FILM CREDITS
Music: Hans Zimmer & Stanley Myers
Music Recorded at Lillie Yard Studios
Engineer: Al Clay
Moog Programming: Mel Wesson
Music Recorded at CTS Studios
Engineer: Chris Dibble
"Faure's Requiem"
With The Choristers of Westminster Cathedral
"A40 Overhead Section"
Written by Bernard Rose
Music Composed, Arranged & Performed by Hans Zimmer except:
"Sanctus"
From Gabriel Fauré's Requiem
Conducted by Stanley Myers
"The Staircase"
Composed & Conducted by Stanley Myers
Equipment Used : Fairlight Series III, Moog 55, Yamaha DX1, TX816, EMU Modular System, Oberhiem Xpander & Roland MKS80
Music Recorded in London at Lillie Yard Studio & CTS Studios by Al Clay & Chris Dibble
Music Mixed at Lillie Yard by Al Clay & Hans Zimmer, assisted by Howard "JB" Bernstein
Film Sound FX Composed by Nigel Holland
Technical Assistance: Dave "D" Smith, Roger Bolton, Steve Paine & Allan Martin - Yamaha, Steve Rance - Fairlight (Australia)
Thanks to Tim Bevan, Jane Frazer, Sally Dowling & Emma Burnham, Sarah Radclyffe, Dan & MJ, Emmanuel & all at Milan, Peter Maxwell, Mark August, Nick Bogis, Sandra, the staffs at Working Title & Vestron.
-Hans Zimmer
01 – Overture (6:30)
Hans Zimmer
02 – Is Anybody There? (11:08)
Hans Zimmer
03 – Sanctus (From Gabriel Fauré’s “Requiem”) (1:44)
Stanley Myers (Gabriel Fauré)
04 – I’ll Be Back (2:20)
Hans Zimmer
05 – The Staircase (1:46)
Stanley Myers
06 – Me And My Daughter‚ We Get On Like A House On Fire (17:42)
Hans Zimmer
Nobody knows, who plays on the guitar on this score?
Nobody knows, who plays on the guitar on this score?
Too bad, it's a great track.
Too bad, it's a great track.
It is, indeed, unreleased.
It is, indeed, unreleased.
I can't find A40 Overhead Section anywhere. I doubt it was ever released for sale, but Bernard Rose probably has it stored somewhere or something. I agree, beautiful track, and Hans Zimmer's tracks really gave the film a nostalgic, otherworldly atmosphere.
I can't find A40 Overhead Section anywhere. I doubt it was ever released for sale, but Bernard Rose probably has it stored somewhere or something. I agree, beautiful track, and Hans Zimmer's tracks really gave the film a nostalgic, otherworldly atmosphere.