FILM CREDITS
Music by Ramin Djawadi
Score Recorded by Geoff Foster
Music Score Mixer: Alan Meyerson
Orchestrator: Stephen Coleman
Music Editor: Peter Myles
Pre-Score Programmer: Robert Wolff
Conductor: Gavin Greenaway
Orchestra Leader: Everton Nelson
Technical Score Preparation: Brandon Campbell & Catherine Wilson
Assistant Scoring Engineers: Adam Miller & Laurence Anslow
Assistant Mixing Engineer: Christian Wenger
Music Preparation: Booker White & Jill Streater
Additional Orchestrations: Matt Dunkley
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Percussion Preparation: Chris Anderson-Bazzoli, David Giuli, Mellisa Orquiza, Heather McFarlane & Susie Benchasil Seiter
ALBUM ASSEMBLY
Safe House : Question Theme v2
A Hundred Lies A Day : 1m01 v5 Main Title
Get In The Trunk : 2m11 v4 Car Chase Pt 1 (Edited)
Do I Make You Nervous? : 1m04 v5 Frost Escapes From Club (Edited)
I Used To Be Innocent Like You : 4m20B v4 ALT Frost's Haircut
Tobin Frost : 1m05A v3 Frost Booked - CIA
Off The Grid : 1m05 v6 The Rally
Do What You Have To Do : 6m30 v7 Frost Saves Matt - Shot
Don't Kill Innocent People : 4m24 v7 Matt & Frost Pursued (Edited) + 2m06 v2 Sending In The Snatch Team
Who Do You Work For? : 4m21A v7 Train Station + 4m21B v3 Flashback - Internet Search
Walk Away : 3m17 v4 Matt Gets Go Bag - Detained (Edited) + 3m18 v5 Matt Escapes - Catches Up With Frost (Edited)
People Change : 4m20B v4 Frost's Haircut
Be Better Than Me : 5m25-27 v9 Frost's Story - To Safe House 2
Langa : 4m23 v3 Matt Saves Frost (Edited) + 2m10 v3 Matt & Frost Escape (Edited) + 2m12 v2 Car Chase - Trunk Escape Pt 2 (Edited)
More Past Than Future : 4m22 v3 Carlos & Frost - Matt To Langa
12 Months : Matt Theme
Truth : Truth Theme v4
I'll Take It From Here : 6m32 v3 Matt Talks To Witford - Sends The File - Sees Anna
1m02 v1 Frost To Meeting (1:26)
1m04 v5 Frost Escapes From Club (3:49)
1m05 v6 The Rally (3:28)
1m05A v3 Frost Booked – CIA (2:19)
2m06 v2 Sending In The Snatch Team (2:15)
2m07 v4 Frost Arrives At Safe House (2:16)
2m08 v3 Frost Tortured (2:30)
2m09 v2 Safe House Infiltrated (1:16)
2m10 v3 Matt & Frost Escape (3:06)
2m11 v4 Car Chase Pt 1 (4:41)
2m12 v2 Car Chase – Trunk Escape Pt 2 (1:28)
3m13 v3 Who Is This Matt Weston? (1:45)
3m14 v3 Land Rover – Vargas Writes Email (3:19)
3m15 v3 Matt Calls Anna (2:20)
3m16 v2 You’re Gonna Leave Her (3:44)
3m17 v4 Matt Gets Go Bag – Detained (2:50)
3m18 v5 Matt Escapes – Catches Up With Frost (4:38)
4m19 v3 I Lost Him (1:18)
4m20A v2 We’ll Take It From Here (1:02)
4m20B v4 Frost’s Haircut (2:11)
4m20B v4 ALT Frost’s Haircut (Alternate) (2:17)
4m21A v7 Train Station (2:19)
4m21B v3 Flashback – Internet Search (1:28)
4m22 v3 Carlos & Frost – Matt To Langa (3:19)
4m23 v3 Matt Saves Frost (4:39)
4m24 v7 Matt & Frost Pursued (4:26)
5m25-27 v9 Frost’s Story – To Safe House 2 (4:12)
5m29 v5 Matt Kills Keller – Frost Takes Chip (2:58)
6m30 v7 Frost Saves Matt – Shot (4:49)
6m31 v6 Frost Dies (2:58)
6m32 v3 Matt Talks To Witford – Sends The File – Sees Anna (5:47)
Suite – Matt Theme (3:05)
Suite – Truth Theme v4 (3:42)
Suite – Question Theme v2 (3:16)
Music Composed by Ramin Djawadi
Score Produced by Ramin Djawadi
Executive in Charge of Music for Universal Pictures: Mike Knobloch
Music Supervised for Universal Pictures: Rachel Levy
Music Business Affairs for Universal Pictures: Philip M. Cohen
Executive Producer for Varese Sarabande: Robert Townson
Executive Album Producer: Scott Stuber
Music Score Mixer: Alan Meyerson
Scored Recorded by Geoff Foster at AIR Lyndhurst
Orchestrator: Stephen Coleman
Music Editor: Peter Myles
Conductor: Gavin Greenaway
Orchestra Leader: Everton Nelson
Technical Score Advisors: Brandon Campbell & Catherine Wilson
Assistant Scoring Engineers: Adam Miller & Laurence Anslow
Assistant Mixing Engineer: Christian Wenger
Music Preparation: Booker White & Jill Streater
Additional Orchestrations: Matt Dunkley
Ochestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Percussion Preparation: Chris Anderson-Bazzoli, David Giuli, Melissa Orquisa, Heather MacFarlane & Susie Benchasil Seiter
Pre-score Programmer: Robert Wolff
Stereo Fold Down Optimization: Dave Way
Mastered by Gavin Lurssen
Ramin would like to thank: Daniel Espinosa, Scott Aversano, Celeste Chada, Peter Cramer, Alexa Faigen, Michael Gorfaine, Uli Kurtinat, Donna Langley, Maria Machado, Richard Pearson, Sandrine Pecher, Sam Schwartz, Scott Stuber, Cheryl Tiano, Hans Zimmer, everybody at Remote Control Productions, the Djawadi Family, Jennifer Hawks
Thanks to: Lauren Martin, Marc Becker, Bette Einbinder, Amie Hill, Cendy Younan, Eric Polin, Kyle Staggs, Christopher Saranec, Tiffany Jones, Jake Voulgarides
02 – A Hundred Lies A Day (3:16)
03 – Get In The Trunk (4:25)
04 – Do I Make You Nervous? (3:08)
05 – I Used To Be Innocent Like You (2:11)
06 – Tobin Frost (2:19)
07 – Off The Grid (3:28)
08 – Do What You Have To Do (4:49)
09 – Don’t Kill Innocent People (3:45)
10 – Who Do You Work For? (3:45)
11 – Walk Away (6:04)
12 – People Change (2:17)
13 – Be Better Than Me (4:12)
14 – Langa (6:14)
15 – More Past Than Future (3:19)
16 – 12 Months (3:06)
17 – Truth (3:43)
18 – I’ll Take It From Here (5:47)
No word if Djawadi is scoring another Espinosa's film, "Child 44"?
No word if Djawadi is scoring another Espinosa's film, "Child 44"?
Mr. Fate, I don’t wanna contact the folks… What I suggest is that we have to figure out a way to steal their winning attitude.
We need to become the masters of the synthesizers, to usher a new epoch in our personal lives.
Mr. Fate, I don’t wanna contact the folks… What I suggest is that we have to figure out a way to steal their winning attitude.
We need to become the masters of the synthesizers, to usher a new epoch in our personal lives.
Amusing comments.
The score was very restrained.
The end credits song was the highlight, but sounded like Sting.
Amusing comments.
The score was very restrained.
The end credits song was the highlight, but sounded like Sting.
If only I could become a mixture of Mark Mancina, Hans Zimmer, Leonidas Leonardi, Rene Leibowitz, Hermann Boessenroth, Ivan Boutnikoff and Fabien Sevitzky…..
If only I could become a mixture of Mark Mancina, Hans Zimmer, Leonidas Leonardi, Rene Leibowitz, Hermann Boessenroth, Ivan Boutnikoff and Fabien Sevitzky…..
Oh wow, did you do a whole lot hunting around this website gathering every post I’ve ever made and then compiling them and putting them into some kind of machine that would give you a result like that?
Congratulations, sir, on commenting on a post I made two weeks ago. Damn, you either have a shit translator or you’re trying to tell me something about myself but are making an absolutely atrocious job of it. I first defended bootleg scores? But now I’m a minion who betrayed the site? WHAT DOES IT MEAN??
You think I have control over this site’s "Almost Official" status? Well, thank you very much! I would like to believe so, but you are sadly mistaken. At least I have a name, coward! You might as well be anyone, but by establishing a name to myself people can recognize me–oh! Like you must have in order to have gathered the nonsensical [wrong] assumption you’ve made about me.
Oh wow, did you do a whole lot hunting around this website gathering every post I’ve ever made and then compiling them and putting them into some kind of machine that would give you a result like that?
Congratulations, sir, on commenting on a post I made two weeks ago. Damn, you either have a shit translator or you’re trying to tell me something about myself but are making an absolutely atrocious job of it. I first defended bootleg scores? But now I’m a minion who betrayed the site? WHAT DOES IT MEAN??
You think I have control over this site’s "Almost Official" status? Well, thank you very much! I would like to believe so, but you are sadly mistaken. At least I have a name, coward! You might as well be anyone, but by establishing a name to myself people can recognize me–oh! Like you must have in order to have gathered the nonsensical [wrong] assumption you’ve made about me.