Walhalla Awaits (2:40)
Tom Holkenborg
23 – My Name Is Max (2:23)
Tom Holkenborg
24 – Let Them Up (2:36)
Tom Holkenborg
25 – Mary Jo Bassa (2:26)
Tom Holkenborg
26 – Coda (4:43)
Tom Holkenborg
I was a not a fan of this score, yet, i’m agreed it works hell in the movie, but back in the day, wasn’t a big deal to me, other stuff from Holkenborg was more appealing to me.
Yet, watch the movie again in preparation for Furiosa, and holy hell, something clicked and is a fucking great score, a lot of percussion, sound design… however, sacrifice all the ideas for narrative/thematic to embrace the symbiosis between picture and music to a level is almost perfect, like Dunkirk, for example.
Yes, absolutely there are plenty of film music used dramatically and thematically and is totally fine, but the beauty is this kind of variety of approached to movies, and this is almost perfect.
Funny, when I mentioned the IT Chapter 1 unofficial expanded score it got removed and the implication from what I was told was that bootlegs were no longer being talked about here.
Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely…
I find it hard to believe that anything from Run All Night or Mad Max wasn't released with the two-hour albums they got.
I watched the movie today (yes, a crime) and I'm speechless. My eyes are blurred, my ears are buzzing, my legs are shaking, my stomach is upset … I'm tense. I do not remember ever seeing a movie as harmful to the senses as this (in a good way).
Maybe when those "symptoms" pass I change my mind, but for now, that's it.
Wow!
And XL, well…
nailed it!
The conductor of the choir of death … lol
Also curious about this!
Now I saw what you meant! Indeed. Since when is Junkie THE film composer and Zimmer the co composer…
A bit off topic, but thought I'd share some info from the players PoV. I know some musicans who have played film music and apparently the experience isn't very nice anymore. This is evacuee they Record in sections so you don't get the full picture. Apparently very frustrating. I can't speak for the brass as I only know about strings and viola.
Hybrid, do you know if pitch was recorded in this way?
I am sure the director asked for this, but I feel very empty after have my heard 2 hours and 6 minutes of mad max fury road. Tom has some talent and it can be spotted at times like in brothers in arms, but for the most part of this score, he kills melody and just has sound design. Sure we're in 2015 and he's in the spotlight but why does he kill melody? Melody is such an important part of music. In my opinion, Tom did make a 45 min long score and then for the rest he worked on sound effects that made their way to the album which is sadly so much longer than the average Zimmer score (not talking about MOS and INterstellar). I have no problem with this sound because I don't have to listen to it and it probably works in the movie. What worries me is that Tom is going to score batman. I really hope he reinvents himself for that task because if batman is just sound effects that's kind of depressing after Hans effort on the Nolan trilogy!
I completely agree… :)