FILM CREDITS
Music by Hans Zimmer
Music Editor: Laura Perlman
Assistant Music Editor: Christine Cholvin
Music Recording Engineer: Jay Rifkin
Conducted & Orchestrated by Shirley Walker
Music Contractor: Sandy DeCrescent
ALBUM ASSEMBLY
Part I : 1m01 Main Titles (Edited) + 1m02 Block Glass + 5m34-35 Carter's Hotel Room
Part II : 6m39 End Titles
Part III : 2m06 Spying + 2m10 Fix Up And Fool Around + 2m09 Blown Fuse + 3m19 Loans + 3m20 Roaches Hit Drake (Edited)
Part IV : 2m13 They Turned You Down (Edited) + 4m24 Let 'em Go (Edited) + 4m27 Facilitating + 4m25 Patty Stalked + 4m26AB Drake Welcomed Home (Edited) + 4m23 Hospital (Edited) + 1m03 Settling In
1m02 Block Glass (1:30)
1m03 Settling In (2:17)
1m05 Watanabes Move In (1:48)
2m06 Spying (2:04)
2m07 Nice Taste (0:38)
2m08 Behind Curtains (0:58)
2m09 Blown Fuse (1:31)
2m10 Fix Up And Fool Around (1:01)
2m11 Changed The Locks (1:22)
2m12 Get A Lawyer (1:09)
2m13 They Turned You Down (1:14)
3m15 Roach And Razor (1:29)
3m18A I’m Sorry (0:51)
3m18A ALT NO FIDDLES I’m Sorry (Alternate) (0:58)
3m19 Loans (0:50)
3m20 Roaches Hit Drake (4:06)
4m22 Nightmare (1:39)
4m23 Hospital (2:31)
4m23A Bring Me Flowers (0:29)
4m24 Let ’em Go (1:41)
4m25 Patty Stalked (1:09)
4m26AB Drake Welcomed Home (3:14)
4m26B FX Drake Welcomed Home (Ambient Effects) (2:48)
5m29 Ann’s Desparatino (3:56)
5m33 Carter Sees Wallet (2:51)
5m34-35 Carter’s Hotel Room (7:37)
5m36 Filling The Hole (0:30)
6m37 Broken Window (1:10)
6m38 Final Confrontation (3:23)
6m38 ALT ENDING Final Confrontation (Alternate Ending) (1:01)
Music Composed & Arranged by Hans Zimmer
Produced by Hans Zimmer & Jay Rifkin
Assisted by Laura Perlman
Executive Soundtrack Album Producer: Robert Townson
Music Orchestrated & Conducted by the Redoutable Shirley Walker
With Additional Orchestration by Bruce Fowler & Steve Bartek
Music Recorded by Jay Rifkin
Assisted by Young Stephen "Perfect" Rose
Additional Recording: Doug Botnick
Soloists:
Bass: Chuck Domanico
Piano: Mike Lang
Trumpet: Walt Fowler
Sax: Gene Cipriano
Voice: Carmen Twilley
Technical Assistance: the "Two Jeffs," Rona & Ryle
Production Supervisor: Tom Null
Equipment by Akai, Fairlight & Yamaha
Special thanks to: John Schlesinger, Mark Warner, Laura Perlman, Scott Rudin, Bill Sackheim, James G. Robinson & Jody Levin
02 – Part II (7:26)
03 – Part III (9:24)
04 – Part IV (8:05)
One of Hans’ great early scores – the Varese album does not do it justice at all. It is so difficult to listen to this ever-changing music in 10 minutes cuts. Perhaps it also testifies to Hans’ earlier mickey-mousing tendencies that he more or less eradicated with The Rock and The Peacemaker
One of Hans’ great early scores – the Varese album does not do it justice at all. It is so difficult to listen to this ever-changing music in 10 minutes cuts. Perhaps it also testifies to Hans’ earlier mickey-mousing tendencies that he more or less eradicated with The Rock and The Peacemaker
an excellent exercise in perfectly structured tension and suspense
an excellent exercise in perfectly structured tension and suspense
Great score. I love the arrange of the main theme in the "Parte II" suite.
Great score. I love the arrange of the main theme in the "Parte II" suite.
The first few notes are the same as the motif used in Sherlock Holmes (Panic, Shear Bloody Panic)
The first few notes are the same as the motif used in Sherlock Holmes (Panic, Shear Bloody Panic)
Listen from 2:36 to 3:05.
The segment 2:55 to 3:05 is amazing.I don't have words to explain when I here the segment.I feel like I had already heard that music.
Listen from 2:36 to 3:05.
The segment 2:55 to 3:05 is amazing.I don't have words to explain when I here the segment.I feel like I had already heard that music.