VIDEO GAME CREDITS
Music by Harry Gregson-Williams
Music Department (Los Angeles / New York)
Music by Harry Gregson-Williams
Mixed by James P. Nicols
Mixed at Dolby Laboratories, Inc.
Produced by Rika Muranaka
Music Department (Kojima Productions)
Lead Composer: Akihiro Honda
Music: Ludvig Forssell, Rina Yugi, Moe Jono & Steve Henifin
Music Scoring Mixer: Suminobu Hamada (Clay Corporation) & Yutaka Shimoyama
Music Supervisor: Ludvig Forssell
Booking Coordinator: Koyo Sonae
Mixing Engineer: Al Clay & Suminobu Hamada
Additional Mixing by Yutaka Shimoyama & Ludvig Forssell
Assistant to Al Clay: Alvin Wee
Musical Sound Design by Daniel James
Mastering Engineer: Atsuo Fujita (F Inc.)
Produced by Hideo Kojima & Kazuki Muraoka
Special Thanks: Joakim Mogren, Rina Yugi, Erik Reiff, Nils Mattsson, Peter Wayne, Korean Food, MGS Fans & Supporters & Steve Henifin
01 – The Man Who Sold The World (5:42)
Midge Ure, David Bowie
Ludvig Forssell
03 – You Can Call Me Ishmael (2:03)
Ludvig Forssell
04 – A Burning Escape (9:05)
Justin Burnett, Ludvig Forssell
05 – Afghanistan’s A Big Place (2:16)
Ludvig Forssell
06 – Unforgiving Sands (2:47)
Ludvig Forssell
07 – Kept You Waiting Huh? (3:25)
Ludvig Forssell
08 – Parasites (3:20)
Ludvig Forssell
09 – Allegiance Defined (2:56)
Justin Burnett
10 – Exfiltrate The Hotzone (1:30)
Ludvig Forssell
11 – I Am Skull Face (3:31)
Ludvig Forssell
12 – Hals’s Child Unchained (3:01)
Justin Burnett
13 – Introduction To Africa (2:30)
Ludvig Forssell
14 – Encounter On The Plains (1:57)
Ludvig Forssell
15 – A Factory Of Death (1:57)
Ludvig Forssell
16 – The Code Talker (4:07)
Ludvig Forssell
17 – Metallic Archaea (2:08)
Ludvig Forssell
18 – OKB Zero (2:10)
Ludvig Forssell
19 – Angering Mantis (7:01)
Justin Burnett
20 – Sahelanthropus Dominion (6:19)
Justin Burnett
21 – Return (2:57)
Ludvig Forssell
22 – Sins Of The Father (4:54)
Donna Burke, Akihiro Honda, Ludvig Forssell
01 – Quiet’s Theme (2:53)
Stefanie Joosten, Akihiro Honda, Ludvig Forssell
02 – Here’s To You (3:09)
Ennio Morricone, Joan Baez
03 – Not Your Kind Of People (4:59)
Garbage
04 – Nuclear (4:59)
Mike Oldfield
05 – Ground Zeroes (1:50)
Ludvig Forssell
06 – Camp Omega (1:28)
Ludvig Forssell
07 – Withered Peace (2:22)
Ludvig Forssell
08 – The Girl’s Gone (2:44)
Ludvig Forssell
09 – Bloodstained Anthem (1:23)
Ludvig Forssell
10 – She’s Rigged (3:01)
Harry Gregson-Williams
11 – The Fall Of Mother Base (3:32)
Harry Gregson-Williams
12 – Drop Off (1:19)
Ludvig Forssell
13 – Beautiful Mirage – An Unexpected Visitor (4:18)
Ludvig Forssell
14 – On The Trail (2:02)
Ludvig Forssell
15 – Steel Embers (2:03)
Daniel James
16 – Infected (4:03)
Ludvig Forssell
17 – Battling Armor (5:26)
Justin Burnett
18 – Shining Lights, Even In Death (4:03)
Ludvig Forssell
19 – Fortress (2:05)
Ludvig Forssell
20 – Disarmament (1:37)
Ludvig Forssell
21 – Swift Judgement (1:53)
Ludvig Forssell
22 – Darkness Roars (3:31)
Ludvig Forssell
23 – Beautiful Mirage – The Vision Fades (1:52)
Ludvig Forssell
24 – Objective Complete (1:52)
Ludvig Forssell
25 – African Battlecry (2:07)
Ludvig Forssell
26 – Metal Gear Online (3:26)
Daniel James
27 – A Phantom Pain (3:59)
Ludvig Forssell
28 – Various Jingles (0:53)
Ludvig Forssell


I was surprised by the release as well, given the length of the original album already put out, but some of the material on the extended set is absolutely essential if you're at all interested in the music here.
"We are Diamond Dogs"
"Regret and Acceptance"
"Paz is Dead"
Some of these tracks, after listening to them, left me absolutely flabbergasted that the first album didn't include them.
By great Annutseba, devourer of stars, ADDED FIVE HOURS OF MUSIC and they still want to put out a third release?
Jesus. Howard Shore would blush!
Even, you might want to check out the expanded soundtrack that was just put out digitally a couple of weeks ago.
I'll admit, I originally struggled a bit with this score, but with the recent release of that album, (which added over five hours of music), I decided to more thoroughly give it a go.
Its sound is fairly different compared to the past Metal Gear games, but after taking a while to adjust, I found it to be pretty brilliant. Thematically, I think it's actually very solid. The theme for Venom Snake is subtlety interwoven throughout most of the score. It just requires a bit of listening in some instances. It's definitely quoted a lot more than the tracks you pointed to.
Beyond the main theme though, there are some secondary themes that that really tighten things together, with the most illuminating being the numerous quotes of the Peacewalker theme from the past games that the first album mostly left out. It adds a ton of continuity that some people may find the first two disc set lacking.
I would definitely recommend though to anyone who might have found this to be a lukewarm listen to combine it with the second release, and take some time to digest the material. There's also supposed to be a third album coming out in March with the last few remaining tracks, so that should hopefully be pretty interesting too.
Looked at the credits above. They specially thanked "Korean Food" on this one?
I recently bought this album, and I quite enjoy it.. But there's one big problem I have with it, along with most video game scores, it's the lack of thematic development. The biggest thing that frustrates me is that a composer will write a fantastic theme, only to have it pop up two or three times, or less. A lot of the assassin's creed scores suffer from this (aside from III and Unity). Ludvig composed an amazing main theme for Snake, first heard in "V Has Come To" and I was very excited on the first listen because I had been playing the game religiously in recognized the theme from the gameplay. As expected, the theme only appears a few times after the mentioned track. Its only appearances after track 2 are a brief moment in "You Can Call Me Ishmael", "Return", a very patriotic rendition in. "Shining Lights, Even In Death" and a final statement in the refrain during "Metal Gear Online. " regardless, I'd recommend for fans of Harry Gregson Williams's prior MSG scores. If anyone knows where I can locate some of the missing tracks, please share!
haha yes anonymous
The cover dude looks like a cross-over between Ron Perlman and Tom Cruise lol