Hans Zimmer
Composer
Klaus Badelt
Additional Music
Nick Glennie-Smith
Additional Music
Jeff Rona
Additional Music
Heitor Pereira
Additional Music
Martin Tillman
Additional Music
Mel Wesson
Additional Music
Michael Brook
Additional Music
Lisa Gerrard
Additional Music
Bruce Fowler
Orchestrator
Gavin Greenaway
Choir Conductor
Marc Streitenfeld
Music Editor
Adam Smalley
Music Supervisor
Alan Meyerson
Music Scoring Mixer
Slamm Andrews
Additional Recordings
Gregg Silk
Assistant Score Engineer
Kevin Globerman
Assistant Score Engineer
Edie Lehmann Boddicker
Vocals
Clay Duncan
Assistant to Hans ZIMMER
Jim Dooley
Assistant to Hans ZIMMER
Moanike’ala Nakamoto
Assistant to Hans ZIMMER
MISSION: IMPOSSIBLE 2, 2000, Directed by John Woo
FILM CREDITS
Music by Hans Zimmer
"Mission: Impossible Theme" Composed by Lalo Schifrin
The Mission: Impossible II "Band" :
Klaus Badelt, Michael Brook, Dave Gamson, Lisa Gerrard, Nick Glennie-Smith, Oliver Leiber, Heitor Pereira, Jeff Rona, Martin Tillman, Mel Wesson & Hans Zimmer
Music Score Supervisor: Adam Milo Smalley
Music Editors: Marc Streitenfeld & Zigmund Gron
Music Recorded & Mixed by Alan Meyerson
Supervising Music Technical Advisor: Slamm Andrews
Assistant Music Technical Advisors: Gregg Silk & Kevin Globerman
Music Production Coordinator: Gretchen O'Neal
Assistants to Mr. Zimmer: Moanike'ala Nakamoto & James Dooley
Executive for Hollywood Records: Mitchell Leib
"Iko-Iko"
By Joe Jones, Marylin Jones, Sharon Jones, Jessie Thomas, Barbara Ann Hawkins, Rosa Lee Hawkins & Joan Marie Johnson
"Souca Na Na" (Parody Lyric to "Iko-Iko")
Performed by Zap Mama
Produced by Oliver Leiber, Danny Gamson & Zap Mama
ALBUM ASSEMBLY
Hijack : 1m1 Virus Travels (Edited)
Iko-Iko : 1m3S Iko-Iko
Seville : 1m5 ALT Seville + 2m10 Spanish Car Race
Nyah (Film Version) : 2m11 The Kiss - Morning After
Mission: Impossible Theme : 1m4 Mission: Impossible Theme
The Heist : 1m6 The Safe (Edited)
Ambrose : Ambrose Theme
Bio-Techno : 5m27 Ambrose Attacks
Injection : 5m28 Biocyte Shootout
Bare Island : 6m31 Hunting Hunt (Edited) + 6m32 Shooting The Wrong Guy (Edited) + 6m34 ALT Motorcycle Chase (Edited)
Chimera : 4m26B Killing The Virus (Edited) + 5m29-30 Nyah Will Kill Herself
The Bait : 2m16-17 Nyah Accepts Mission (Edited)
Mano A Mano : 6m35 Beach Fight + 7m36 Ambrose Dies - Nyah Lives (1st part)
Mission: Accomplished : 7m36 Ambrose Dies - Nyah Lives (2nd part) (Edited)
Nyah And Ethan : Love Theme
Alone : Song
Nyah : Nyah Theme
1m3S Iko-Iko (3:20)
1m4 Mission: Impossible Theme (0:38)
1m5 Seville (2:19)
1m5 ALT Seville (Alternate) (3:31)
2m9 NEW Sunrise Ride (0:41)
2m10 Spanish Car Race (1:59)
2m11 The Kiss – Morning After (2:40)
2m13 Nekhorvich’s Message (1:24)
2m14 Nyah’s True Mission (2:37)
2m16-17 Nyah Accepts Mission (3:04)
2m16-17 ALT Nyah Accepts Mission (Alternate) (3:08)
3m19 The Chimera Myth (1:28)
3m20 Finger Cutting (0:50)
3m21 At The Horse Race (7:45)
4m24AB McCloy Gets Gas – Nyah Tries To Escape (5:44)
4m25AB McCloy In Hospital – Ambrose Knows (2:59)
4m26A Breaking Into Biocyte (3:16)
4m26B Killing The Virus (3:41)
5m27 Ambrose Attacks (2:00)
5m28 Biocyte Shootout (4:51)
5m29-30 Nyah Will Kill Herself (6:52)
6m31 Hunting Hunt (2:34)
6m32 Shooting The Wrong Guy (3:17)
6m33-34 Escape – Motorcycle Chase (8:25)
6m34 ALT Motorcycle Chase (Alternate) (3:19)
7m36 Ambrose Dies – Nyah Lives (5:45)
Song – Alone (3:24)
Suite – Nyah Theme (3:34)
Suite – Ambrose Theme (2:37)
Suite – Love Theme (5:10)
"Iko-Iko"
Performed by Zap Mama
Written by Joe Jones, Marylin Jones, Sharon Jones, Jessie Thomas, Barbara Ann Hawkins, Rosa Lee Hawkins & Joan Marie Johnson
"Souca Na Na" (Parody Lyric to "Iko-Iko")
Produced by Oliver Leiber & David Gamson for The Noise Club
"Nya (Film Version)"
Written by Hans Zimmer Featuring Heitor Pereira
Produced by Hans Zimmer & Heitor Pereira
"Mission: Impossible Theme"
Written by Lalo Schifrin
"Bare Island" & "The Bait"
Contain Excerpts from "Mission: Impossible Theme"
Score Composed & Produced by Hans Zimmer
Soundtrack Album Executive Producers: John Woo, Tom Cruise & Mitchell Leib
Soundtrack Coordinator for Hollywood Records: Desirée Craig-Ramos
Mastered by Pat Sullivan at Bernie Grundman Mastering
The Mission: Impossible II "Band":
Klaus Badelt, Michael Brook, Dave Gamson, Lisa Gerrard, Nick Glennie-Smith, Oliver Leiber, Heitor Pereira, Jeff Rona, Martin Tillman, Mel Wesson & Hans Zimmer
Music Score Supervisor: Adam Milo Smalley
Album Recorded & Mixed by Alan Meyerson
Additional Recording by Slamm Andrews
Music Editors: Marc Streitenfeld & Zigmund Gron
Music Production Coordinator: Gretchen O'Neal
Music Production Services by Media Ventures, Santa Monica, CA
Assistant Engineers for Media Ventures: Kevin Globerman & Gregg Silk
Choir Recorded at Air Studios Lyndhurst, London
Choir Recorded by Geoff Foster
London Production Coordinators: Beck Bentham for Air Edel Associates, Ltd.
Choir Conducted & Arranged by Gavin Greenaway
Choir Orchestrated by Bruce Fowler
Choir Music Preparation: Tony Stanton
Choir Music Contractor: Tonia Davall
Assistants to Hans Zimmer: Moanike'ala Nakamoto, James Dooley, Adam Barber & Clay Duncan
Hans wishes to thank:
John Woo, Tom Cruise, Paula Wagner, Terence Change, Paul Hitchcock, Stuart Baird, Anna Behlmer, Tom Broderick, Jim Brooks, Emma Burnham, Patrick Cassidy, Ronni Chasen, Cameron Crowe, Lee Curreri, Michael Doven, Kirke Godfrey, David Geffen, Michael Gorfaine, Harry Gregson-Williams, Don Harper, Danny Jacob, Simon Leadley, Henning Lohner, Johnny Mori, Andy Nelson, Elisa Perlman, John Powell, Jay Rifkin, Nick Roe, Ben Scandrett-Smith, Sam Schwartz, Mark Stoeckinger, Gary Stiffelman, Robert Towne, Manolo Varela, Antonio Vargas, Chris Wagner, Brigitte Zimmer, Jake Zimmer, Suzanne Zimmer, Zoe Zimmer, The Media Ventures Team & The Gang at Avenue L & 8th Street
And special thanks to Danny Bramson & Lalo Schifrin
02 – Iko Iko – Zap Mama (3:23)
03 – Seville (4:32)
04 – Nyah (Film Version) (2:20)
05 – Mission: Impossible Theme (0:39)
06 – The Heist (2:22)
07 – Ambrose (2:37)
08 – Bio-Techno (1:42)
09 – Injection (4:49)
10 – Bare Island (5:30)
11 – Chimera (1:42)
12 – The Bait (1:00)
13 – Mano A Mano (4:22)
14 – Mission: Accomplished (1:44)
15 – Nyah And Ethan (5:05)
"Alone"
Written by Buckcherry & Hans Zimmer
Performed by Buckcherry
Produced by Buckcherry & Joe Barresi
Mixed by Chris Lord-Alge
"Nyah"
Written by Hans Zimmer
Performed by Hans Zimmer & Heitor Pereira
Produced by Hans Zimmer & Heitor Pereira
Executive Album Producer: Cruise / Wagner
Album Produced by Mitchell Leib
Soundtrack Coordinator for Hollywood Records: Desirée Craig-Ramos
Soundtrack Album Consultant: Karen Glauber
Mastered at Bernie Grundman Mastering by Brian Gardner
02 – I Disappear – Metallica (4:26)
03 – Scum Of The Earth – Rob Zombie (2:55)
04 – They Came In – Butthole Surfers (4:42)
05 – Rocket Science – Pimps (3:30)
06 – Have A Cigar – Foo Fighters Feat. Brian May (4:02)
07 – Mission 2000 – Chris Cornell (3:42)
08 – Goin’ Down – Godsmack (3:23)
09 – What U Lookin’ At? – Uncle Kracker (5:12)
10 – Backwards – Apartment 26 (3:09)
11 – Karma – Diffuser (3:16)
12 – Alone – Buckcherry (3:23)
13 – Immune – Tinfed (3:49)
14 – My Kinda Scene – Powderfinger (4:26)
15 – Carnival – Tori Amos (4:18)
16 – Nyah (3:33)
BOOKLET CREDITS
"Mission: Impossible Theme"
Written by Lalo Schifrin
Published by Bruin Music Company (BMI)
"Nya (Film Version)"
Written by Hans Zimmer Featuring Heitor Pereira
Produced by Hans Zimmer & Heitor Pereira
"The Bait", "Bare Island - Part III & IV" & "Mano A Mano - Part II"
Contain Excerpts from "Mission: Impossible Theme" Written by Lalo Schifrin
Score Composed & Produced by Hans Zimmer
Soundtrack Album Executive Producers: John Woo, Tom Cruise & Mitchell Leib
Mastered by Pat Sullivan at Bernie Grundman Mastering
The Mission: Impossible II "Band":
Klaus Badelt, Michael Brook, Dave Gamson, Lisa Gerrard, Nick Glennie-Smith, Oliver Leiber, Heitor Pereira, Jeff Rona, Martin Tillman, Mel Wesson & Hans Zimmer
Original Music published by Famous Music Corporation (ASCAP)
Music Score Supervisor: Adam Milo Smalley
Album Recorded & Mixed by Alan Meyerson
Additional Recording by Slamm Andrews
Music Editors: Marc Streitenfeld & Zigmund Gron
Music Production Coordinator: Gretchen O'Neal
Music Production Services by Media Ventures, Santa Monica, CA
Assistant Engineers for Media Ventures: Kevin Globerman & Gregg Silk
Album Recorded & Mixed at Media Ventures, Santa Monica, CA
Choir Recorded at Air Studios Lyndhurst, London
Choir Recorded by Geoff Foster
London Production Coordinators: Beck Bentham for Air Edel Associates, Ltd.
Choir Conducted & Arranged by Gavin Greenaway
Choir Orchestrated by Bruce Fowler
Choir Music Preparation: Tony Stanton
Choir Music Contractor: Tonia Davall
Assistants to Hans Zimmer: Moanike'ala Nakamoto, James Dooley, Adam Barber & Clay Duncan
Hans wishes to thank:
John Woo, Tom Cruise, Paula Wagner, Terence Change, Paul Hitchcock, Stuart Baird, Anna Behlmer, Tom Broderick, Jim Brooks, Emma Burnham, Patrick Cassidy, Ronni Chasen, Cameron Crowe, Lee Curreri, Michael Doven, Kirke Godfrey, David Geffen, Michael Gorfaine, Harry Gregson-Williams, Don Harper, Danny Jacob, Simon Leadley, Henning Lohner, Johnny Mori, Andy Nelson, Elisa Perlman, John Powell, Jay Rifkin, Nick Roe, Ben Scandrett-Smith, Sam Schwartz, Mark Stoeckinger, Gary Stiffelman, Robert Towne, Manolo Varela, Antonio Vargas, Chris Wagner, Brigitte Zimmer, Jake Zimmer, Suzanne Zimmer, Zoe Zimmer, The Media Ventures Team & The Gang at Avenue L & 8th Street
And special thanks to Danny Bramson & Lalo Schifrin
2020 Vinyl Reissue Credits
Produced by Hans Zimmer
Remastered for Vinyl by James Plotkin
Production for Mondo by Shannon Smith
Design & Layout and Art Direction by Mo Shafeek
Special Thanks to:
Tom Cruise, Andy Fischer, Michael Murphy, Mitchell Leib, the entire staff at Walt Disney Studio Music Department, Hollywood Records and the Disney Music Group, Drew Taylor, Charles Head, Light The Fuse Podcast, Bebe Lerner, Phillene Newman, Chandler Poling, Benjamin Wallfisch, Rob Jones & Brian Satterwhite
DISC 1
SIDE A
01 – Hijack (5:32)
02 – Mission: Impossible Theme (0:36)
03 – Seville – Part I & II (2:07)
04 – The Heist (2:40)
05 – Sunrise Ride (0:38)
06 – Seville – Part III (1:52)
07 – Nyah (Film Version) (2:42)
08 – Nekhorvich’s Message (1:18)
09 – Nyah’s True Mission (2:27)
SIDE B
01 – The Bait (2:51)
02 – Ambrose Welcomes Nyah (4:08)
03 – The Chimera Myth (1:30)
04 – Finger Cutting (0:47)
05 – At The Race Track (7:06)
06 – McCloy Gets Gas – Nyah Tries To Escape (5:21)
DISC 2
SIDE A
01 – McCloy In Hospital – Ambrose Knows (2:46)
02 – Breaking Into Biocyte (3:02)
03 – Chimera – Part I (3:25)
04 – Bio-Techno (1:51)
05 – Injection (4:28)
06 – Chimera – Part II (6:18)
SIDE B
01 – Bare Island – Part I (2:24)
02 – Bare Island – Part II (3:02)
03 – Mano A Mano – Part I (4:15)
04 – Bare Island – Part III & IV (7:29)
05 – Mano A Mano – Part II (5:17)
Noticed there’s no orchestral credits for this score. Same for Rush. Was there a real orchestra used for these movies, or just samples?
I am unsure re: M:i2 (although it certainly *sounds* like it doesn’t contain any live orchestral work), but Rush is confirmed as having relied on Lorne’s sample library + live Martin Tillman cello solos + some guitar stuff from Zimmer’s assistants
MIDI Library
Weren’t 60-70℅ of Hans scores made of it?
“some guitar stuff from Zimmer’s assistants”
Michael Brook, I thing. Same guy, who worked here on guitar-heavy tracks
*I think
Noticed there’s no orchestral credits for this score. Same for Rush. Was there a real orchestra used for these movies, or just samples?
I am unsure re: M:i2 (although it certainly *sounds* like it doesn’t contain any live orchestral work), but Rush is confirmed as having relied on Lorne’s sample library + live Martin Tillman cello solos + some guitar stuff from Zimmer’s assistants
MIDI Library
Weren’t 60-70℅ of Hans scores made of it?
“some guitar stuff from Zimmer’s assistants”
Michael Brook, I thing. Same guy, who worked here on guitar-heavy tracks
*I think
Composer credits anyone?
@ An0n:
No, I am not blind. I was just so surprised by your findings that he is hardly mentioned here for the score. I really had to scroll to the top right to the end to read his name under “Additional Music”. I think it’s a shame why he’s here at the end and basically seems like a brief mention when, as in your list here, he composed at least half of it.
I am therefore much more frustrated as to why he was never really mentioned or given the credits he so richly deserves. Unfortunately, this is the case in many projects and that’s exactly what I mean by his commitment. That he composed so much, as in your list, and had such a good influence on Hans, but in the end he is or was barely mentioned.
@Stephane:
I would very much like to understand the background as to why you say that. I’ve often read laughters in the comments, either here or on Facebook, when it comes to Klaus. But why is that?
Yeah im wondering that too cause Klaus is stupid talented, and he was on the come up and then just stopped. His score for the promise is a masterpiece
I won’t go into much details. Let’s say there’s the composer & the businessman. the first is super talent. The latter made a lot of enemies in Hollywood. It’s a waste really…
Just watch the Klaus Badelt Cinema World Interview on youtube. It is in german and already a few years old, but there he explains, why he doesn’t work in Hollywood anymore.
That’s why you need Jerry Bruckheimer on every Don Simpson
Composer credits anyone?
@ An0n:
No, I am not blind. I was just so surprised by your findings that he is hardly mentioned here for the score. I really had to scroll to the top right to the end to read his name under “Additional Music”. I think it’s a shame why he’s here at the end and basically seems like a brief mention when, as in your list here, he composed at least half of it.
I am therefore much more frustrated as to why he was never really mentioned or given the credits he so richly deserves. Unfortunately, this is the case in many projects and that’s exactly what I mean by his commitment. That he composed so much, as in your list, and had such a good influence on Hans, but in the end he is or was barely mentioned.
@Stephane:
I would very much like to understand the background as to why you say that. I’ve often read laughters in the comments, either here or on Facebook, when it comes to Klaus. But why is that?
Yeah im wondering that too cause Klaus is stupid talented, and he was on the come up and then just stopped. His score for the promise is a masterpiece
I won’t go into much details. Let’s say there’s the composer & the businessman. the first is super talent. The latter made a lot of enemies in Hollywood. It’s a waste really…
Just watch the Klaus Badelt Cinema World Interview on youtube. It is in german and already a few years old, but there he explains, why he doesn’t work in Hollywood anymore.
That’s why you need Jerry Bruckheimer on every Don Simpson