Shazam!
- Shazam!
- The Consul Of Wizards
- Seeking Spell
- Compass
- Seven Symbols
- The Rock Of Eternity
- Subway Chase (From Shazam! – Original Motion Picture Soundtrack)
- It’s You Or No One
- Dude, You’re Stacked
- This Is Power
- Bus Rescue
- You’re Like A Bad Guy, Right?
- Them’s Street Rules
- Superman It
- Super Villain
- You Might Need It More Than Me
- Come Home Billy
- Give Me Your Power
- His Name Is
- Sentimental Nonsense
- Run!
- Play Time’s Over
- All Hands On Deck
- I Can Fly!
- Fight Flight
- Finale
- We’ve Got A Lair
- I’m Home
- I Name The Gods


Has anyone ever figured out what’s up with the sound on this release? Very strange eq or something across the whole score I think. Most obvious in the first track. Could never pinpoint exactly what’s wrong but it’s very conspicuous. Sounds simultaneously muffled and too bright.
All of Wallfisch’s post-2017 scores sound like this. Tbh he should win an award for somehow managing to make his music louder than JXL’s while simultaneously also sounding far worse
So Christophe beck decided not to use Bens theme for Shazam 2. This is the problem with modern composers, ego is ridiculous therefor no musical continuity.
Blame producers for that. Composers hardly decide.
Ben is not coming back to score Shazam 2 :( it’s gonna be christophe beck. Damn Scheduling conflicts
Is this because they brought the movie 6 months earlier than originally scheduled?
Alex Lu is one of Ben's techies, he also wrote additional music for Hellboy
@Hybrid
Night Hunter Soundtrack
Music By Alex Lu and produced by Benjamin Wallfisch
Alex Lu works on RCP? Benjamin is only producer or he made additional music?
Thanks
Gotta say I somewhat disagree with the lavish praise here. The main theme is fantastic; the melody itself isn't that memorable, but the quality of the orchestral writing surrounding it is high. Indeed, the orchestrations and textures are of a very high standard throughout. However, far from there being 50 minutes of 5* material, I find that outside the suite presentation, the rest of the score feels messy. It's one of those scores that reacts to what's happening onscreen rather than actively driving it, so there are a ton of changes of direction. I feel like you can sort of tell that the director comes from a horror background because there's a lot of that stop-start quality you get from horror scores in the action music here, and I'm not a fan of that philosophy. I much prefer action music to have a more constant pulse while still developing in a dynamic way to match the scene (my perfect example of that balance being the wedding cue from At World's End).
Probably because it'd be a good time for me to stop H-Z.com after 11 years ?