FILM CREDITS
Music by Harry Gregson-Williams
Score Conductors: Harry Gregson-Williams & Stephen Barton
Supervising Music Editor: Richard Whitfield
Music Editor: Robb Boyd
Mixing & Recording Engineer: Alan Meyerson
Assistant Engineers: Gregg Silk & Toby Chu
Music Preparation: Robert Puff
Music Production Coordinator: Gretchen O'Neal
Additional Music by Justin Burnett
Music Programming & Arranged: Toby Chu, Meri Gavin, Stephen Barton & Hybrid
Recorded by Seattlemusic Recording
Digital Recordist: Brian Valentino
Second Engineer: Kory Kruckenberg
Score Stage Technician: John Schluckebier
Orchestra: The Seattle Session Orchestra
Electric Violin: Hugh Marsh
Acoustic & Electric Guitar: Heitor Pereira
Score Vocals by Lisa Gerrard
Music Clearance Consultant: Christine Bergren
Music Consultant: Trent Reznor
"Creasy Dies"
Written by Harry Gregson-Williams & Lisa Gerrard
Performed by Lisa Gerrard
ALBUM ASSEMBLY
Una Palabra : Una Palabra
Main Title : Main Titles - Opening Kidnap (Alternate)
Taxi : El Paso Taxi
El Paso : Main Titles - Opening Kidnap (Edited)
Creasy's Room : Creasy Settles In
The Rave : The Rave
Pita's Sorrow : Pita Gets In The Back Seat (Alternate)
Nightmare : Hallucinations
Bullet Tells The Truth : Creasy Calls Rayburn (Edited)
Followed : El Paso Taxi (Alternate)
Smiling : Bonding With Pita
You Are Her Father : Swim Meet - More Bonding
No Mariachi : Rayburn Checks On Creasy
The Drop : Instructions For The Drop - Ambush (Alternate)
Angel Vengador : Angel Vengador
You Betrayed Me : The Voice Makes His Second Call (Edited)
She's Dead : Rayburn Checks On Creasy (Alternate)
The Crime Scene : Revisiting Crime Scene (Alternate)
Pita's Room : Creasy Finds Pita's Diary
Gonzalez : Shotgun To The Temple (Alternate)
La Niña : Blowing Up The Club + Another Clue - Detective Fuentes
Creasy's Art Is Death : Creasy's Art Is Death
The Voice : Some Info On The Voice
Sanchez Family : Kicking Down The Door + I Want To Talk To Him
The Rooftop : Her Life For Yours
The End : Bridge Reunion - Going Home (Alternate)
Man On Fire Remix : Man On Fire (Remix)
Kidnapping : Suspicious Car - Shootout - Kidnap
Talking About War : You're Talking About All Out War
Motorcade : Walking Into Town + Creasy's Rocket Launcher + Grabbing Fuentes From Car (Edited)
Jordan Kalfus : Dead Kalfus - Fax Clue (Alternate)
I'm So Sorry : Confronting Pita's Parents (Alternate)
Main Titles – Opening Kidnap (Alternate) (3:07)
El Paso Taxi (0:53)
El Paso Taxi (Alternate) (1:03)
Prelude In B Minor (2:06)
Creasy Settles In (0:34)
Goodnight Creasy Bear (2:33)
Pita Gets In The Back Seat (1:22)
Pita Gets In The Back Seat (Alternate) (1:49)
Hallucinations (1:08)
Clair De Lune (0:38)
Creasy Calls Rayburn (1:46)
Bonding With Pita (0:51)
Swim Meet – More Bonding (1:47)
Suspicious Car – Shootout – Kidnap (3:11)
A Sad Household (0:58)
Rayburn Checks On Creasy (0:44)
Rayburn Checks On Creasy (Alternate) (0:44)
The Voice Makes His First Call (1:28)
Instructions For The Drop – Ambush (2:51)
Instructions For The Drop – Ambush (Alternate) (3:01)
The Voice Makes His Second Call (1:33)
Nocturne N°4 In F (1:36)
Revisiting Crime Scene (0:57)
Revisiting Crime Scene (Alternate) (0:57)
You’re Talking About All Out War (1:32)
Creasy Finds Pita’s Diary (1:52)
Mom’s Breakdown (0:44)
Shotgun To The Temple (1:07)
Shotgun To The Temple (Alternate) (1:58)
Interrogation Overlays (2:06)
Off To The Next Life (1:04)
The Rave (4:25)
Blowing Up The Club (1:04)
Another Clue – Detective Fuentes (0:51)
Creasy’s Art Is Death (0:56)
Walking Into Town (0:24)
Creasy’s Rocket Launcher (2:12)
Grabbing Fuentes From Car (0:54)
Bomb In Your Ass Goes Off In Five Minutes (4:13)
Dead Kalfus – Fax Clue (2:15)
Dead Kalfus – Fax Clue (Alternate) (2:07)
Confronting Pita’s Parents (5:24)
Confronting Pita’s Parents (Alternate) (5:22)
Some Info On The Voice (3:02)
Break-In (0:26)
Kicking Down The Door (2:12)
I Want To Talk To Him (2:48)
Her Life For Yours (5:09)
Bridge Reunion – Going Home (9:36)
Bridge Reunion – Going Home (Alternate) (9:37)
Song – Una Palabra – Carlos Varela (1:14)
Song – Angel Vengador – Gabriel Gonzalez (1:22)
Song – Man On Fire (Remix) – Hybrid (3:41)
Suite – Overlay Suite (0:56)
"Una Palabra"
Written & Performed by Carlos Varela
"The Rave"
Also includes:
"Juice" (Live Mix) Written by Riktam & Bansi, Performed by GMS
"Deedrah Reload" (GMS Remix) Written by Frederic Holysweski, Performed by Deedrah (contains a sample of "The Ruch", Written by Ritktam, Bansi & Chicago, Performed by Zorba)
And "Space" Written & Performed by Baby Doc feat. SJ
"Angel Vengador"
Sung by Gabriel Gonzalez
Lyrics by Meri Gavin
Piano Arrangement by Stephen Barton
"The End"
Music Composed by Harry Gregson-Williams & Lisa Gerrard
Vocals by Lisa Gerrard
"Man On Fire Remix"
Hybrid Featuring Lisa Gerrard
Remix & Additional Production by Mike Truman & Chris Healings aka Hybrid
Recorded at Electrotek Studios, Swansea
Music Composed by Harry Gregson-Williams
Executive in Charge of Music for Twentieth Century Fox: Robert Kraft
Music Supervised for Twentieth Century Fox: Michael Knobloch
Fox Music Business Affairs: Lance Grode
Music Clearance: Ellen Ginsburg
Music Editor: Richard Whitfield
Mixing & Recording Engineer: Alan Meyerson
Assistant Engineers: Gregg Silk, Toby Chu & Meri Gavin
Additional Music, Programming & Arranging: Justin Burnett, Stephen Barton, Toby Chu, Meri Gavin & Hybrid
Music Preparation: Robert Puff
Music Production Coordinator: Gretchen O'Neal
The Seattle Session Orchestra Recorded by Seattlemusic Recording
Conducted by Harry Gregson-Williams & Stephen Barton
Digital Recordist: Brian Valentino
Second Engineer: Kory Kruckenberg
Scoring Stage Technician: John Schluckebier
Featured Musicians:
Hugh Marsh: Electric Violin
Heitor Pereira: Acoustic & Electric Guitar
Peter DiStefano: Electric Guitar
Harry Gregson-Williams Thanks: Tony Scott & Chris Wagner for believing that this would all get done somehow, Richard Whitfield for making it happen, everyone at Wavecrest for their incredible support, Hugh Marsh & Heitor Pereira for their enormous contributions, Lisa Gerrard for her uniquely wonderful gift so late in the day, & Hans Zimmer for being... Hans Zimmer
Additional Thanks: Christine Bergren, Robbie Boyd, Geoff Bywater, Tom Cavanaugh, Amy Driscoll, Lucas Foster, Elizabeth Gabler, Alexandra Lersey, Elissa Loparco, David Matalon, Diane McKain, Dale Melidosian, Mary Jo Mennella, Arnon Milchan, Rebecca Morellato, Gretchen O'Neal, Jo Ann Orgel, Sanford Panitch, Jennifer Prey, Ross Rosen, Sam Schwartz, Mike Tinger, Pete Toumasis, David Vodicka & Bret Wachter
02 – Main Title (3:07)
03 – Taxi (0:53)
04 – El Paso (0:35)
05 – Creasy’s Room (0:33)
06 – The Rave (4:25)
07 – Pita’s Sorrow (1:49)
08 – Nightmare (1:08)
09 – Bullet Tells The Truth (1:38)
10 – Followed (1:03)
11 – Smiling (0:50)
12 – You Are Her Father (1:46)
13 – No Mariachi (0:43)
14 – The Drop (3:00)
15 – Angel Vengador – Gabriel Gonzalez (1:22)
16 – You Betrayed Me (1:27)
17 – She’s Dead (0:44)
18 – The Crime Scene (0:59)
19 – Pita’s Room (1:50)
20 – Gonzalez (1:57)
21 – Oye Como Va – Kinky (4:42)
22 – La Niña (1:49)
23 – Creasy’s Art Is Death (0:56)
24 – The Voice (3:02)
25 – Sanchez Family (4:47)
26 – The Rooftop (5:09)
27 – The End (9:36)
28 – Man On Fire Remix (3:41)
Talking About War (1:29)
Motorcade (3:09)
Jordan Kalfus (2:05)
I’m So Sorry (5:20)
Samantha, where do you get the chance to hear at the I’m Sorry cue? Would love to hear the last two minutes that you’re speaking of
Tim, it was a digital release, a release before the physical release, and i think it was released on itunes, at least i think i got it there. That release got some additional score cues instead of the source-music that they’ve added on the physical release. The additional cues were:
– Kidnapping
– Talking About War
– Motorcade
– Jordan Kalfus
– I’m So Sorry
But as i said, they replaced these with some music-tracks that appeared in the movie. Actually a shame, because Motorcade and I’m So Sorry are really great tracks. Try to google for the digital release, maybe you’ll have a chance to find any shop that is offering this digital release from back then?
Thanks Samantha for the insides :) Fortunately I found a website that is offering that digital release (a russian site), but only in 128kbps. It says it’s in 192 kbps, but in reality it’s in 128kbps. Does anyone know if the itunes release was in a higher quality? Or does someone know a source where to purchase it in a better quality? Any help is much appreciated :)
Samantha, where do you get the chance to hear at the I’m Sorry cue? Would love to hear the last two minutes that you’re speaking of
Tim, it was a digital release, a release before the physical release, and i think it was released on itunes, at least i think i got it there. That release got some additional score cues instead of the source-music that they’ve added on the physical release. The additional cues were:
– Kidnapping
– Talking About War
– Motorcade
– Jordan Kalfus
– I’m So Sorry
But as i said, they replaced these with some music-tracks that appeared in the movie. Actually a shame, because Motorcade and I’m So Sorry are really great tracks. Try to google for the digital release, maybe you’ll have a chance to find any shop that is offering this digital release from back then?
Thanks Samantha for the insides :) Fortunately I found a website that is offering that digital release (a russian site), but only in 128kbps. It says it’s in 192 kbps, but in reality it’s in 128kbps. Does anyone know if the itunes release was in a higher quality? Or does someone know a source where to purchase it in a better quality? Any help is much appreciated :)
And what could the cue “Confronting Pita’s Parents (Alternate)” be here? Am I right to say that all alternates are from the OST release? At least when looking at the track length. But with this cue here, I can’t figure it out what this could be…
They really preferred to release a lot of alternatives instead of actual cues…
First 3 minutes of “I’m so sorry” is same as in movie
But a lot of alternatives made it’s way into the movie, just in different scenes, uncredited in Project Details…
@An0n: But the last 2min are, at least for me, so much nicer than the movie version… love the more gracile used orchestra followed by the piano in this version
Samantha, yeah, I get what are you talking about… But last 30 seconds of cue I personally would prefer movie version… (Pita / mother shots with that music were really emotional)
By the way I really loved that quiet piano cue in Rocket Launcher scene (before Creasy shoots)…
But when I heard “Motorcade” I was not pleasentely suprised…
Shame on album… There were only a few “action” cues… And 2 of 3 were cut from Album (Kidnapping had me asking WTF…)
And what could the cue “Confronting Pita’s Parents (Alternate)” be here? Am I right to say that all alternates are from the OST release? At least when looking at the track length. But with this cue here, I can’t figure it out what this could be…
They really preferred to release a lot of alternatives instead of actual cues…
First 3 minutes of “I’m so sorry” is same as in movie
But a lot of alternatives made it’s way into the movie, just in different scenes, uncredited in Project Details…
@An0n: But the last 2min are, at least for me, so much nicer than the movie version… love the more gracile used orchestra followed by the piano in this version
Samantha, yeah, I get what are you talking about… But last 30 seconds of cue I personally would prefer movie version… (Pita / mother shots with that music were really emotional)
By the way I really loved that quiet piano cue in Rocket Launcher scene (before Creasy shoots)…
But when I heard “Motorcade” I was not pleasentely suprised…
Shame on album… There were only a few “action” cues… And 2 of 3 were cut from Album (Kidnapping had me asking WTF…)
There is an alternate of “Hallucinations” cue on Burnett’s web site
Film version is two versions mixed together… I think I saw film mix on youtube…
To be clean:
“The Drop” on JS site -> “Instructions For The Drop – Ambush” – a bit edited
“The Drop” on Album -> “Instructions For The Drop – Ambush (Alternate)
There is an alternate of “Hallucinations” cue on Burnett’s web site
Film version is two versions mixed together… I think I saw film mix on youtube…
To be clean:
“The Drop” on JS site -> “Instructions For The Drop – Ambush” – a bit edited
“The Drop” on Album -> “Instructions For The Drop – Ambush (Alternate)