Hans Zimmer
Composer
Steve Mazzaro
Co-Composer
Steven Doar
Additional Music
Alex Lamy
Additional Arrangements
Matt Dunkley
Additional Arrangements
Mel Wesson
Ambient Music Design
Stephen Lipson
Song Producer
Oscar Senen
Orchestrator
Joan Martorell
Orchestrator
Johnny Marr
Musician
Amir John Haddad
Musician
Luis Jardim
Musician
Frank Ricotti
Musician
Caroline Dale
Musician
Gary Kettel
Musician
Pedro Eustache
Musician
Kevin Schroeder
Synth Programmer
Al Clay
Music Scoring Mixer
Eva Reistad
Assistant Score Mixer
Chuck Choi
Technical Score Engineer
Alejandro Moros
Technical Music Assistant
Edie Lehmann Boddicker
Vocal Contractor
Jill Streater
Music Preparation
Taurees Habib
Digital Instrument Preparation
Raul Vega
Digital Instrument Preparation
Mark Wherry
Digital Instrument Design
Cynthia Park
Assistant to Hans ZIMMER
Nicole Jacob
Assistant to Hans ZIMMER
Steven Kofsky
Music Production Services
Shalini Singh
Studio Manager
NO TIME TO DIE, 2020, Directed by Cary Joji Fukunaga
FILM CREDITS
Music by Hans Zimmer
Score Produced by Steve Mazzaro
"No Time To Die"
Performed by Billie Eilish
Written by Billie Eilish & Finneas O'Connell
Produced by Finneas & Steve Lipson
Orchestrations & Arrangements by Hans Zimmer & Matt Dunkley
Additional Music: Steve Mazzaro
Music Supervisor: Randall Poster
Supervising Music Editor: Christopher Benstead
Assistant Music Editor: Connor Hughes
Music Production Services: Steven Kofsky
Electric Guitar: Johnny Marr
Trumpet: Arturo Sandoval
Drums: Jason Bonham
Percussion: Luis Jardim, Gary Kettel, Frank Ricotti & Paul Clarvis
Woodwinds: Pedro Eustache
Flamenco Guitar: Amir John Haddad
Additional Arrangements: Steven Doar
Ambient Music Design: Mel Wesson
Synth Design: Kevin Schroeder, Matt Bowdler & Rafael Szaban
Synth Programming: Hans Zimmer
Orchestra Conductor: Matt Dunkley
Studio One Conductor & Additional Arrangements: John Altman
Score Recordist: Geoff Foster
Score Mixers: Stephen Lipson & Al Clay
Lead Orchestrator: Oscar Senen
Orchestration Team: Joan Martorell, Vicente Ortiz Gimeno, Pedro Osuna & Rob Westwood
Orchestrator Assistant: James Warren Morris
Technical Score Engineer: Chuck Choi
Technical Assistants: Alejandro Moros & Alex Lamy
Score Mix Assistants: Eva Reistad & Alvin Wee
Score Recorded: Air Lyndhurst
Additional Score Recordings: Stephen Lipson, Al Clay, Rupert Coulson & Marc McCoiug
Digital Score Recordists: John Prestage & Laurence Anslow
Score Editors: Chris Barrett & Adam Miller
Assistant Engineers: The Hall: Gianluca Massimo, Alex Ferguson & Ashley Andrew-Jones
Assistant Enginners: Studio 1: Jack Mills & Rebecca Hordern
Orchestra Leader: Thomas Bowes
UK Score Contractor: Isobel Griffiths Ltd.: Lucy Whalley
Choir: The London Voices
Choir Masters: Ben Parry & Terry Edwards
Air Studios Bookings: Alison Burton
Librarians: Jill Streater & Ann Barnard
Digital Instrument Design: Mark Wherry
Digital Instrument Preparation: Taurees Habib & Raul Vega
Music Clearances: Ian Herbert
Studio Manager for Remote Control Productions: Shalini Singh
Assistants to Mr. Zimmer: Cynthia Park & Nicole Jacob
"The James Bond Theme"
Written by Monty Norman
ALBUM ASSEMBLY
Gun Barrel : 1m1 v1.13 Gun Barrel Opening (Edited)
Matera : 1m5 Matera Drive
Message From An Old Friend : 1m10-12 v4.05 Explosion To Hotel
Square Escape : 2m13-14 v4.01 Donut Square Escape
Someone Was Here : 3m17-18 v4.03 Where Is 007? - Boat - Jamaica House
Not What I Expected : 3m22 v1.02 Nomi's Professional Courtesy
What Have You Done? : 3m24-25 v3.05 M Darling (Phonecall) - Sailing To Cuba
Shouldn't We Get To Know Each Other First : 4m28 v10.01 Getting The DJ On
Cuba Chase : 4m32-33 ALT Capturing Valdo
Back To MI6 : 5m42 v2.03 Vantage To MI6
Good To Have You Back : 5m47 v3.01 Cuba Victims
Lovely To See You Again : 6m50B v1.01 Don't Lose Control
Home : 6m53 v5.03 VOX MIX 2 Back To Norway
Norway Chase : 7m60-62 v4.02 Norway Chase
Gearing Up : 7m64 v5.01 Nomi Picks Up Bond
Poison Garden : 7m65 v1.11 Zen Garden
The Factory : 7m66-69 v4 To Poison Island
I'll Be Right Back : 8m73 v2 Finding Mathilde
Opening The Doors : 9m74 v3.03 Stairwell Chase
Final Ascent : 9m77 v4 MIX 3 Final Ascent
No Time To Die : 2m15S No Time To Die
Hans Zimmer, Steve Mazzaro (Monty Norman)
1m4 v3.13 This Will Hurt Him (5:24)
Hans Zimmer, Steve Mazzaro
1m5 Matera Drive (2:02)
Hans Zimmer, Steve Mazzaro (John Barry)
1m8 Burning The Past (0:48)
Hans Zimmer, Steve Mazzaro
1m9 v8.09 Visiting Vesper’s Grave (2:23)
Hans Zimmer, Steve Mazzaro (David Arnold)
1m10-12 v4.05 Explosion To Hotel (6:36)
Hans Zimmer, Steve Mazzaro (Monty Norman)
1m10-12 v4.05 INS Explosion To Hotel (Insert) (0:25)
Hans Zimmer, Steve Mazzaro
2m13-14 v4.01 Donut Square Escape (2:07)
Hans Zimmer, Steve Mazzaro (Monty Norman)
2m13 v4.04 STEMS Donut Square Escape (Overlay) (0:54)
Hans Zimmer, Mel Wesson
2m15S No Time To Die (4:01)
Billie Eilish, Finneas O’Connell, Stephen Lipson, Hans Zimmer, Matt Dunkley
2m16 v5 C Minus 2 Lab Heist (3:57)
Hans Zimmer, Steve Mazzaro
3m17-18 v4.03 Where Is 007? – Boat – Jamaica House (3:00)
Hans Zimmer, Steve Mazzaro (Monty Norman)
3m22 v1.02 Nomi’s Professional Courtesy (1:26)
Hans Zimmer, Steve Mazzaro
3m23 v4.02 Just A Number (0:23)
Hans Zimmer, Alex Lamy (Monty Norman)
3m24-25 v3.05 M Darling (Phonecall) – Sailing To Cuba (2:16)
Hans Zimmer, Steve Mazzaro (Monty Norman)
4m28 v10.01 Getting The DJ On (1:23)
Hans Zimmer, Steve Mazzaro (Monty Norman)
4m30 v3.01 Target Gene Encoding (1:24)
Hans Zimmer, Steve Mazzaro
4m32-33 v8.03 Capturing Valdo (5:41)
Hans Zimmer, Steve Mazzaro (Monty Norman)
4m32-33 ALT Capturing Valdo (Alternate) (5:49)
Hans Zimmer, Steve Mazzaro (Monty Norman)
4m34-37 v5.01 Trawler (7:07)
Hans Zimmer, Steve Mazzaro
5m42 v2.03 Vantage To MI6 (1:32)
Hans Zimmer, Steven Doar (Monty Norman)
5m43 v2.01 Bond & M Clash (1:53)
Hans Zimmer, Steve Mazzaro
5m45 v2 Retrieving DNA Data (1:50)
Hans Zimmer, Steve Mazzaro
5m46 v2.01 Safin – Evocation (2:21)
Hans Zimmer, Steve Mazzaro
5m47 v3.01 Cuba Victims (1:19)
Hans Zimmer, Steve Mazzaro (John Barry)
6m50 v5.01 People Become The Weapon (3:30)
Hans Zimmer, Steve Mazzaro
6m50B v1.01 Don’t Lose Control (1:28)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
6m51 v12.01 Belmarsh (1:59)
Hans Zimmer, Steven Doar
6m52 v3.04 Getting Reacquainted With Blofeld (4:39)
Hans Zimmer, Steven Doar
6m53 v5.03 Back To Norway (3:47)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
6m53 v5.03 VOX MIX 2 Back To Norway (3:45)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
6m55 v2.04 Located Ash (1:26)
Hans Zimmer, Steve Mazzaro
7m59 v3.05 Madeleine Explains (2:24)
Hans Zimmer, Steve Mazzaro
7m60-62 v4.02 Norway Chase (5:07)
Hans Zimmer, Steve Mazzaro (Monty Norman)
7m63 v3.02 Misty Woods (4:37)
Hans Zimmer, Steven Doar (Monty Norman)
7m64 v5.01 Nomi Picks Up Bond (2:55)
Hans Zimmer, Steven Doar (Monty Norman)
7m65 v1.11 Zen Garden (3:58)
Hans Zimmer, Steve Mazzaro
7m66-69 v4 To Poison Island (6:47)
Hans Zimmer, Steve Mazzaro (Monty Norman)
8m70 v3.05 Drink (2:34)
Hans Zimmer, Steven Doar
8m71 v4.01 Bond Meets Safin (4:01)
Hans Zimmer, Steven Doar
8m72 v3.02 Valdo’s Time To Die (2:58)
Hans Zimmer, Steven Doar
8m73 v2 Finding Mathilde (5:02)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell, Monty Norman)
9m74 v3.03 Stairwell Chase (2:48)
Hans Zimmer, Steve Mazzaro (Monty Norman)
9m75 v4.03 Control Room – Zen Garden Face Off (4:31)
Hans Zimmer, Steven Doar (Monty Norman)
9m77 v4 MIX 3 Final Ascent (7:30)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
9m77 v4 MIX 1 Final Ascent (Alternate) (7:29)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
9m78 v3.02 Poetry (1:09)
Hans Zimmer, Steve Mazzaro (Monty Norman, John Barry)
"No Time To Die"
Written by Billie Eilish & Finneas O'Connell (FINNEAS)
Performed by Billie Eilish
Vocals Arranged by FINNEAS
Orchestrations & Arrangements by Hans Zimmer & Matt Dunkley
Bass, Percussion, Piano & Synthesizer: FINNEAS
Produced by FINNEAS & Steve Lipson
Recorded on Tour, US & Air Studios (Lyndhurst), London, UK
Mixed at The Fortress of Amplitude, US by Stephen Lipson & Rob Kinelski
Mixing Engineers: Casey Cuayo, Eli Heisler & Billie Eilish
Mastered at Greenham Mastering Studio, US by John Greenham
Score contains interpolations of "The James Bond Theme" written by Monty Norman
"Lovely To See You Again", "Home", "I'll Be Right Back" & "Final Ascent"
Contain interpolations of "No Time To Die" written by Billie Eilish & Finneas O'Connell
"Matera"
Contains "We Have All The Time In The World (Instrumental)" written by John Barry
"Good To Have You Back"
Contains "Theme From On Her Majesty's Secret Service" written by John Barry
Music by Hans Zimmer
Score Produced by Steve Mazzaro
Album Produced by Hans Zimmer, Stephen Lipson & Steve Mazzaro
Additional Music: Steve Mazzaro
Soloists
Electric Guitar: Johnny Marr
Solo Trumpet: Arturo Sandoval
Drums: Jason Bonham
Latin Percussion: Luis Jardim
Solo Woodwinds: Pedro Eustache
Flamenco Guitar: Amir John Haddad - El Amir
Music Supervisor: Randall Poster
Supervising Music Editor: Christopher Benstead
Assistant Music Editor: Connor Hughes
Ambient Music Design: Mel Wesson
Synth Design: Kevin Schroeder, Matt Bowdler & Rafael Szaban
Additional Arrangements: Steven Doar
Synth Programming: Hans Zimmer
Music Production Services: Steven Kofsky
Score Recorded by Geoff Foster
Score Mixed by Stephen Lipson & Al Clay
Album Mixed by Stephen Lipson
Additional Score Recordings: Stephen Lipson, Al Clay, Rupert Coulson & Marc McCoiug
Score Mix Assistants: Eva Reistad & Alvin Wee
Score Editors: Chris Barrett & Adam Miller
Digital Score Recordists: John Prestage & Laurence Anslow
Lead Orchestrator: Oscar Senen
Orchestration Team: Joan Martorell, Vicente Ortiz Gimeno, Pedro Osuna & Rob Westwood
Orchestrator Assistant: James Warren Morris
Orchestra & Choir Contractor : Susie Gillis for Isobel Griffiths Ltd.
Technical Score Engineer: Chuck Choi
Technical Assistants: Alejandro Moros & Alex Lamy
Assistant Engineers Air Studios: Jack Mills, Alex Ferguson, Ashley Andrew-Jones, Gianluca Massimo & Rebecca Hordern
Digital Instrument Design: Mark Wherry
Digital Instrument Preparation: Taurees Habib & Raul Vega
Music Preparation: Jill Streater
Librarians: Jill Streater & Ann Barnard
Score Recorded at Air Lyndhurst, British Grove Studios & The Bunker
Air Studios Bookings: Alison Burton
British Grove Studios Bookings: David Stewart
The Bunker Studios Bookings: Ralph Salmins
Album Masteded by Tim Debney
Album Mastered at Fluid Mastering, UK
Studio Manager for Remote Control Productions: Shalini Singh
Assistants to Mr. Zimmer: Cynthia Park & Nicole Jacob
Orchestra Leader: Thomas Bowes
Solo Cello: Caroline Dale
Orchestra & Choir Conductor: Matt Dunkley
Big Band Conductor: John Altman
Choir: London Voices
Choirmasters: Terry Edwards & Ben Parry
Special Thanks
Barbara Broccoli, Michael G. Wilson, Daniel Craig, Cary Joji Fukunaga, Billie Eilish, FINNEAS, Jillian Abood, Holly Adams, Rebecca Allen, Steve Berman, Chris Brigham, Candace Carlo, Hannah Collett, Tom Cross, India Flint, Jody Gerson, Jonathan Glickman, Brandon Goodman, Elliot Graham, James Harrison, Lana Hunter, John Janick, Dom Jones, Jason Kawejsza, Steve Kofsky, Amara Lane, Bebe Lerner Baron & The ID Team, Tom Lewis, Justin Lubliner, Paul Massey, Rod & Jean Mazzaro, Marc Miller, Laura Monks, Andrew Noakes, Ryan Ouchida, Stephanie Olmanni, Michael Pavlic, Julian Pastorelli, Natasha Phelan, David Pope, Emma Reynolds, Marc Robinson, Nico Rooney, Danny Rukasin, Anthony Seyler, Lori Silfen, Shalini Singh, Michael Solinger, Dickon Stainer, Oliver Tarney, Zara Tso, Juan Carlos Alvarez Vasquez, Lia Vollack, Stephanie Wenborn, Roger Weeks, Drew Wicks, Gregg Wilson, Dan Winters, Ramzy Zeidan, Zoë Zimmer, Jake Zimmer, Max Zimmer, Annabel Zimmer & The Duchess Of Duke Street
Hans Zimmer, Steve Mazzaro (Monty Norman)
02 – Matera (1:59)
Hans Zimmer, Steve Mazzaro (John Barry)
03 – Message From An Old Friend (6:35)
Hans Zimmer, Steve Mazzaro (Monty Norman)
04 – Square Escape (2:06)
Hans Zimmer, Steve Mazzaro (Monty Norman)
05 – Someone Was Here (2:56)
Hans Zimmer, Steve Mazzaro (Monty Norman)
06 – Not What I Expected (1:24)
Hans Zimmer, Steve Mazzaro
07 – What Have You Done? (2:14)
Hans Zimmer, Steve Mazzaro (Monty Norman)
08 – Shouldn’t We Get To Know Each Other First (1:21)
Hans Zimmer, Steve Mazzaro (Monty Norman)
09 – Cuba Chase (5:40)
Hans Zimmer, Steve Mazzaro (Monty Norman)
10 – Back To MI6 (1:30)
Hans Zimmer, Steven Doar (Monty Norman)
11 – Good To Have You Back (1:17)
Hans Zimmer, Steve Mazzaro (John Barry)
12 – Lovely To See You Again (1:25)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
13 – Home (3:45)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
14 – Norway Chase (5:06)
Hans Zimmer, Steve Mazzaro (Monty Norman)
15 – Gearing Up (2:53)
Hans Zimmer, Steven Doar (Monty Norman)
16 – Poison Garden (3:58)
Hans Zimmer, Steve Mazzaro
17 – The Factory (6:42)
Hans Zimmer, Steve Mazzaro (Monty Norman)
18 – I’ll Be Right Back (4:59)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell, Monty Norman)
19 – Opening The Doors (2:44)
Hans Zimmer, Steve Mazzaro (Monty Norman)
20 – Final Ascent (7:25)
Hans Zimmer, Steve Mazzaro (Billie Eilish, Finneas O’Connell)
21 – No Time To Die – Billie Eilish (4:04)
Billie Eilish, Finneas O’Connell, Stephen Lipson, Hans Zimmer, Matt Dunkley
22 – Q1 (1:59) (LP Exclusive)
23 – Q2 (2:02) (LP Exclusive)
24 – Q3 (2:20) (LP Exclusive)
25 – Q4 (1:10) (LP Exclusive)
"No Time To Die"
Written by Billie Eilish & Finneas O'Connell (FINNEAS)
Performed by Billie Eilish
Vocals Arranged by FINNEAS
Orchestrations & Arrangements by Hans Zimmer & Matt Dunkley
Bass, Percussion, Piano & Synthesizer: FINNEAS
Produced by FINNEAS & Steve Lipson
Recorded on Tour, US & Air Studios (Lyndhurst), London, UK
Mixed at The Fortress of Amplitude, US by Stephen Lipson & Rob Kinelski
Mixing Engineers: Casey Cuayo, Eli Heisler & Billie Eilish
Mastered at Greenham Mastering Studio, US by John Greenham
02 – No Time To Die (Instrumental) (4:02)
Balfe 4 Bond
Denis Villeneuve is the director for Bond 26. Wondering if Zimmer will take on another 007 score.
It would be probably same as Fukunaga’s NTTD – good looking movie, but lacking any personality
It would be probably Mazzarro
Depends. NTTD was Mazzaro because Hans had no time (heh) to dedicate to it. The movie came at quite possibly the worst time as he had to drop out of Top Gun in order to oversee the production; essentially a lose-lose situation for both projects.
If Denis gives him time—and wants something creative from the score—I don’t really see why he’d give Bond away again like he did on NTTD.
Villeneuve is perfect for recreating Bond.
I really hope Zimmer is on board. He had some good ideas in NTTD but it was a last minute job. With Denis on the helm, Hans could hop in early and experiment creatively. Would be one of those big projects where Hans is unmatched.
I’d take another Bond score from Hans. Regardless of who wrote what, Hans or Mazzaro, NTTD was an excellent score, full of Zimmer trademarks. Hans was very enthusiastic in interviews and it shows in the music. And it’s not without precedent for one composer to be involved with multiple actors. John Barry scored the films from Connery to Dalton (four actors!), and David Arnold handled both Brosnan and Craig.
Villeneuve is better at smaller projects IMO…
There should be somebody who has an ‘eye for good action’
Maybe they should just let Martin Campbell re-start a franchise the 3rd time, haha)
To the person who commented above me, why are you using my name? Not that it matters, it just gets confusing.
It was me, I’m sorry, I wanted to put your name like that “Friend@Dusk, …” but somehow typed it into username
No worries An0n, as for your previous message, I think he handled action very well in Dune Part Two. My only hope is he goes for a quicker editing rhythm for Bond to create that slick/cool Bond feel (which would also be reflected in the music being more propulsive than drone-y)
Im disappointed to learn today that he doesn’t have Final Cut privileges. Recent Bond movies suffer from a feeling of being made by committee rather than an artist (in my opinion). Let’s hope the next one doesn’t have the same fate.
Villeneuve didn’t had final cut privilege only for Blade Runner 2049 and Dune pt 1-2
And He looks pretty okay with someone else editing it, which is sign of “Hired gun” type job, rather than artsy movies that he did before BR2049…