FILM CREDITS
Music by Klaus Badelt
Music Supervisor: Nick Angel
Music Editors: Michael Connell & Gerard McCann
Executive in Charge of Film Music for Universal Studios: Kathy Nelson
Additional Music by Ramin Djawadi
Synth Orchestrations: Henning Lohner
Conductor: Rick Wentworth
Orchestra Leader: Gavyn Wright
Orchestra Contractor: Isobel Griffiths
Music Preparation: Global Music Services & Vic Fraser
Score Recorded & Mixed by Nick Wollage
Assistant Engineers: Jake Jackson, Keir Milligan & Tom Hannen
Score Recorded at Air Studios, Lyndhurst Hall
Score Mixed at Sony Music Recording Studios
"Saving A Life"
Traditional, Klaus Badelt
Performed by Susie Webb, Katy Stephan & Alexandra Hill
"Moreton Bay"
Traditional
Arranged by Bernard Fanning & Claire Jordan
Performed by Bernard Fanning
"Shelter For My Soul"
Music & Lyrics by Bernard Fanning
Performed by Bernard Fanning
Thanks to: Chris Brooks, Allison Wright Clark, Ian Honeyman, Blake Neely, Geoff Zanelli, Steve Jablonsky, Tim Jones & the Media Ventures Gang
"Shelter For My Soul"
Written by Bernard Fanning
Performed by Bernard Fanning
Violin 1: Jonathan Evans-Jones
Violin 2: Mark Berrow
Viola: Bruce White
Cello: Anthony Lewis
Produced by Bernard Fanning
Strings Arranged by Klaus Badelt
Musicians' Contractor: Isobel Griffiths
Engineered & Mixed by Mark McElligott
Additional Engineering & Mix by Geoff Foster & Ramin Djawadi at Air Studios, London
Recorded at Sing Sing Studios, Australia & Air Studios, London
"Moreton Bay"
Traditional, Arranged by Bernard Fanning & Claire Jordan
Guitar & Vocals: Bernard Fanning
Mandolin: Jack Moncur
Fiddle: John Bedggood
Produced by Bernard Fanning
Engineered & Mixed by Mark McElligott
Recorded at Sing Sing Studios, Australia
Original Music Composed by Klaus Badelt
Music Written & Produced by Klaus Badelt
Additional Music & Arrangements: Ramin Djawadi & Geoff Zanelli
Synth Orchestrations: Tim Jones & Henning Lohner
Recorded & Mixed by Nick Wollage
Recorded at Air Lyndhurst Studios, London
Mixed at Sony Whitfield Studios, London
Additional Recording & Mixing: Geoff Foster
Synth Programming: Rob Williams
Vocals: Katy Stephan, Susie Webb & Alexandra Hill
Solo Viola: Peter Lale
Solo Trumpet: Ian Balmain
Flutes & Pipes: Eric Rigler
Conductors: Rick Wentworth & Gavyn Wright
Orchestrations: Blake Neely, Bob Elhai, Brad Warnaar, Bruce Fowler, Ladd McIntosh & Klaus Badelt
Music Editor: Christopher Brooks
Music Editors, London: Gerard McCann & Ramin Djawadi
Assistant Engineers: Gregg Silk, Jake Jackson & Tom Hannen
Production Coordinator: Allison Wright Clark
Technical Score Consultant: Ian Honeyman
Orchestra Contractor: Isobel Griffiths
Music Preparation: Vic Fraser & Jill Streater
Composer Management: Media Ventures
Media Ventures Executives: Jay Rifkin & Mark Berger
Mastered by Bob Whitney at Sony Whitfield Studios, London
Klaus Badelt uses Aardvark, Emagic, Fujistu, Anthony Gallo, InFocus, M-Audio & Samsung equipment
Klaus would like to thank: Gregor Jordan, Tim Bevan, Nick Angel, Hans Zimmer, Robyn Klein, Steve Jablonsky, Jon Gregory, Alexandra Hill, Tania Windsor, Angela Morrison, Sheeraz Shah, David Jaymes, John Reynolds, Sinéad O'Connor, Craig Eastman, Paul Fiore, Alison Burton, Angela Robinson, David Baerwald, Sinead V. Smyth, Russell Emanuel, Becky Bentham & Becky Mancuso Winding
For Patricia & Juliette
Producer: Klaus Badelt
Executive Producer: Nick Angel
Very special thanks to:
Tim Bevan, Eric Fellner, Gregor Jordan, Debra Hayward, Liza Chasin, Angela Morrison, Michelle Wright, Timothy White, Mel Flanagan, Chris Clark, Sheeraz Shah, Alexandra Hill, Bryce Menzies, Lynda House, David Livingstone, Charlotte Saint, Mark Cavell, Jacky Schroer, JJ Murray-Leach, Claudia Tessarin, Tania Windsor, Hans Zimmer, Klaus Badelt, Ramin Djawadi & the Media Ventures Team, Chris Brooks & his team, Isobel Griffiths, Claire Jordan, Bernard Fanning, Paul Piticco, Andy Gray & 140dB Management
Bernard Fanning, Klaus Badelt
02 – Saving A Life (3:17)
Klaus Badelt, Ramin Djawadi
03 – Ned Kelly (5:37)
Klaus Badelt
04 – Destiny (4:24)
Klaus Badelt, Ramin Djawadi
05 – The Light (2:00)
Klaus Badelt, Ramin Djawadi
06 – Julia (1:21)
Klaus Badelt
07 – Stringybark Creek (3:21)
Klaus Badelt, Ramin Djawadi
08 – Back Home (6:23)
Klaus Badelt, Ramin Djawadi
09 – Moreton Bay (2:50)
Bernard Fanning, Claire Jordan
11 – Doomed (5:11)
Klaus Badelt, Ramin Djawadi
12 – Outlaws (5:31)
Klaus Badelt
13 – The Jerilderie Letter (2:08)
Klaus Badelt
14 – Father (1:29)
Klaus Badelt
15 – The Glenrowan Inn (7:01)
Klaus Badelt
16 – Remembering Ned Kelly (1:24)
Klaus Badelt
Little "who did what" on that score… :)
Little "who did what" on that score… :)
@Hybrid: Do you have a tracklist for the complete score that was recently released?
@Hybrid: Do you have a tracklist for the complete score that was recently released?
Wow! I am just now sitting through a listen of this soundtrack and here’s yet another gem produced by Badelt! His orchestrations are fabulous here and I too get chills listening to this score! What a great find.
Wow! I am just now sitting through a listen of this soundtrack and here’s yet another gem produced by Badelt! His orchestrations are fabulous here and I too get chills listening to this score! What a great find.
The only thing letting this album down was ‘Moreton Bay’. It should have been put either at the beginnng or the end of the album. Otherwise, Badelt’s score is amazingly bittersweet and I always get goosebumps everytime I listen to this album.
The only thing letting this album down was ‘Moreton Bay’. It should have been put either at the beginnng or the end of the album. Otherwise, Badelt’s score is amazingly bittersweet and I always get goosebumps everytime I listen to this album.
I live in Australia and so was lucky enough to be able to buy this easily. It is a brilliant soundtrack and is particularly good due to the fact that the music is at times both uplifting and saddening. The songs by Berard Fanning (the lead singer from Powderfinger) are also good.
I live in Australia and so was lucky enough to be able to buy this easily. It is a brilliant soundtrack and is particularly good due to the fact that the music is at times both uplifting and saddening. The songs by Berard Fanning (the lead singer from Powderfinger) are also good.