FILM CREDITS
Music by Junkie XL
Music Supervisor: Bob Bowen
Executive in Charge of Music: Bob Bowen
Soundtrack Executive: Jason Markey
Music Coordinator: Ian Broucek
Score Produced by Junkie XL
Mixed by Junkie XL at the Computer Hell Cabin
Additional Programming by Christian Vorländer, Stephen Perone, Adam Schiff & Emad Borjian
Musical Production Services by Michiel Groeneveld
Music Editor: Erich Stratmann
ALBUM ASSEMBLY
Lights Across The River : 1m01 v10.02 Opening
We Are The Other Half : 2m12 v4.05 You Want More (Edited) + 4m58 v5.02 Wyatt's Threat (Edited) + 4m56 v2.04 FBI (Edited) + 2m18 v5.01 To The Compound (Edited)
Fit In To Get In : Fit In To Get In
Candid Camera : Candid Camera
Adam 2.0 : Adam 2.0
On Your Knees : 5m76 v3.03 Chasing Adam
Hamilton : Hamilton
Titans Fall : Titans Fall
Remember Who You Are : 2m16 v2.23 Here Is Some Money Dad + 5m85 v2.08 Break Up + 4m57 v2.02 I Wanted You To Fight (Edited) + 6m94 v1.22 You Were Right
Adam's Theme : Adam's Theme
1m02 v1.01 Bouncer (0:49)
1m03A v4.04 Still Paying For The Cab (0:55)
1m03B v4.05 Going To The Hospital (1:29)
1m03C v2.04 I’m Paying 40K (1:36)
1m04 v5.04 Presentation (2:48)
1m09 v1.02 Wake Up (0:38)
2m11 v3.05 Miles Meachum (1:17)
2m12 v4.05 You Want More (2:50)
2m16 v2.23 Here Is Some Money Dad (0:47)
2m18 v5.01 To The Compound (1:29)
2m19 v6.03 Training Montage (4:26)
2m20B v1.03 You Only Have One Shot (1:36)
2m22 v2.22 New Apartment (0:52)
2m37 v2.03 Eikon Briefing Transition (1:37)
2m38 v2.01 First Day At Eikon (0:57)
3m40 v2.08 Eikon Transition #2 (0:42)
3m43A v1.04 Miracle Worker (0:41)
3m43B v3.18 Beginner’s Luck (1:04)
3m45 v2.06 Carpark Party (1:01)
3m50A v5.04 Almost Caught Pt 1 (1:33)
3m50B v5.03 Almost Caught Pt 2 (0:49)
3m52 v2.05 Take Me Home (2:03)
3m54 v2.03 Hacking Emma’s Computer (1:39)
4m56 v2.04 FBI (2:11)
4m57 v2.02 I Wanted You To Fight (1:33)
4m58 v5.02 Wyatt’s Threat (2:57)
4m59A v1.01 Spoon Fingerprint (0:39)
4m60 v2 Goddard’s Invention (1:04)
4m65 v1.43 Destroying The Apartment (3:03)
4m69 v7.06 Dad’s Advice (3:07)
5m76 v3.03 Chasing Adam (1:54)
5m77 v1 Things I Wanna Tell You (1:11)
5m80 v1.42 Breaking Into The Vault (9:57)
5m85 v2.08 Break Up (1:30)
5m86 v1.02 Let’s Go For A Ride (1:04)
5m87 v2.03 What Are We Going To Do About It? (1:21)
6m89 v3.22 Crushing Lunch (3:27)
6m90 v1.19 Z Axis Tension Build (5:41)
6m92 v3.15 Arrest (2:01)
6m93 v2.01 Emma’s Voicemail (1:12)
6m94 v1.22 You Were Right (1:29)
6m95 v1.08 Kiss (2:25)
Suite – Adam’s Theme (4:00)
Suite – Fit In To Get In (2:52)
Suite – Candid Camera (4:11)
Suite – Adam 2.0 (1:45)
Suite – Hamilton (4:02)
Suite – Titans Fall (3:23)
Music by Junkie XL
Executive in Charge of Music: Bob Bowen
Soundtrack Executive: Jason Markey
Music Coordinator: Ian Broucek
Score Produced by Junkie XL
Mixed by Junke XL at the Computer Hell Cabin
Additional Programming by Christian Vorlander, Stephen Perone, Adam Schiff & Emad Borjian
Musical Production Services by Michiel Groeneveld
Music Editor: Erich Stratmann
02 – We Are The Other Half (4:25)
03 – Fit In To Get In (2:53)
04 – Candid Camera (4:12)
05 – Adam 2.0 (1:45)
06 – On Your Knees (1:55)
07 – Hamilton (4:02)
08 – Titans Fall (3:24)
09 – Remember Who You Are (4:16)
10 – Adam’s Theme (3:59)
10 Comments
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I want! I want!
Wrong assumption, it is not Hybrid that deleted the posts.
LOL HYBRID, I LIKE YOU SO FOR DELETING ALL :D
Nevermind, i just found out it's an Audiomachine track.
Although I do Agree with you Ed on the Fact that XL has Had an awkward career. In terms of only working on 3 cues in MoS (Which I credit to Zimmer anyway because they are basically his stuff just re-arranged) and Additional music here and there he hasen't done much. Although I give him credit cause…hey you got to start somewhere.
I agree Zimmer probably did the cool stuff XL seems like the rhythmic Type
I'll agree that the last 3 minutes of General Zod were noteworthy….even though they sounded like a hazy mix of Marry Me from At World's End and the Camerlengo Suite from Angels & Demons. I have a feeling, Hybrid, that the last three minutes of the General Zod suite was Zimmer, then the stuff before that was JunkieXL?
Thankfully for everyone who's not me, I guess… XD
I'm just not really sure what Mr. XL has done to deserve not just one, but TWO big movies like this. What is there in his discography that shows he'd be able to handle a large-scale historical epic like the 300 sequel? A couple of remixes and the odd bit of additional music…Just goes to show that it pays to be friends with Hans Zimmer in Hollywood. :/
poor remixes? He is one of the only composers who actually do some very good remixes imo!