FILM CREDITS
Music by Harry Gregson-Williams
Music Executive: Sunny Park
Music Editor: Richard Whitfield
Assistant Music Editor: Meri Gavin
Additional Music: Halli Cauthery
Additional Arrangements: Chris Willis
Score Recorded by Peter Cobbin
Score Assistant Engineer: Paul Pritchard
ProTools Recordist: Lewis Jones
Score Editor: Kirsty Whalley
Score Recorded at Abbey Road Studios, London
Score Mixed by Malcolm Luker
Mix Assistant: Jamie Luker
Supervising Orchestrator: Ladd McIntosh
Additional Orchestrations by Jennifer Hammond, Geoff Stradling & Kevin Kiesch
Orchestration Coordinator: Esther McIntosh
Score Conducted by Harry Gregson-Williams
Orchestra Leader: Perry Montague-Mason
Choir: Apollo Voices
Choir Master: Chris Foster
Pied Piper Flute Solos: Jeremy Steig
Additional Flute Solos: Gina Shay & Kaoru Watanabe
Score Technical Engineer: Costa Kotselas
London Orchestral Contractor: Isobel Griffiths Ltd.
Assistant Orchestral Contractor: Jo Buckley
Music Mixed at Wavecrest Studios, Venice, CA
Music Manager: Charlene Ann Huang
Music Coordinator: Roger Tang
Additional Music Supervision: Chris Douridas
Music Consultants: John Bissell & Dan Arriaga
Music Clearances: Julie Butchko
Music Business Affairs: Dan Butler, Liz McNicoll & Jennifer Schiller
ALBUM ASSEMBLY
Once (More) Upon A Time : 1m01 v27 Once Upon A Time
Rumpelstiltskin : 1m03 v75 Rumpelstiltskin + 2m15 v72 Shrek's Wish
Same Day, Every Day : 1m04 v127 Days Go By (Edited)
Shrek Signs The Deal : 2m17 v49 Shrek Signs (Edited) + 2m19 v26 Not Part Of The Deal + 2m20 v58 Captured
Rumpel's Kingdom : 2m23 v60 Rumpel's New Kingdom + 2m25 v28 Shrek Was Never Born + 3m43 v48 Witches
The Exit Cause : 2m31 v32 My Angry Wig + 2m34 v23 Exit Clause + 3m36 v47 Fiona Is Gone
Ogre Resistance : 3m41 v52 She's Back (Edited) + 3m38-39 v33 Waffles
"Din Din!" : 3m57 ALT v9 Din Din
Rumpel's Announcement : 4m69A v38 Rumpel's Announcement + 3m44 v38 Rumpel Meeting + 3m46 v26 Plan Of Attack
Planning The Attack : 4m58 v34 Fiona Train + 4m61 v98 Rumpel's On The Move
Fiona Doesn't Love Me : 4m63 ALT v24 Kissed By Me + 4m66 v100 Big Eyes
Deal Of A Lifetime : 4m75-76 v68 Deal Of A Lifetime
The Main Event : 5m77 v28 The Main Event (Edited) + 5m79 v33 Ball Full Of Ogres
Rumpel's Defeat : 5m82 v66 Rumpel's Defeat
His Day Is Up : 5m85 v133 All Over Again
Never Been Better : 5m86 v78 Never Been Better
Harry Gregson-Williams
1m03 v75 Rumpelstiltskin (1:57)
Harry Gregson-Williams
1m04 v127 Days Go By (4:03)
Harry Gregson-Williams
1m09 v55 Calliope Music (2:15)
Harry Gregson-Williams, Christopher Willis
1m13 v58 Shrek & Fiona Fight (1:38)
Harry Gregson-Williams
1m13A v40 Shrek Meets Rumpel (0:54)
Harry Gregson-Williams
2m14 v3 Rumpel’s Carriage (0:18)
Harry Gregson-Williams
2m15 v72 Shrek’s Wish (1:49)
Harry Gregson-Williams
2m17 v49 Shrek Signs (1:07)
Harry Gregson-Williams
2m19 v26 Not Part Of The Deal (1:50)
Harry Gregson-Williams
2m20 v58 Captured (1:18)
Harry Gregson-Williams
2m22 v1 Shrek In Cage (0:25)
Harry Gregson-Williams
2m23 v60 Rumpel’s New Kingdom (1:41)
Harry Gregson-Williams, Halli Cauthery
2m24 v41 Rumpel’s Party Place (1:29)
Harry Gregson-Williams
2m25 v28 Shrek Was Never Born (2:22)
Harry Gregson-Williams
2m31 v32 My Angry Wig (0:23)
Harry Gregson-Williams
2m33 v29 Shrek Cries (1:47)
Harry Gregson-Williams
2m34 v23 Exit Clause (1:02)
Harry Gregson-Williams
3m36 v47 Fiona Is Gone (1:41)
Harry Gregson-Williams
3m38-39 v33 Waffles (2:38)
Harry Gregson-Williams
3m41 v52 She’s Back (0:47)
Harry Gregson-Williams
3m43 v48 Witches (0:51)
Harry Gregson-Williams
3m44 v38 Rumpel Meeting (2:02)
Harry Gregson-Williams
3m46 v26 Plan Of Attack (1:12)
Harry Gregson-Williams
3m47 v11 Alternate Universe (0:33)
Harry Gregson-Williams
3m48 v13 Puss (0:24)
Harry Gregson-Williams
3m49 v1 Feed Me (0:11)
Harry Gregson-Williams
3m50 v2 Gift Basket (0:12)
Harry Gregson-Williams
3m51 v4 Fiona Throws Shrek Out (0:14)
Harry Gregson-Williams
3m52 v8 Pay The Piper (0:44)
Harry Gregson-Williams
3m56 v2 Flute On Ogre (0:12)
Harry Gregson-Williams
3m57 ALT v9 Din Din (0:36)
Harry Gregson-Williams, Christopher Willis
4m58 v34 Fiona Train (0:30)
Harry Gregson-Williams
4m59 Darling I Do (1:30)
Landon Pigg, Lucy Schwartz, Harry Gregson-Williams
4m60 v31 You Are The One (1:20)
Harry Gregson-Williams
4m61 v98 Rumpel’s On The Move (2:00)
Harry Gregson-Williams
4m63 ALT v24 Kissed By Me (0:48)
Harry Gregson-Williams
4m66 v100 Big Eyes (2:50)
Harry Gregson-Williams
4m69A v38 Rumpel’s Announcement (1:17)
Harry Gregson-Williams, Halli Cauthery
4m74 v2 Gingy (0:23)
Harry Gregson-Williams
4m74 v4 OLD DEMO Gingy (Alternate) (0:27)
Harry Gregson-Williams
4m75-76 v68 Deal Of A Lifetime (3:05)
Harry Gregson-Williams
5m77 v28 The Main Event (1:06)
Harry Gregson-Williams, Halli Cauthery
5m79 v33 Ball Full Of Ogres (0:59)
Harry Gregson-Williams
5m82 v66 Rumpel’s Defeat (2:23)
Harry Gregson-Williams
5m85 v133 All Over Again (2:46)
Harry Gregson-Williams
5m86 v78 Never Been Better (1:31)
Harry Gregson-Williams
Music by Harry Gregson-Williams
Executive in Charge of Music for DreamWorks Animation: Sunny Park
Executive Soundtrack Producer: Robert Townson
Music Editor: Richard Whitfield
Assistant Music Editor: Meri Gavin
Additional Music: Halli Cauthery
Additional Arrangements: Chris Willis
Score Recorded by Peter Cobbin
Score Assistant Engineer: Paul Pritchard
Pro Tools Recordist: Lewis Jones
Score Editor: Kirsty Whalley
Score Recorded at Abbey Roads Studios, London
Score Mixed by Malcolm Luker
Mix Assistant: Jamie Luker
Supervising Orchestrator: Ladd McIntosh
Additional Orchestrations: Jennifer Hammond, Geoff Stradling & Kevin Kliesch
Orchestration Coordinator: Esther McIntosh
Score Conducted by Harry Gregson-Williams
Orchestra Leader: Perry Montague-Mason
Choir: Apollo Voices
Choir Master: Chris Foster
Violin Solos: Halli Cauthery
Score Technical Engineer: Costa Kotselas
London Orchestral Contractor: Isobel Griffiths Ltd.
Assistant Orchestral Contractor: Jo Buckley
Music Mixed at Wavecrest Studios, Venice, CA
Music Manager: Charlene Ann Huang
Music Coordinator: Roger Tang
Music Clearances: Julie Butchko
Music Business Affairs: Dan Butler, Liz McNicoll & Jennifer Schiller
Score Album Mastered by Dave Donnelly, DNA Mastering
Harry Gregson-Williams wishes to thank:
Everyone who contributed to this and/or any of the previous Shrek scores
JK for letting me loose on this formidable series of films nearly a decade ago
The Shrek Forever After filmakers Mike, Gina, Aron, Teresa, Nick & Sunny, Roger & Charlene from DreamWorks Animation Music
Everyone at Wavecrest for their unparalleled expertise & support & Pete & Kirsty & the entire team at Abbey Road Studios
Sam Schwartz, Andrew Adamson, John Powell & Hans Zimmer who introduced me to JK in the first place
Robert Townson for making this & the other Shrek albums a reality
And my wife Erin & Jessie, Josh & Jude Gregson-Williams
Harry Gregson-Williams
02 – Rumpelstiltskin (3:30)
Harry Gregson-Williams
03 – Same Day, Every Day (3:32)
Harry Gregson-Williams
04 – Shrek Signs The Deal (3:36)
Harry Gregson-Williams
05 – Rumpel’s Kingdom (4:21)
Harry Gregson-Williams, Halli Cauthery
06 – The Exit Clause (2:36)
Harry Gregson-Williams
07 – Ogre Resistance (1:50)
Harry Gregson-Williams
08 – “Din Din!” (0:28)
Harry Gregson-Williams, Christopher Willis
09 – Rumpel’s Announcement (3:17)
Harry Gregson-Williams, Halli Cauthery
10 – Planning The Attack (2:10)
Harry Gregson-Williams
11 – Fiona Doesn’t Love Me (3:17)
Harry Gregson-Williams
12 – Deal Of A Lifetime (3:04)
Harry Gregson-Williams
13 – The Main Event (1:49)
Harry Gregson-Williams, Halli Cauthery
14 – Rumpel’s Defeat (2:22)
Harry Gregson-Williams
15 – His Day Is Up (2:43)
Harry Gregson-Williams
16 – Never Been Better (1:31)
Harry Gregson-Williams
Does anyone know the reasons for why John Powell stopped being credited for the Shrek theme in this film?
Does anyone know the reasons for why John Powell stopped being credited for the Shrek theme in this film?
Cool story bro.
Cool story bro.
Could this have been recorded with the same musicians that performed the music of Prince of Persia (albeit a much smaller ensemble this time)? There are many similarities in terms of the overall sound and mix of the recordings.
Listened to it and it’s a good score. Better and more creative then Prince Of Persia
Could this have been recorded with the same musicians that performed the music of Prince of Persia (albeit a much smaller ensemble this time)? There are many similarities in terms of the overall sound and mix of the recordings.
Listened to it and it’s a good score. Better and more creative then Prince Of Persia
It would have been cool if He and John Powell teamed up again for the final chapter.
That would depend how well this does on the box office, if this makes money, then why stop