Maverick Dugger
Technical Score Engineer
Antonio Andrade
Additional Arrangements
Al Clay
Music Scoring Mixer
Jack Dolman
Music Editor
Stephen Coleman
Orchestrator
Dominic Lewis
Composer
Henry Jackman
Music Producer
Alan Meyerson
Score Recordist
Matthew K. Justmann
Music Production Services
Tom Skyrme
Synth Programmer
FILM CREDITS
Music by Dominic Lewis
Music Produced by Henry Jackman
Music Consultant: Randall Poster
Music Editors: Richard Ford, Jack Dolman & Daniel Waldman
Score Mixed by Al Clay
Score Recorded by Alan Meyerson & Chris Fogel
Music Production Services: Matthew K. Justmann
Conducted & Orchestrated by Stephen Coleman
Synth Programmers: Antonio Andrade & Tom Skyrme
Score Recordist: Milton Gutiérrez
Music Contractor: Peter Rotter
Music Preparation by Booker White
Music Coordinator: Meghan Currier
ALBUM ASSEMBLY
Opening Bell : 1m01 v2.1 Opening Bell (Edited)
Bear Market : 1m06 v1.1 Newsroom Wafting (Edited)
Initial Claims : 2m17-18 v1.1 Lee Was Wrong (Edited)
Triple Buy : 3m26 v4 Triple Buy (Edited)
Molly : 3m28 v1.1 Stalking Molly + 3m30-32 v1.1 Shitty Life Competition (Edited)
Human Error : 4m34 v2.1 Human Error (Edited)
Hostile Takeover : 4m35-38 v1.1 Shooter At The (Lee) Gates (Edited)
Outside World : 5m40-46 v2.1 The Outside World (1st part) (Edited)
Rallying Market : 5m40-46 v2.1 The Outside World (2nd part) (Edited)
High Frequency Fraud : 5m47 v1.5 Walt Brought To Justice (Edited)
Market Crash : 5m48 v2 The Money Shot (Edited)
Closing Bell : 6m49 v2.1 Aftermath
Global Players : EC End Credits
1m06 v1.1 Newsroom Wafting (1:39)
1m07 v1.1 Ron’s Pills (0:35)
1m11-13 v1.1 Kyle Sneaks In (6:03)
2m15 v1.1 Two Boxes (1:22)
2m17-18 v1.1 Lee Was Wrong (3:16)
2m20 v2.2 Where’s Walt-O? (1:55)
2m21 v1.1 Call Me Kyle (0:55)
2m22 v1.2 Global Players (1:35)
3m23 v1.1 Not Our Call To Make (1:12)
3m24 v1.2 Clandestine Plan (0:31)
3m15 v1.1 Bunch Of Quants (2:40)
3m26 v4 Triple Buy (4:56)
3m28 v1.1 Stalking Molly (0:59)
3m29 v1.1 Finding A Translator (1:02)
3m30-32 v1.1 Shitty Life Competition (3:32)
4m33 v1 You Are A Bitch (1:01)
4m34 v2.1 Human Error (3:20)
4m35-38 v1.1 Shooter At The (Lee) Gates (11:11)
4m39 v2 Inside The Elevator (0:57)
5m40-46 v2.1 The Outside World (10:52)
5m47 v1.5 Walt Brought To Justice (3:18)
5m48 v2 The Money Shot (4:49)
6m49 v2.1 Aftermath (1:36)
EC End Credits (3:39)
Original Score Composed by Dominic Lewis
Original Score Produced by Henry Jackman
Executive in Charge of Music for Sony Pictures: Lia Vollack
Music Editors: Richard Ford, Jack Dolman & Daniel Waldman
Soundtrack Album Produced by Dominic Lewis & Al Clay
Additional Arrangements: Antonio Andrade
Synth Programming: Tom Skyrme
Orchestrated & Conducted by Stephen Coleman
Orchestra Contractor: Peter Rotter
Music Preparation: Booker T. White
Score Recorded at The Bridge, Burbank, California
Score Recording Engineers: Alan Meyerson & Chris Fogel
Score Recordist: Milton Gutierrez
Score Technical Engineer: Antonio Andrade
Featured Cello: Dominic Lewis
Concert Master: Tereza Stanislav
Music Production Services: Matthew K. Justmann
Album Mastered by Gavin Lurssen at Lurssen Mastering
Sony Classical Licensing: Mark Cavell
Sony Classical Product Development: Klara Korytowska
Dominic Lewis would like to thank: Jodie Foster, Grant Heslov, George Clooney, Lia Vollack, Matt Chessé, Henry Jackman, Jack Dolman, Daniel Waldman, Richard Ford, Al Clay, Alan Meyerson, Chris Fogel, Antonio Andrade, Tom Skyrme, Alvin Wee, Mathew K. Justmann, Steve Kofsky, Hans Zimmer, John Powell, Dee Clay, Dan Pinder, David Metzner, Felipe Pacheco, Matthew Margeson, Shalini Singh, Jillian Abood, Mandy Kofsky, Victor Chaga, Alex Belcher, Maverick Dugger, Alex Lam, Jake Kozarec, Rich Jacobellis, Rob Messinger, Chandler Poling, Ann Lewis, Anthony Lewis & Vicki Lewis
And a special thanks to: Erin & Wilder
Additional thanks: Bob Badami, Ramin Djawadi, James Dooley, Tom Holkenborg, Lorne Balfe, Jimmy Levine, Paul Mounsey, Cynthia Park, Jeff Biggers, Andrew Kawczynski, Stephanie McNally, Thea Howard, Vivan Aguiar-Buff, Luiz Augusto Buff, Selena Razack, Chris Strong, Catherine Wilson, Satoshi Noguchi, Christina Mansky, Will Marriott, Chuck Choi, John Finklea, Christopher Austin, Jerry Salazar, Jeffrey Gadd Chandler, Albert Nolasco, Brandon Campbell, Jon Chapman, Steve Mazzaro, Ana Lopez, Will Harpur, Josh Hayward, Robin Bailey, Olly Buxton, Mark Wood, Sean & Patricia Black, Rayna Ferner, Tim & Sandy McConnell-Wood, Cathy Thomson, Emlyn Singleton, Sadie Reid & Cliff Rosenthal
02 – Bear Market (1:30)
03 – Initial Claims (1:13)
04 – Triple Buy (4:46)
05 – Molly (3:42)
06 – Human Error (2:00)
07 – Hostile Takeover (5:13)
08 – Outside World (5:06)
09 – Rallying Market (2:24)
10 – High Frequency Fraud (3:11)
11 – Market Crash (2:12)
12 – Closing Bell (1:33)
13 – Global Players (3:39)
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Dominic is scoring the "Goosebumps" sequel. Because it's a horror movie, maybe we can hear something like his additional music in This Is The End?
Yes, love that extract :)
Great electronic score ! :)
Henry Jackman was only “big name” producer or he actually did something on this (writing or else)?
No Henry just basically got Dom the job, and that’s all.
@Morgan Joylighter. Amen brother!
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.
Isn't it funny that Jackman's name is bigger than Lewis'. It's just like the score for Divergent; Zimmer's was bigger than Junkie's.
Looking forward to this! :)
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack