FILM CREDITS
Music by Harry Gregson-Williams
Additional Music by Nathan Larson
Music Editors: Marc Streitenfeld & Mark Jan Wlodarkiewicz
Score Coordinator: Gretchen O'Neal
Guitars: Michael Brook & Peter DiStefano
Electric Cello: Martin Tillman
Programmiong: Harry Gregson-Williams, Justin Burnett & Toby Chu
Programmer: Mel Wesson
Assistant to Harry Gregson-Williams: Meri Gavin
Original Music Composed by Harry Gregson-Williams
Score Produced by Harry Gregson-Williams
Music Editors: Marc Streitenfeld & Mark Jan Wlodarkiewicz
Score Coordinator: Gretchen O'Neal
Guitars: Peter DiStefano & Michael Brook
Electric Cello: Martin Tillman
Programming by Harry Gregson-Williams, Toby Chu, Mel Wesson & Clay Duncan
Score Recorded by Toby Chu
Score Mixed by Alan Meyerson at Media Ventures
Album Compiled by Meri Gavin
Executive in Charge of Music for Twentieth Century Fox: Robert Kraft
Fox Music Business Affairs: Tom Cavanaugh
Soundtrack Executive Consultant: Shiro Gutzie
Very Special Thanks from Harry to:
Joel Schumacher, Eli Richbourg, Sam Schwartz, Gretchen O'Neal, Michael Levine, Justin Burnett, Everyone at Fox Music, Toby & Meri, & Karen, Jessie & Josh G-W
And Special Thank You'd to:
Angela Bures, Geoff Bywater, Celeste Chada, Joseph Demeo, Danielle Diego, Ellen Ginsburg, Mike Gorfaine, Lance Grode, Michael Haentjes, Rob Kahane, Mike Knobloch, Nathan Larson, Jim Martone, Diane McKain, Cathy Merenda, Robert Messinger, Mary Jo Mennella, Rebecca Morellato, Gil Netter, Jo Ann Orgel, & Bret Wachter
02 – Trapped (3:40)
03 – NYPD (4:28)
04 – The Rifle (2:04)
05 – Confession (2:45)
06 – Times Square (2:04)
07 – Stu’s Secret (2:42)
08 – Publicist Talk (0:51)
09 – Last Booth In NYC (3:35)
10 – It’s Me You Want (1:38)
12 – Center Of Attention (5:28)
13 – Telephone Users (1:20)
14 – Is He Coming Out? (2:15)
15 – Phone Vs. Gun (2:38)
16 – Just Say The Word (1:30)
17 – It Could Be Anyone (2:53)
Still one of my favourite and most nostalgic HG-W scores! And one the first scores I listened to when I was discovering his work, back in the day.
Great atmosphere throughout, and fits the (also great) movie like a glove.
Still one of my favourite and most nostalgic HG-W scores! And one the first scores I listened to when I was discovering his work, back in the day.
Great atmosphere throughout, and fits the (also great) movie like a glove.
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )
Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )
Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.
Demetris Christodoulides
* * *
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.
Demetris Christodoulides
* * *