FILM CREDITS
Music by Geoff Zanelli & Mark Ronson
Music Editors: Katia Lewin-Jablonsky, Nic Ratner & Sally Swisher
Orchestrato Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Score Conducted & Orchestrated by Alastair King
Additional Orchestrations by Tom Richards, Richard Bronskill, David Butterworth, John Ashton Thomas, James McWilliam & Michael Leonhart
Music Preparation: Jill Streater of Global Music Service
Scoring Engineer: Peter Cobbin
ProTools Operator: Toby Hulbert
Engineer & ProTools Operator: Joshua Blair
Engineers: Riccardo Damian & Rhys Downing
Mix Engineer: Ben Baptie
Assistant Engineers: Tim Marchiafava & Lewis Chapman
Music Equipment Engineer: Artie Smith
Score Recording Assistants: Stefano Civetta, Matt Jones & Jon Alexander
Booth Readers: James McWilliam & Julian Kershaw
Orchestra Leader: Thomas Bowes
Flute: Karen Jones
Piano/Celeste: Dave Hartley
Clavinet: Dave Arch
Harpsichord/Rhodes: Simon Chamberlain
1st Trumpet/Flugelhorn: John Barclay
Vibraphone: Frank Ricotti
Pipa: Cheng Yu
Russian Choir Performed by London Voices
Vocal Soloist: Nicholas Garrett
Choirmasters: Terry Edwards & Ben Parry
Score Audio Editor: Kirsty Whalley
Score Recorded at Abbey Road Studios
Abbey Road Studio Manager: Colette Barber
Score Mixed by Dennis Sands
Music Mix, ProTools Operator: Adam Olmsted
Score Mixed at Sound Waves SB
Harpsichord Provided by Claire Hammett
Technical Score Advisor: Phill Boucher
Technical Score Assistant: Zak McNeil
Vocals: Rose Elinor Dougall, Georgia Lee, Edie Langley, Joe Van Moyland & Miles Kane
Guitars: Tommy Brenneck & Brian Vargas
Drums: Homer Steinweiss & Steve Jordan
Bass: Nick Movshon & Luques Curtis
Keys: Victor Axelrod
Trumpet 1: Dave Guy
Tenor Sax: Ian Hendrickson-Smith
Trumpet 2: Michael Leonhart
Trombone: Ray Mason
Baritone Sax: Martin Perna
Percussion: Reinaldo DeJesus & Carlos Maldonado
Piano: Zaccai Curtis
Writing: Ben Garrett
"Johanna"
Written by Mark Ronson, Miles Kane, Ben Garrett & Geoff Zanelli
Performed by Miles Kane
"Heart's A Liar"
Written by Geoff Zanelli, Mark Ronson & Rose Elinor Dougall
Performed by Rose Elinor Dougall
ALBUM ASSEMBLY
Johanna : 6m62S Johanna
Hong Kong : 1m02AB I Am Lord Charlie Mortdecai + 1m02CD I Think I'll Keep The Money - Right Behind You As Always, Sir + 1m03 Mortdecai Estate
The Farmer's Daughter : 1m04 Turkey Farm + 1m05 The Dead Hag
The Painted Lady May Be In Play : 2m15 Calling Romanov - Transition To Restaurant + 1m09 Investigating Mortdecai
Spinoza : 2m18 Spinoza Chase + 2m19 Martland Arrives At The Scene
Los Angeles : 4m32 Los Angeles (Edited) + 4m33 Mortdecai Arrives At Krampf Mansion
Georgina : 4m33A Mortdecai Meets Georgina + 4m35 Staring At Your Liquor
Heart's A Liar : 6m63S Heart' A Liar
Curiously Interspersed With Erotic Dreams : 3m23 Uneasy Slumber - Jock To Russia - Johanna Visits Duke
Open Your Balls : 3m24A Russian Anthem + 3m25 Open Your Balls (Edited) + 3m28 Moscow Chase + 3m29 Moscow To London
Questionable Attack, Jock : 4m43 Vomit Chase + 5m44-45 Very Exciting Pookie! - For England + 5m46 Interrogation Room
The Duke's Funeral : 5m49 Back To London + 5m50 To The Lavatory
The Heist : 4m38 The Heist
Con Fuego : 4m36S Latin Source
Well Spun Rumour : 5m51-53 Well Spun Rumor + 5m54-57 Stealthy (Edited)
The Auction : 5m57AB Fencing Match Continues - Lights Out (Edited) + 5m58-59 Back To The Auction
Epilogue : 6m60 Bollocks
In The Bathtub : 6m61 Bathtub
1m02AB I Am Lord Charlie Mortdecai (1:34)
1m02CD I Think I’ll Keep The Money – Right Behind You As Always, Sir (2:10)
1m03 Mortdecai Estate (0:47)
1m04 Turkey Farm (0:53)
1m05 The Dead Hag (1:11)
1m09 Investigating Mortdecai (0:33)
2m10 Johanna, You Look Lovely (0:21)
2m12 Emil Strago (0:34)
2m13A Johanna, My Love (0:33)
2m13B You Needn’t Worry Yourself (0:06)
2m14A Mort To See Sir Graham (0:43)
2m15 Calling Romanov – Transition To Restaurant (0:22)
2m16-17 Lunch With Martland – Going To Spinoza’s (1:23)
2m18 Spinoza Chase (4:19)
2m19 Martland Arrives At The Scene (0:23)
2m20 To Oxford (0:22)
3m21-22 To The Library – The Lost Goya (1:53)
3m23 Uneasy Slumber – Jock To Russia – Johanna Visits Duke (1:26)
3m24 Awoken From Slumber (0:31)
3m24A Russian Anthem (0:08)
3m25 Open Your Balls (0:39)
3m28 Moscow Chase (2:23)
3m29 Moscow To London (0:24)
4m31 London To Los Angeles (0:21)
4m32 Los Angeles (0:36)
4m33 Mortdecai Arrives At Krampf Mansion (0:25)
4m33A Mortdecai Meets Georgina (0:38)
4m34 Hidden Compartment (0:30)
4m35 Staring At Your Liquor (0:19)
4m36S Latin Source (2:31)
4m36 INS Emil Insert (0:26)
4m38 The Heist (2:52)
4m43 Vomit Chase (3:06)
5m44-45 Very Exciting Pookie! – For England (1:08)
5m46 Interrogation Room (0:38)
5m47 Bronwyn Makes A Fake (0:49)
5m49 Back To London (0:25)
5m50 To The Lavatory (0:50)
5m51-53 Well Spun Rumor (1:51)
5m54-57 Stealthy (3:28)
5m57AB Fencing Match Continues – Lights Out (1:31)
5m57C Martland Arrives At Auction (0:45)
5m57D Jock About To Lose A Finger (1:17)
5m58-59 Back To The Auction (2:02)
6m60 Bollocks (1:14)
6m61 Bathtub (2:23)
6m62S Johanna (4:24)
6m63S Heart’ A Liar (3:53)
"Johanna"
Performed by Miles Kane
Written by Mark Ronson, Miles Kanes, Ben Garrett & Geoff Zanelli
"Heart's A Liar"
Performed by Rose Elinor Dougall
Written by Geoff Zanelli, Mark Ronson & Rose Elinor Dougall
Music by Geoff Zanelli & Mark Ronson
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Score Conducted & Orchestrated by Alastair King
Additional Orchestrations by Tom Richards, Richard Bronskill, David Butterworth, John Ashton Thomas, James McWilliam, Michael Leonhart
Music Preparation: Jill Streater of Global Music Service
Scoring Engineer: Peter Cobbin
ProTools Operator: Toby Hulbert
Engineer & ProTools Operator: Joshua Blair
Engineers: Riccardo Damian & Rhys Downing
Mix Engineer for Mark Ronson: Ben Baptie
Assistant Engineers: Tim Marchiafava & Lewis Chapman
Score Recording Assistants: Stefane Civetta, Matt Jones & Jon Alexander
Booth Readers: James McWilliam & Julian Kershaw
Orchestra Leader: Thomas Bowes
Russian Choir Performed by London Voices
Choirmasters: Terry Edwards & Ben Parry
Score Audio Editor: Kirsty Whalley
Score Recorded at Abbey Road Studios
Abbey Road Studio Manager: Colette Barber
Score Mixed by Dennis Sands
Music Mix, ProTools Operator: Adam Olmsted
Score Mixed at Sound Waves SB
Harpsichord Provided by Claire Hammett
Technical Score Advisor: Phill Boucher
Technical Score Assistant: Zak McNeil
Vocals: Rose Elinor Dougall, Georgia Lee, Edie Langley, Joe Van Moyland & Miles Kane
Mark Ronson's Band:
Guitars: Tommy Brenneck & Brian Vargas
Drums: Homer Steinweiss & Steve Jordan
Bass: Nick Movshon & Luques Curtis
Keys: Victor Axelrod
Trumpet 1: Dave Guy
Tenor Sax: Ian Hendrickson-Smith
Trumpet 2: Michael Leonhart
Trombone: Ray Mason
Baritone: Sax Martin Perna
Percussion: Reinaldo Dejesus & Carlos Maldonado
Piano: Zaccai Curties
Writing: Ben Garrett
Executive Producers for La-La Land Records: MV Gerhard & Matt Verboys
Album Mastered by Patricia Sullivan at Bernie Grundman Mastering
Production Assistance: Frank K. DeWald & Neil S. Bulk
For Lionsgate:
Executive in Charge of Film Music: Carter Armstrong
General Manager & EVP, Music Business Affairs: Lenny Wohl
Music Executive: Trevon Kezios
Music Budget Supervisor: Chris Brown
Director, Music Business Affairs: Karen Sidlow
Music Coordinators: Ryan Svendsen & Nikki Triplett
Assistant to Mr. Armstrong: Rona Rapadas
Assistant to Mr. Wohl: Ally Wigmore
Geoff Zanelli wishes to thank:
David Koepp & Mark Ronson for this incredible, fruitful collaboration, Christi Dembrowski, Johnny Depp, Monique Feig, Kenneth Kokin, Andrew Lazar, Patrick McCormick, Michael Paseornek, Gigi Pritzker, Sam Sarkar, Erik Feig, Eric Aronson, Carter Armstrong, Trevon Kezios, Ryan Svendsen, Hans Zimmer, MV Gerhard & everyone at La-La Land Records, Dan Goldwasser, Laura Engel, Richard Kraft & everyone at KEM, Emilie Erskine, Jordan von Netzer, Charley Walters & everyone at CW3, Jennifer Jardine for her never-ending love & support, Dick & MaryAnn Zanelli, Bill & Alberta Schmidt, & the Zanelli, Schmidt & Garcia families
Mark Ronson wishes to thank:
David Koepp, for taking a chance on me & also introducing me to Geoff Zanelli (I couldn't think of a better sparring partner for my first scoring experience), Homer Steinweiss, Tommy Brenneck, Victor Axelrod & Nick Movshon, Dave Guy, Ian Hendrickson-Smith, Michael Leonhart, Martin Perna & Ray Mason (the dudes), Rose Elinor Dougall, Miles Kane & Ben Garrett, Josh Blair (whose knowledge & attention to detail kept my sessions from jumping the rails), Riccardo Damien, Rhys Downing, Phill Boucher, Zak McNeil, Carter Armstrong, Trevon Kezios, Katia Lewin - & every musician, copyist, fixer & recording engineer who contributed to this project
02 – Hong Kong (4:15)
03 – The Farmer’s Daughter (1:54)
04 – The Painted Lady May Be In Play (0:51)
05 – Spinoza (4:38)
06 – Los Angeles (0:53)
07 – Georgina (0:49)
08 – Heart’s A Liar (feat. Rose Elinor Dougall) (3:53)
09 – Curiously Interspersed With Erotic Dreams (1:26)
10 – Open Your Balls (3:14)
11 – Questinable Attack, Jock (4:40)
12 – The Duke’s Funeral (1:09)
13 – The Heist (2:50)
14 – Con Fuego (2:31)
15 – Well Spun Rumour (3:34)
16 – The Auction (3:20)
17 – Epilogue (1:14)
18 – In The Bathtub (2:23)
10 Comments
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Anyways, thanks for gathering the Info regarding additional music.
Really!? Hans is credited on every track, even on the expanded score.
First I want the "Who did what" for Kung Fu Panda 2. But that ain't gonna happen soon, y'all. :)
@Hybrid: do you know who did what?
@Zimson
Actually, what you described is pretty much what every major studio/comapny is doing these days – "McDonaldization" all around.
Hans is done with POTC… Because of POTC 4… Doesn't mean he has a problem with Disney (he doesn't lol), but POTC is a finished story… :)
The film really wasn't my cup of tea… :/ :/
"The trailers for it look beyond awful."
They really do. Then again, I think most trailers are awful, even for films that turn out to be good.
Had no idea Zanelli was doing this. The trailers for it look beyond awful.
This will be released in february ! :)