POINT OF NO RETURN, 1993, Directed by John Badham
FILM CREDITS
Music by Hans Zimmer
Music Editors: Alex Gibson & Sherry Whitfield
Additional Music Score by Nick Glennie-Smith
ALBUM ASSEMBLY
Hate : 1m1 Search For Drugs - Shootout (Edited) + 12m29 We'll Miss Her - End Credits (Edited)
Happy Birthday, Maggie : 4m9 Birthday Warning - Out To Dinner (Edited)
Wedding Bells : 9m20 New Orleans Kill (Edited) + 3m7A Maggie Meets Amanda (Edited)
Hells Kitchen : 5m10 Maggie Kills VIP
Hans Zimmer
2m3 Sentencing And Execution (3:19)
Hans Zimmer
2m4 Bob For Hostage Part I (2:06)
Nick Glennie-Smith
2m5 Bob For Hostage Part II (1:40)
Nick Glennie-Smith
3m6A In Training (2:22)
Hans Zimmer
3m7A Maggie Meets Amanda (1:53)
Hans Zimmer
4m8A Defiant Maggie (2:34)
Hans Zimmer
4m9 Birthday Warning – Out To Dinner (5:58)
Hans Zimmer
5m10 Maggie Kills VIP (5:05)
Hans Zimmer
5m11 Maggie Kisses Bob (1:34)
Hans Zimmer
6m12A D.C. To Venice (2:22)
Nick Glennie-Smith
7m16 Marriott Call – Hotel Explosion (5:48)
Nick Glennie-Smith
8m17 Uncle Bob’s Story (1:10)
Hans Zimmer, Nick Glennie-Smith
9m20 New Orleans Kill (6:42)
Hans Zimmer
9m21-22 Bob’s To Amanda’s (2:01)
Nick Glennie-Smith
10m23A New Assignment (2:25)
Hans Zimmer
10m25A Screw Up At Angela’s (3:12)
Nick Glennie-Smith
11m25B-26A-27 The Next Step – Gun Reveal – Maggie Fights Victor (11:16)
Hans Zimmer
12m29 We’ll Miss Her – End Credits (6:09)
Hans Zimmer
Score Composed & Arranged by Hans Zimmer
Score Produced by Hans Zimmer & Jay Rifkin
Score Mixed & Recorded by Jay Rifkin at Media Ventures, Los Angeles, California
Assistant Engineer: Bret Newman
Additional Music by Nick Glennie-Smith
Vocals by Sam Ellis
Guitar by Bob Daspit
Score Wrangler: Nicholas Golfar
Composer's Assistant: Christopher Ward
Executives in Charge of Music for Warner Bros.: Gary LeMel & Doug Frank
Milan Executive Direction: Emmanuel Chamboredon & Toby Pieniek
Mastered by Stephen Marcussen at Precision Mastering, Hollywood, California
Equipment by: Akai, Euphonix, Steinberg, Yamaha, Dynatek
Special Thanks:
Suzanne Keith, John Badham, D.J. Caruso, Gary LeMel, Art Linson, Sam Schwartz, Mike Gorfaine, Zoe Zimmer, Joe Galante, Marty Olinick, Holly Browde, Doreen Cardinale, Bill Schrank, Lisa Margolis, Bobby Thornburg, John Hudson, Robin Forman, Patricia Smith, Gita Jackson, Elisa Edwards
02 – Happy Birthday, Maggie (5:35)
03 – Wedding Bells (8:05)
04 – Hells Kitchen (5:04)
05 – Here Comes The Sun – Nina Simone (3:35)
06 – I Want A Little Sugar In My Bowl – Nina Simone (2:33)
07 – Feeling Good – Nina Simone (2:56)
08 – Wind Is The Wind – Nina Simone (6:58)
09 – Black Is The Colour Of My True Love’s Hair – Nina Simone (3:24)
1 & 2 - Orchestra Conducted by Bruce Fowler, D. Harper, Synthesizer: Hans Zimmer, Baritone Guitar: Duane Eddy, All Other Guitars: Bob Daspit, Percussion: Emil Richards, Trumpet: Walt Fowler. Music Recorded & Mixed at Media Ventures, Los Angeles
3 - Orchestra Conducted bu Nick Glennie-Smith, Orchestrated by Bruce Fowler, Ladd McIntosh, Suzette Moriarty. Music Recorded & Mixed at Media Ventures, Los Angeles & Sony Studios, Los Angeles
4 - Music Recorded & Mixed by Jay Rifkin at Media Ventures, Los Angeles
5 - Recorded at the Snake Ranch & Air Studios / Air Lyndhurst Studio, Orchestra Conducted by Nick Glennie-Smith, Orchestrated by Fiachra Trench & Nick Glennie-Smith
6 & 7 - Recorded at Columbia Studios, Los Angeles, Orchestra & Choir Conducted by Shirley Walker, Orchestrated by Shirley Walker
02 – Secure (6:50)
NINE MONTHS
POINT OF NO RETURN
04 – Hate (7:26)
BEYOND RANGOON
05 – Beyond Rangoon (10:08)
BACKDRAFT
06 – You Go, We Go (5:11)
07 – Fahrenheit 451 (2:59)
This one is challenging – it is so bitty and all over the place but the main theme is a HZ miracle. Everyone keeps clamouring for a complete – have you seen the film? On a lot of these early HZ stuff additional score is more like bad contemporary TV scoring (with very dodgy samples and questionable artistic choices) than anything bearable, like an empty disco beat wanking on itself.
OST is basically 6 tracks from full score, also edited down.
A lot of good stuff was left. That’s why people want complete.
Bob For Hostage pt1, soft beginning of Maggie Meets Amanda… First cue was just ripped in half… Shootout is fully missing…
This one is challenging – it is so bitty and all over the place but the main theme is a HZ miracle. Everyone keeps clamouring for a complete – have you seen the film? On a lot of these early HZ stuff additional score is more like bad contemporary TV scoring (with very dodgy samples and questionable artistic choices) than anything bearable, like an empty disco beat wanking on itself.
OST is basically 6 tracks from full score, also edited down.
A lot of good stuff was left. That’s why people want complete.
Bob For Hostage pt1, soft beginning of Maggie Meets Amanda… First cue was just ripped in half… Shootout is fully missing…
vow… just gave it a quick listen. “Hate” is actually rocks… Who’s the singer? Nina Simone?
vow… just gave it a quick listen. “Hate” is actually rocks… Who’s the singer? Nina Simone?
i remember that cool opening song in original movie by eric serra.. here i didn’t remember anything
i remember that cool opening song in original movie by eric serra.. here i didn’t remember anything
If there ever was a recording sessions for my birthday next week, now would be the perfect time.
If there ever was a recording sessions for my birthday next week, now would be the perfect time.