SERIES CREDITS
Obi-Wan Theme by John Williams
Score Composed by Natalie Holt
Obi-Wan Theme Adapted by Williams Ross
Additional Music by William Ross (Episodes 5 & 6)
Obi-Wan Theme
Conductor: Williams Ross
Music Editor: Ramiro Belgardt
Scoring & Mixing Engineer: Shawn Murphy
ProTools Operator & Editor: Robert Wolff
Score Mix Assistant: Erik Swanson
Electronic Music Programmer: Zachariah Rose
Concert Master: Roger Wilkie
Orchestrators: John Williams & William Ross
Music Contractor: Timothy Loo
Music Librarian: Victor Pesavento
Music Preparation: JoAnn Kane Music Service
Score Services Provided by Streisand Scoring Stage, Sony Pictures:
Julianne McCormack, Greg Dennen, Keith Ukrisna, Brian Van Leer, Ryan Nelson & Peter Nelson
Natalie Holt Score
Conductor: Mark Graham
Music Editor: Nicholas Fitzgerald
Scoring & Mixing Engineer: Chris Fogel
ProTools Operator & Editor: Larry Mah
Score Mix Assistant: Colby Donaldson
Composer Assistant: Andreas Gutuen Aaser (Episode 5 & 6)
Additional Programming : Jack Halama (Episode 5 & 6)
Additional Music by Peter Nickalls (Episodes 1, 2, 3, 4, 5 & 6), Jon Opstad (Episodes 1, 2, 3, 4, 5 & 6) & Max Aruj (Episodes 1, 2, 3 & 4)
Concert Masters: Alyssa Park & James Ehnes
Lead Orchestrator: Pete Anthony
Orchestrators: Jon Kull, Jeff Atmajian, Philip Klein, Andrew Kinney, Gernot Wolfgang & James Honeyman
Music Contractor: Peter Rotter, Encompass Music Partners
Music Librarian: Roger Julia Satorra
Music Preparation: JoAnn Kane Music Service
Score Services Provided by Newman Scoring Stage, Fox Studio:
Stacey Robinson, Greg Dennen, Tim Lauber, Erin Rettig, Jim Wright, Damon Tedesco & Hoss Yekband
John Williams
02 – Order 66 (1:41)
Natalie Holt
03 – Inquisitors’ Hunt (3:10)
Natalie Holt
04 – Young Leia (1:05)
Natalie Holt
05 – Days of Alderaan (1:38)
Natalie Holt
06 – The Journey Begins (2:58)
John Williams, Williams Ross
07 – Bail And Leia (2:20)
Natalie Holt
08 – Nari’s Shadow (1:14)
Natalie Holt
09 – Ready To Go (2:27)
Natalie Holt
10 – Daiyu (2:25)
Natalie Holt
11 – Cat And Mouse (3:11)
Natalie Holt
12 – Spice Den (1:10)
Natalie Holt
13 – First Rescue (3:11)
John Williams, Williams Ross
14 – Mapuzo (1:18)
Natalie Holt
15 – The Path (1:35)
Natalie Holt
16 – Sensing Vader (2:50)
Natalie Holt
17 – Parallel Lines (2:13)
Natalie Holt
18 – Some Things Can’t Be Forgotten (4:47)
John Williams, Williams Ross
19 – Stormtrooper Patrol (2:34)
Natalie Holt
20 – Hangar Escape (2:33)
Natalie Holt
21 – Hold Hands (1:40)
Natalie Holt
22 – Empire Arrival (2:04)
Natalie Holt
23 – Dark Side Assault (2:38)
Natalie Holt
24 – I Will Do What I Must (2:49)
John Williams, Williams Ross
25 – Sacrifice (1:41)
Natalie Holt
26 – No Further Use (3:40)
Natalie Holt
27 – Overcoming The Past (4:29)
John Williams, Williams Ross
28 – Tatooine Desert Chase (2:20)
Natalie Holt
29 – Who You Become (3:36)
Natalie Holt
30 – Saying Goodbye (5:27)
John Williams, Williams Ross
31 – End Credit (4:03)
John Williams, Williams Ross
9 Comments
Leave A Comment
You must be logged in to post a comment.
Man. Can Balfe minglings stop going on other
projects and ruining them, please? Balfe banality is one thing
but when we have to listen to the same old chord
progression, again, and again, just stop. Be a creative.
Shame on you for perpetuating this shit of a ‘music style’
Balfefication of scores really scares
Sadly, someone obviously thinks this shit sounds good
Seven composers and the result is still awful.
Disney wants us to hate them lol
Yeah, one competent theme that sounds too similar to the Spider-Man PS4 theme, John Williams-esque music in general for Obi-Wan, and a lot of trailer-style Star Wars-ish music mashed together to create a tonally jarring cacophony of sound that doesn’t excel at either style. What a waste of potential.
I wondered when this score would show up here given the additionals
It seems like this project had an interesting history. John Williams saving the party at the last minute? A great list of additional composers including Max Aruj and Jon Opstad. Does anyone know anything about the process of creating this?
After what I’ve seen I wouldn’t be surprised to learn about hidden uncredited Lorne Balfe tracks here…