Hans Zimmer
Composer
Geoff Zanelli
Additional Music
Matthew Margeson
Additional Music
Guillaume Roussel
Additional Music
Eric Whitacre
Additional Music
Tom Gire
Additional Music
John Sponsler
Additional Music
Jacob Shea
Additional Arrangements
Bob Badami
Score Producer
Melissa Muik
Score Producer
Bruce Fowler
Supervising Orchestrator
Elizabeth Finch
Orchestrator
Ed Neumeister
Orchestrator
Rick Giovinazzo
Orchestrator
Suzette Moriarty
Orchestrator
Kevin Kaska
Orchestrator
Walt Fowler
Orchestrator
Nick Glennie-Smith
Conductor
Gavin Greenaway
Choir Conductor
Matt Dunkley
Choir Conductor
Martin Tillman
Musician
Bryce Jacobs
Musician
Katia Lewin Jablonsky
Music Editor
Alan Meyerson
Music Scoring Mixer
Nathaniel Kunkel
Music Scoring Mixer
Kevin Globerman
Score Recordist
Slamm Andrews
Score Recordist
Satoshi Noguchi
Additional Recordings
Daniel Kresco
Additional Recordings
Chuck Choi
Technical Score Advisor
Thomas Broderick
Technical Score Advisor
Nick Delaplane
Technical Score Engineer
Christian Wenger
Assistant Score Engineer
Lori Castro
Assistant Score Engineer
Jason Soudah
Technical Music Assistant
Joshua Lynch
Technical Music Assistant
Phill Boucher
Technical Music Assistant
Jörg Hüttner
Technical Music Assistant
Mark Wherry
Digital Instrument Design
Jill Streater
Music Preparation
Peter Asher
Music Consultant
Andrew Zack
Music Production Coordinator
Steven Kofsky
Music Production Services
Czarina Russell
Studio Manager
PIRATES OF THE CARIBBEAN - ON STRANGER TIDES, 2011, Directed by Rob Marshall
FILM CREDITS
Music by Hans Zimmer
Featured Guitar Performances by Rodrigo Y Gabriela
Music Supervisors: Bob Badami & Melissa Muik
Music Consultant: Matt Sullivan
Featured Cello: Martin Tillman
Solo Voices: Hila Plitmann, Grace Davidson & Dee Lewis Clay
Additional Music by Geoff Zanelli, Tom Gire, John Sponsler, Matt Margeson, Guillaume Roussel & Rodrigo Y Gabriela
Additional Arrangements by Jacob Shea, Thomas Bergersen & Nick Phoenix
Supervising Music Editor: Melissa Muik
Music Editors: Barbara McDermott & Katia Lewin Palomo
Music Production Consultant: Peter Asher
Supervising Orchestrator: Bruce Fowler
Orchestrations by Walt Fowler, Rick Giovinazzo, Kevin Kaska, Suzette Moriarty & Ed Neumeister
Music Preparation: Booker White, Walt Disney Music Library
Orchestra Conducted by Nick Glennie-Smith
Choir Conducted by Eric Whitacre, Ben Foster & Gavin Greenaway
Score Recorded & Mixed by Alan Meyerson
Choir Recorded by Geoff Foster
Additional Recording by Daniel Kresco, Satoshi Noguchi & Slamm Andrews
Engineer for Lumbini Studios: Fermin Vazquez Llera
Orchestra Recorded at Sony Scoring Stage & Remote Control Productions
Choir Recorded at Air Lyndhurst Studios & Abbey Road Studios
Music Production Services: Steve Kofsky
Score Mixed at Remote Control Studios
Music Coordinator to Hans Zimmer: Andrew Zack
Studio Manager for Remote Control: Czarina Russell
Score Editor & Recordist: Kevin Globerman
Musical Technical Consultants: Thomas Broderick & Chuck Choi
Assistant Recording Engineers: Adam Michalak, Christian Wenger, Lori Castro, Sam Okell & Paul Pritchard, Adam Miller & John Prestage
Orchestra Contractors: Sandy DeCrescent & Peter Rotter
Choir Contractor: Isobel Griffiths
Concert Master: Endre Granat
Choir Master: Jenny O'Grady
"Mermaids"
Written by Hans Zimmer & Eric Whitacre
"Tango"
Written by Eduardo Cruz
ALBUM ASSEMBLY
Guilty Of Being Innocent Of Being Jack Sparrow : 1m2 The Courtroom
Angelica : Angelica Suite
Mutiny : 2m17 First Mate Is A Her (Edited) + 3m21 Mutiny (Edited)
The Pirate That Should Not Be : Suite
Mermaids : Mermaid Suite + 4m35 Mermaids Appear - Mermaids Attack (Edited)
South Of Heaven's Chanting Mermaids : Suite
Palm Tree Escape : 6m51-52 Jazz Hands - Moving On
Blackbeard : 3m22-23 Blackbeard Entrance - Mutineers Hang + 7m62 Blackbeard's Demise (Edited) + 3m24-25 Fry The Cook (Edited)
Angry And Dead Again : Suite
On Stranger Tides : 1m1 Opening (Edited)
End Credits : 7m68 End Credits
Hans Zimmer, Geoff Zanelli
1m2 The Courtroom (1:39)
Hans Zimmer, Matthew Margeson
1m3 Paddy Wagon (2:53)
Hans Zimmer, Matthew Margeson (Klaus Badelt)
1m3 INS Paddy Wagon Sting (Insert) (0:20)
Hans Zimmer, Matthew Margeson
1m4 Palace Courtyard (0:32)
Hans Zimmer, Guillaume Roussel
1m5 Creampuff – King’s Entrance (1:07)
Hans Zimmer, Guillaume Roussel
1m6 Barbossa’s Entrance (2:03)
Hans Zimmer, Guillaume Roussel (Blake Neely)
1m7 Jack’s Escape (2:15)
Hans Zimmer, Geoff Zanelli (Klaus Badelt)
2m8A Carriage Chase (2:09)
Hans Zimmer, Tom Gire, John Sponsler
2m8B Filthy Pirate (0:20)
Hans Zimmer, Jacob Shea (Klaus Badelt)
2m12 Imposter Swordfight (2:55)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
2m13A-B Meet Angelica – Jack & Angelica Bicker (2:14)
Hans Zimmer, Matthew Margeson
2m14 British Attack (1:16)
Hans Zimmer, Geoff Zanelli
2m15 Gibbs Burns Map (2:17)
Hans Zimmer, Geoff Zanelli
2m16 Aboard The Queen Anne’s Revenge (1:32)
Hans Zimmer, Tom Gire, John Sponsler
2m16 ALT Aboard The Queen Anne’s Revenge (Alternate) (0:56)
Hans Zimmer, Jacob Shea
2m17A-B First Mate Is A Her – The Prophecy (2:14)
Hans Zimmer, Matthew Margeson
3m18 Barbossa Seeks Heading (0:22)
Hans Zimmer, Guillaume Roussel
Hans Zimmer, Geoff Zanelli, Guillaume Roussel
3m19B Spanish Ignore Barbossa (Extended End) (0:19)
Hans Zimmer, Guillaume Roussel
3m20 Mutiny Meeting (0:47)
Hans Zimmer, Geoff Zanelli
3m21 Mutiny (3:06)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
3m22-23 Blackbeard’s Entrance – Mutineers Hang (2:28)
Hans Zimmer, Matthew Margeson
3m22A Upside Down Jack (0:22)
Hans Zimmer, Jacob Shea
3m24-25 Fry The Cook (3:00)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
3m26 Blackbeard’s Cabin (2:09)
Hans Zimmer, Guillaume Roussel
3m26R ALT Blackbeard’s Cabin (Alternate) (1:11)
Hans Zimmer, Guillaume Roussel
Hans Zimmer, Guillaume Roussel
3m27 ALT Barbossa Having Tea (Alternate) (0:40)
Hans Zimmer, Guillaume Roussel
Hans Zimmer, Guillaume Roussel
4m30-31A-B The Dance – Bottle Room – Voodoo Doll (3:38)
Hans Zimmer, Matthew Margeson (Klaus Badelt)
4m32A-B Mermaid Hunt – Mermaid Tale (2:41)
Hans Zimmer, Tom Gire, John Sponsler
4m32 INS Mermaid Hunt (Insert) (1:27)
Hans Zimmer, Tom Gire, John Sponsler
Hans Zimmer, Geoff Zanelli
4m37-38-5m39 The Beach – To The Fountain – Jungle Trek (3:06)
Hans Zimmer, Matthew Margeson
5m40A Syrena Needs Air (0:51)
Hans Zimmer, Tom Gire, John Sponsler
5m40B The Cliff (0:59)
Hans Zimmer, Tom Gire, John Sponsler
5m40B INS The Cliff Sting (Insert) (0:27)
Hans Zimmer, Tom Gire, John Sponsler
5m41 Jack Jumps (1:17)
Hans Zimmer, Jacob Shea
5m42A-B-F Shirtless – Naming Syrena – Ponce De Leon (5:36)
Hans Zimmer, Matthew Margeson
5m42A INS Shirtless (Insert) (0:33)
Hans Zimmer, Matthew Margeson
5m42B INS Naming Syrena (Insert #1) (1:58)
Hans Zimmer, Matthew Margeson
5m42B INS 2Naming Syrena (Insert #2) (0:25)
Hans Zimmer, Matthew Margeson
Hans Zimmer, Guillaume Roussel
5m44 Don’t Touch The Map (0:47)
Hans Zimmer, Guillaume Roussel (Klaus Badelt)
5m44R ALT Don’t Touch The Map (Alternate) (0:59)
Hans Zimmer, Guillaume Roussel
Hans Zimmer, Geoff Zanelli
5m46 Mermaid Pools (1:00)
Hans Zimmer, Tom Gire, John Sponsler
5m47 Mermaids Are Tough (2:42)
Hans Zimmer, Guillaume Roussel
5m47 INS Mermaids Are Tough (Insert) (2:43)
Hans Zimmer, Guillaume Roussel
Hans Zimmer, Tom Gire, John Sponsler
6m49 Mermaid Tears (2:12)
Hans Zimmer, Matthew Margeson (Klaus Badelt)
6m50 Palm Tree Grove (2:03)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
6m51-52 Jazz Hands – Moving On (3:06)
Hans Zimmer, Geoff Zanelli
6m51 INS Jazz Hands (Insert) (0:29)
Hans Zimmer, Geoff Zanelli
Hans Zimmer, Matthew Margeson
6m54-55 Water Drop – Dead End (1:53)
Hans Zimmer, Geoff Zanelli
6m56 Aqua De Vida (0:32)
Hans Zimmer, Guillaume Roussel
6m57 The Fountain Of Youth (2:52)
Hans Zimmer, Geoff Zanelli
6m58 The Faceoff (1:32)
Hans Zimmer, Geoff Zanelli
6m59A Battle For The Fountain Of Youth Part 1 (1:16)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
6m59A INS FIX Battle For The Fountain Of Youth Part 1 (Insert #1) (0:23)
Hans Zimmer, Tom Gire, John Sponsler
6m59A INS Battle For The Fountain Of Youth Part 1 (Insert #2) (0:19)
Hans Zimmer, Tom Gire, John Sponsler
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
7m59B Philip Returns To Syrena (0:50)
Hans Zimmer, Matthew Margeson
7m59C The Battle Continues (0:51)
Hans Zimmer, Tom Gire, John Sponsler
7m60 Spanish Arrive (2:25)
Hans Zimmer, Geoff Zanelli (Klaus Badelt)
7m61A-B Angelica Cut – Destroy The Fountain (3:16)
Hans Zimmer, Geoff Zanelli (Klaus Badelt)
7m62A-B v8.3 Save Your Daughter – Blackbeard’s Demise (1:17)
Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
7m62B v11.1 ALT Blackbeard’s Demise (Alternate) (0:52)
Hans Zimmer, Tom Gire, John Sponsler
Hans Zimmer, Matthew Margeson
7m64 One Pistol, One Shot (0:25)
Hans Zimmer, Guillaume Roussel
7m65 Jack Leaves Angelica (1:07)
Hans Zimmer, Matthew Margeson
7m66 Make Way For Tortuga (1:53)
Hans Zimmer, Guillaume Roussel
7m67 Jack & Gibbs (1:41)
Hans Zimmer, Tom Gire, John Sponsler
7m67 INS Jack & Gibbs (Insert #1) (0:29)
Hans Zimmer, Tom Gire, John Sponsler
7m67 END INS Jack & Gibbs (Insert #2) (0:10)
Hans Zimmer, Tom Gire, John Sponsler
Hans Zimmer, Geoff Zanelli
7m69 Voodoo Dool (0:24)
Hans Zimmer, Guillaume Roussel
Suite – Angelica Theme (4:16)
Hans Zimmer
Suite – Mermaids Theme (5:10)
Hans Zimmer
Suite – Mermaids Theme (Mix v2) (5:11)
Hans Zimmer
Hans Zimmer, Rodrigo Y Gabriela
Suite – South Of Heaven’s Chanting Mermaids (Theme Idea) (5:48)
Hans Zimmer, Rodrigo Y Gabriela
Suite – Angry & Dead Again (Theme Idea) (5:33)
Hans Zimmer, Rodrigo Y Gabriela
Music Composed by Hans "Long John" Zimmer
Featuring Rodrigo y Gabriela
Score Overproduced by Hans "Long John" Zimmer, Bob "Cut 'Em Up" Badami & Melissa "Tortuga Wrench" Muik
Soundtrack Album Produced by Hans Zimmer & Peter Asher
Orchestra Recorded by Alan "Mizzenmast" Meyerson & Slamm "Scallywag" Andrews
Choir Recorded by Geoff "No Prey, No Pay" Foster
Score Mixed by Alan "Mizzenmast" Meyerson
Rodrigo y Gabriela Performances:
Produced by Rodrigo y Gabriela
Recorded by Fermin Vazquez Llera at Lumbini Studios, Mexico
Mixed by Nathaniel Kunkel
Guitar Techs: Enrique Cruz de Alba aka Kike Brown & Robin Easton
Sound Consultant: David Merchant
Personal Assistant for Rodrigo y Gabriela: Adriana Sanchez Zoletto
Management: Niall Muckian & Chris Tetseli
Management Assistant: Anders Hester
Executive Soundtrack Album Producers: Jerry "The Hook" Bruckheimer & Rob "Swashbuckle" Marshall
Executive in Charge of Music & Soundtracks for the Walt Disney Studios Motion Picture Group & the Disney Music Group: Mitchell "Swabby" Leib
Music Production Supervisor: Monica "Blackheart" Zierhut
Music Supervisors: Bob "Cut 'Em Up" Badami & Melissa "Tortuga Wrench" Muik
Music Production Consultant: Peter "Barnacle" Asher
Music Production Services: Steven "Swagger" Kofsky
Music Coordinator: Andrew "Mad Dog" Zack
Music Business/Legal Affairs for the Walt Disney Studios Motion Pictures Group: Scott "White Beard" Holtzmann & Sylvia "Eagle Eye" Krask
Music Creative/Marketing for the Walt Disney Studios Motion Pictures Group: Glen Lajeski
Soundtrack Production Director: Desirée "Pillage" Craig-Ramos
Featured Cello: Martin "Scourge of the Seven Seas" Tillman
Solo Voices: Hila Plitmann, Grave Davidson & Dee "Vixen of the Seas" Lewis Clay
Additional Music by Geoff "Broadside" Zanelli, Tom "Chum Bucket" Gire, John "Red Beard" Sponsler, Matt "yARRRdstick" Margeson, Guillaume Roussel & Eric Whitacre
Additional Arrangements by Jacob "Buckwald" Shea, Thomas Bergersen & Nick Phoenix
Supervising Music Editor: Melissa "Tortuga Wrench" Muik
Music Editors: Barbara "No Quarter" McDermott & Katia "Slice n' Dice" Lewin Palomo
Supervising Orchestrator: Bruce "Crossbones" Fowler
Orchestrators: Elizabeth Finch, Walt "Argh" Fowler, Rick Giovinazzo, Kevin Kaska, Suzette "AYE!" Moriarty & Ed Neumeister
Orchestra Conducted by Nick "The Admiral" Glennie-Smith
Music Preparation: Booker "Fire Ship" White, Walt Disney Music Library
UK Choir Preparation: Jill "Pirate Got Me Eye" Streater
Additional Recording by Daniel Kresco & Satoshi Noguchi
Score Editor & Recordist: Kevin Globerman
Assistant Recording Engineers: Adam Michalak, Christian Wenger, Lori Castro, Sam Okell, Paul Pritchard, Adam Miller & John Prestage
Assistant Mix Engineer: Satoshi Noguchi
Choir Conducted by Eric Whitacre, Gavin Greenaway & Ben Foster
Orchestra Contractors: Sandy "Smooth Sailing" DeCrescent & Peter "Jolly Rotten" Rotter
Concert Master: Endre Granat
Score Recorded at Sony Scoring Stage, Culver City, CA & Remote Control Productions, Santa Monica, CA
Score Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Czarina "Lady Jane" Russell
Choir Contractor: Isobel "Jolly Roger" Griffiths
Choir Master: Jenny O'Grady
Choir: Metro Voices
Choir Conducted by Gavin Greenaway, Eric Whitacre, Ben Foster & Matthew "Dunkel" Dunkley
Choir Recorded at Air Lyndhurst Studios, London & Abbey Road Studios, London
Assistant Choir Contractor: Charlotte Matthews
Supervising Technical Music COordinators: Chuck Choi & Thomas "Six Pounders" Broderick
Digital Instrument Design: Mark "Walk the Plank!" Wherry
Technical Music Assistants: Phill Boucher, Joerg Huettner, Josh Lynch & Jason Soudah
Sample Development: Claudius "String Bucket" Bruese
Sample Development Assistants: Sam Estes & Michael Hobe
Mastered by Patricia Sullivan at Bernie Grundman Mastering, Hollywood, CA
Hans Zimmer would like to thank:
Rob "Swashbuckle" Marshall, Jerry "The Hook Bruckheimer, Sean Bailey, John "DeLandlubber" DeLuca, Johnny Depp, Penélope Cruz, Pat "Kraken" Sandston" Chad Oman, David Brenner, Michael Kahn, Wyatt Smith, Mitchell "Swabby" Leib, Monica "Blackheart" Zierhut, Bonnie Abaunza, Tiffany "Anne Bonny" Bordenave, Eduardo "Twin Studs" Cruz, Peter "Shiver Me Oscillators" Gorges, Michael Gorfaine, Joerg Huettner, Bryce Jacobs, Jasha Klebe, Steven "Swagger" Kofsky, Christina "Madame Pink" Mansky, Lee Rossignol, Jeff Sanderson, Sam "Shark Tooth" Schwartz, Shalini "Gunwalls Ethel" Singh, Jason Soudah, Chris "Gust o' Wind" Strong, Jill "Cannon Ball" Weiss, Michael "The Chomps Bodega" Zimmer, Suzanne "Sea Wench" Zimmer, Jake "Black Dog" Zimmer, Max "Sea Dog" Zimmer, Annabel "Treasure" Zimmer & Zoe "Rum Legged" Zimmer
Special thanks:
Lesley Allery, Stephanie "El Lobo Sangriento" Curtis, Ken Dapron, Nancy Dolan, David Fermin, Al "La Flaca" Flores, Kaylin "Scurvavious" Frank, Stephanie Harris, Ryan "Jelly Legs" Hopman, Daphne "Ouzo Lookout" Lambrinou, Jackie Minakuchi, Matt "Salty Dog" Sullivan, Chris Tetzeli, Don "Dry Wit" Welty, Keith Wilson, Reggie Wilson & the entire staff at Walt Disney Records & the Disney Music Group
Hans Zimmer, Matthew Margeson
02 – Angelica (4:17)
Hans Zimmer, Eduardo Cruz feat. Rodrigo Y Gabriela
03 – Mutiny (2:48)
Hans Zimmer, Matthew Margeson, Tom Gire, John Sponsler (Klaus Badelt)
04 – The Pirate That Should Not Be (3:55)
Rodrigo Y Gabriela, Hans Zimmer
05 – Mermaids (8:05)
Hans Zimmer, Geoff Zanelli, Eric Whitacre
06 – South Of Heaven’s Chanting Mermaids (5:48)
Rodrigo Y Gabriela, Hans Zimmer
07 – Palm Tree Escape (3:06)
Hans Zimmer, Geoff Zanelli feat. Rodrigo Y Gabriela
08 – Blackbeard (5:05)
Hans Zimmer, Matthew Margeson, Tom Gire, John Sponsler (Klaus Badelt)
09 – Angry And Dead Again (5:33)
Rodrigo Y Gabriela, Hans Zimmer
10 – On Stranger Tides (2:44)
Hans Zimmer, Geoff Zanelli, Eric Whitacre
11 – End Credits (1:59)
Hans Zimmer, Geoff Zanelli
12 – Guilty Of Being Innocent Of Being Jack Sparrow Remixed – DJ Earworm (2:45)
13 – Angelica (Grant Us Peace) Remixed – Ki:Theory (3:08)
14 – The Pirate That Should Not Be Remixed – Photek (6:26)
15 – Blackbeard Remixed – Super Smash Bros & Thieves (5:26)
16 – South Of Heaven’s Chanting Mermaids Remixed – Paper Diamond (3:32)
17 – Palm Tree Escape Remixed – Adam Freeland (5:28)
18 – Angry And Dead Again Remixed – Static Avenger (5:49)


Watched On Stranger Tides again. The music actively destroys large sections of the film with completely the wrong tone. The whole London sequence from start to finish is awfully scored. How did this one end up so bad? At World’s End was amazing – so many great scenes and tracks. Only Blackbeard, Mermaids and the guitar stuff are good in this one.
“Is common public knowing, that Hans was asburdly constricted by Bruckheimer/Marshall in this movie”
I think He was constricted by Disney. This is their policy. Bruckheimer always gives RCP freedom
Bruckheimer, famous for saying woodwinds are shit and for fagots.
Creative freedom aren’t one of his strengths.
There are a ton of Bruckheimer productions with good-to-excellent Zimmer scores, so yeah, I’d blame this on Disney or someone else involved.
But fucking LOL at woodwinds being for faggots. One of the funniest and most idiotic things I’ve ever read.
MrZimmerFan, is there a stories about how Hans Zimmer hid all the woodwinds when Jerry visited the set?
Back in the day Jerry wasn’t some producer, he was THE PRODUCER, so I think he could do anything he wanted…
The 1-3 are iconic and you could listen them often… This one… I gave it a listen once. Best stuff are Rodrigo Y Gabriela tracks (unused, ironically), anything else is kinda flat… Or maybe not…
@An0n
Hans have to fight Jerry to include woodwinds in the score, because that was mainly the reason for fired Silvestri in the first place, that and he wanted the score to sound like MV.
And for those who think Disney was to blame for Pirates 4, remember the score was heavily temp-tracking when Zimmer clearly wanted to create new material (more inspired to Pirates 3) for the score, aside for the main theme.
MrZimmerFan, oh, old times
😂
in modern ‘LGBT propaganda’ era Hans can easily keep those woodwinds without even asking anybody, haha
Does anyone actually have any sources for the woodwind quote?
There were some crazy rumors about Don Simpson and his crazy parties, hundreds tons of c0c*ine he consumed and orgy stuff
I actually thought Jerry was the smart one
Watched On Stranger Tides again. The music actively destroys large sections of the film with completely the wrong tone. The whole London sequence from start to finish is awfully scored. How did this one end up so bad? At World’s End was amazing – so many great scenes and tracks. Only Blackbeard, Mermaids and the guitar stuff are good in this one.
“Is common public knowing, that Hans was asburdly constricted by Bruckheimer/Marshall in this movie”
I think He was constricted by Disney. This is their policy. Bruckheimer always gives RCP freedom
Bruckheimer, famous for saying woodwinds are shit and for fagots.
Creative freedom aren’t one of his strengths.
There are a ton of Bruckheimer productions with good-to-excellent Zimmer scores, so yeah, I’d blame this on Disney or someone else involved.
But fucking LOL at woodwinds being for faggots. One of the funniest and most idiotic things I’ve ever read.
MrZimmerFan, is there a stories about how Hans Zimmer hid all the woodwinds when Jerry visited the set?
Back in the day Jerry wasn’t some producer, he was THE PRODUCER, so I think he could do anything he wanted…
The 1-3 are iconic and you could listen them often… This one… I gave it a listen once. Best stuff are Rodrigo Y Gabriela tracks (unused, ironically), anything else is kinda flat… Or maybe not…
@An0n
Hans have to fight Jerry to include woodwinds in the score, because that was mainly the reason for fired Silvestri in the first place, that and he wanted the score to sound like MV.
And for those who think Disney was to blame for Pirates 4, remember the score was heavily temp-tracking when Zimmer clearly wanted to create new material (more inspired to Pirates 3) for the score, aside for the main theme.
MrZimmerFan, oh, old times
😂
in modern ‘LGBT propaganda’ era Hans can easily keep those woodwinds without even asking anybody, haha
Does anyone actually have any sources for the woodwind quote?
There were some crazy rumors about Don Simpson and his crazy parties, hundreds tons of c0c*ine he consumed and orgy stuff
I actually thought Jerry was the smart one