Lorne Balfe
Composer
Steffen Thum
Additional Music
Max Aruj
Additional Music
Shane Rutherfoord-Jones
Orchestrator
Matt Dunkley
Conductor
Stephen Lipson
Music Scoring Mixer
Mike Ladouceur
Score Technical Assistant
Sam Jones
Booth Reader
Jill Streater
Music Preparation
Queenie Li
Music Production Coordinator
FILM CREDITS
Music by Lorne Balfe
"Mission: Impossible Theme"
Composed by Lalo Schifrin
Music Editor: Cécile Tournesac
Orchestrator: Shane Rutherfoord-Jones
Choir Contractor: Jenny O'Grady
Music Preparation: Jill Streater
Orchestra Conductor: Matt Dunkley
Score Mix Engineer: Stephen Lipson
Sampling Programmer: Will Bedford
Music Production Coordinator: Queenie Li
Score Technical Assistants: Steffen Thum, Shane Rutherfoord-Jones & Max Aruj
Air Studios Recording Engineer: Geoff Foster
Air Studios Assistant Engineer: Laurence Anslow
Air Studios Manager: Alison Burton
Air Studios Coordinators: Charlotte Matthews & Lucy Matthews
Musicians Contractors: Isobel Griffiths & Susie Gillis
Score Recorded at Air Studios, United Kingdom
"The Plot (From Mission: Impossible TV Series)"
Written by Lalo Schifrin
"No Pain, No Gain"
Written by Lorne Balfe
Performed by Boy Position
"Your Mission", "Good Evening, Mr Hunt", "Fallout", "Stairs And Rooftops", "Free Fall", "The White Widow", "The Exchange", "Fate Whispers To The Warrior", "And The Warrior Whispers Back", "Unifinished Business", "The Last Resort", "Mission: Accomplished" & "Je Suis Désolé"
Contains an Interpolation of "The Mission: Impossible Theme" Composed by Lalo Schifrin
"Steps Ahead", "Escape Through Paris", "Kashmir", ""Fate Whispers To The Warrior" & "And The Warrior Whispers Back"
Contains an Interpolation of "The Plot" Composed by Lalo Schifrin
Composed by Lorne Balfe
Produced by Lorne Balfe & Steffen Thum
Executive Album Producers: Christopher McQuarrie & J.J. Abrams
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Soundtrack Album Coordinator: Jason Richmond
Music Production Coordinator: Queenie Li
Score Technical Assistants: Steffen Thum, Shane Rutherfoord-Jones, Max Aruj & Mike Ladouceur
Music Editor: Cecile Tournesac
Orchestrator: Shane Rutherfoord-Jones
Music Preparation: Jill Streater
Choir Contractor: Jenny O'Grady
Orchestra Conductor: Matt Dunkley
Orchestra Leader: Perry Montague-Mason
Booth Reader: Mike Ladouceur & Sam Jones
Choir: Metro Voices
Children's Choir: Thomas's Battersea
Thomas's Director of Music: John Haythornthwaite
Mix Engineer: Stephen Lipson
Assistant Mix Engineer: Isabel Gracefield
Sampling Programmer: Will Bedford
Recorded at Air Studios, United Kingdom
Air Studios Recording Engineer: Geoff Foster
Air Studios Assistant Engineer: Chris Barrett
Air Studios Manager: Alison Burton
Air Studios Coordinators: Charlotte Matthews & Lucy Matthews
Musicians Contractor: Isobel Griffiths & Susie Gillis
Librarian: Jill Streater Music
Mastered by Patricia Sullivan
Executive Album Producers for La-La Land Records: Dan Goldwasser, MV Gerhard & Matt Verboys
Production Assistance for La-La Land Records: Frank K. DeWald & Neil S. Bulk
Lorne Balfe would like to thank:
Christopher McQuarrie, Tom Cruise, Jake Myers, Susan Novick, Kim Seiniger, Randy Spendlove, Cecile Tournesac, Jake Kozarec, Geoff Foster, Steve Lipson, Steve Kofsky, Hans Zimmer, Queenie Li, Max Aruj, Steffen Thum, Shane Rutherfoord-Jones, Alison Burton, Darrell Alexander, Christopher Gutch, The La-La Land Records Team, David & Eva Balfe, Nina, Rufus & Marnie Balfe
Paramount Pictures Thanks:
Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Katie Colley, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicoll, Alex Mosley, Michael Murphy, Vanessa Palmer, Marissa Raykoff, Elisa Robertson, Maddy Van Remortel, Kim Sieniger & Eric Ybanez
02 – Your Mission (2:14)
03 – Should You Choose To Accept… (2:34)
04 – The Manifesto (1:44)
05 – Good Evening, Mr. Hunt (4:19)
06 – Change Of Plan (5:47)
07 – A Terrible Choice (2:54)
08 – Fallout (1:30)
09 – Stairs And Rooftops (6:00)
10 – No Hard Feelings (4:20)
11 – Free Fall (4:14)
12 – The White Widow (4:42)
13 – I Am The Storm (2:07)
14 – The Exchange (5:54)
15 – Steps Ahead (1:02)
16 – Escape Through Paris (5:05)
17 – We Are Never Free (6:57)
18 – Kashmir (4:29)
19 – Fate Whispers To The Warrior (3:54)
20 – And The Warrior Whispers Back (3:56)
21 – Unfinished Business (1:49)
22 – Scalpel And Hammer (5:10)
23 – The Syndicate (6:00)
24 – Cutting On One (3:42)
25 – The Last Resort (2:55)
26 – Mission: Accomplished (1:15)
LA-LA LAND RECORDS BONUS TRACKS
27 – Plutonium Trade (2:54)
28 – As Ugly As They Come (2:26)
29 – Framing Ethan (2:01)
30 – Je Suis Désolé (1:06)
31 – Trapped (3:26)
32 – This Mission Is Terminated (2:10)
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Can somebody help me out
I want to identify those tracks:
– first minute of “Good Evening, Mr. Hunt”
– Change Of Plan
– The Syndicate
What is their original suite name?
Those are titles of Lorne’s suites for this movie (still unreleased):
Loves Underbelly v2.00
Sanctions v2.00
Conclusions 4 v1.00
Time Chase v1.04
To Rise v2.00
Excuses v1.02
Escapes v2.02
Balfe sounds like a bad Edelman copy – we used to laugh about Edelman scores back in the 1990s
The cheap arse samples, the cheap melodies
Edelman eventually disappeared as everyone thought he was just taking the piss
This is what Balfe sounds like to 1990s veterans of the synth/orchestra. Just a guy making a cheap arse buck : https://www.youtube.com/watch?v=7bDGcKQCkcU
Hybrid, 7m49 has length of 15+ minutes?
(7m49 Helicopter Chase v7.22
7m49 Helicopter Chase v8.05 INSERT)
From the moment when TC jumps to Helicopter and to moment when Ilza cuts rope (before Pulpit Rock Fight)?
@Stephane if you don’t do the project details for Lorne than just do it for this…. its his best score
Max Aruj’s name on Free Fall (his website)
The best track Lorne has ever done, I’d say it’s one of the best action cues ever written!!
Sorry KEM buddy not heard many action tracks then have you? Even in the RCP lot of the 2010, this isn’tparticularly interesting, and outside of Inception and Zanelli stuff on the Lone Ranger, there’s not that many great RCP tracks – but they all beat this.
All I listen to is action scores and Free Fall is among my favorite pieces of music ever written
Regarding BB3, the music ends up being fun (the action section) although it does not fit me on the images of the film, which is rare. So I think Balfe either didn't have much time or was really a Bruckheimer puppet.
I think that GitS was good, it could have been better, but it had really good things. Ad Astra if it can be differentiated from Ritcher and also Balfe's score (complete) is good, it has a lower dramatic theme, but the sound set is powerful.