FILM CREDITS
Music by Steve Jablonsky
Music Editor: Ron Webb
Score Music Editor: David Metzner
Additional Score Music Editor: Darrell Hall
Music Supervisors: Peter Afterman & Margaret Yen
Associate Music Supervisor: Alison Litton
Music Coordinator: Oriana Pedone
Original Score Produced by Steve Jablonsky, David Metzner & Ron Webb
Mixing Engineer: Jeff Biggers
Recording Engineer: Andrew Dudman
Conductor: Alastair King
Orchestra Leader: Everton Nelson
Solo Cello: Tim Gill
Guitars: Tom Strahle, Steve Jablonsky & Bryce Jacobs
Drums: Steve Jablonsky
Technical Score Engineer: Lori Castro
Additional Music & Arrangements: Luke Richards, Christian Wibe & Bryce Jacobs
Orchestrators: Larry Rench & Jeremy Borum
Booth Reader: Cliff Masterson
Librarian: Jill Streater Music
Copyist: Black Ribbon Pro
Orchestra Contractor: Amy Stewart for Isobel Griffiths Ltd.
Assistant Engineers: Matt Jones & George Oulton
Recorded at Abbey Road Studios
Mixed at Arata Music Studios
ALBUM ASSEMBLY
Hostage, Pt. 1 : 1m01 Opening + 1m04 The Pearl
Will & Sarah : Happy Family
Welcome To Heaven : 2m09 The Sphere
Botha : Fire - Botha (Edited)
The Crane : 3m26A Crane Pt 1 + 3m26B Crane Pt 2 + 3m26 Crane Pt 3
Chopper Ambush : 4m31A Botha Battle Pt 1 + 4m31B Botha Battle Pt 2
Duct Tape : 4m33 Duct Tape
Bridge Collapse : 4m35 The Bridge
Proper Motivation : 5m38 The Fire Rages + 5m39-40 Open The Doors (Edited) + 5m40B Open The Doors Pt 2 (Edited)
Out On A Ledge : 5m44 Out On A Ledge + 5m45 Out On A Limb
Georgia & Henry : Family 3 Heroic Variation
Reflections : 5m48-50 Zhao & Will Take On Botha
Hostage, Pt. 2 : 6m52A Painful Memory Pt 1 + 6m52B Painful Memory Pt 2 + 6m52C Painful Memory Pt 3
Reboot : 6m53 Sarah Works The Tablet
Lucky Man : 6m54 The Pearl Reboots
Skyscraper : Action 2
The Pearl : The Pearl 2 + The Pearl Myst
1m04 The Pearl (1:49)
1m05 Happy Family (2:28)
1m06 The Penthouse (1:09)
2m07A Zhao Pt 1 (1:30)
2m07B Zhao Pt 2 (1:50)
Steve Jablonsky, Christian Wibe
2m09 The Sphere (2:40)
2m10 Something In The Wall (1:02)
Steve Jablonsky, Christian Wibe
2m11 Ferry Talk (1:42)
2m12 Bag Grab (1:24)
Steve Jablonsky, Christian Wibe
2m12A Tablet (0:38)
Steve Jablonsky, Christian Wibe
2m12B Ben Makes Call (0:38)
Steve Jablonsky, Christian Wibe
2m13 Family Meets Botha (1:28)
3m14 Ben Shows True Colors (0:42)
3m15 Ben Shot (1:31)
3m16 Starting The Fire (1:14)
3m17 Shelter In Place (0:19)
3m18 They Are Coming (3:13)
3m19 Are We Going To Die? (1:27)
3m20 Off Site (1:06)
3m21A Send Two Men (1:09)
3m21 Breach (2:04)
3m22 Billion Dollar Chimney (0:28)
Steve Jablonsky, Christian Wibe
3m23 All Eyes On Screens (1:45)
3m24 Not That Smart (0:38)
3m25 Prep The Bird (1:17)
3m25B Foot Of The Crane (0:51)
3m26A Crane Pt 1 (6:16)
3m26B Crane Pt 2 (0:36)
3m26C Crane Pt 3 (0:26)
Steve Jablonsky, Christian Wibe
4m29 Dangling Hero (0:55)
4m30 Look At The Water (0:53)
4m31A Botha Battle Pt 1 (2:38)
4m31B Botha Battle Pt 2 (1:30)
4m33 Duct Tape (2:39)
4m34 Peril In The Park (2:11)
4m35 The Bridge (3:11)
4m36 Elevator Hack & Freefall (2:05)
4m37 Georgia & Will Caught (1:57)
5m38 The Fire Rages (1:00)
Steve Jablonsky, Christian Wibe
5m39-40 Open The Doors Pt 1 (2:38)
5m40B Open The Doors Pt 2 (1:18)
5m41 Police Listen To Sarah (1:19)
Steve Jablonsky, Christian Wibe
5m42 Plan In Motion (1:36)
5m43 Take Me There (1:18)
5m44 Out On A Ledge (3:23)
Steve Jablonsky, Christian Wibe
5m45 Out On A Limb (1:17)
5m45 ALT Out On A Limb (Alternate) (0:32)
5m47 Got Any Duct Tape? (2:20)
5m48-50 Zhao & Will Take On Botha (5:26)
Steve Jablonsky, Christian Wibe
5m48 ALT Zhao & Will Take On Botha (Alternate) (0:56)
6m51 ALT Sarah Fights Xia (Alternate) (0:48)
Steve Jablonsky, Christian Wibe
6m52B Painful Memory Pt 2 (0:34)
6m52C Painful Memory Pt 3 (0:26)
Steve Jablonsky, Christian Wibe
6m53 Sarah Works The Tablet (2:19)
6m54 The Pearl Reboots (5:08)
Suite – Action 2 (5:00)
Suite – Family 3 (5:02)
Suite – Fire – Botha (3:40)
Suite – The Pearl 2 (2:23)
Suite – Happy Family (3:56)
Suite – The Pearl Myst (3:41)
Suite – Family 3 Heroic Varation (2:52)
Music by Steve Jablonsky
Original Score Produced by Steve Jablonsky
Mixing Engineer: Jeff Biggers
Recording Engineer: Andrew Dudman
Conductor: Alastair King
Orchestra Leader: Everton Nelson
Solo Cello: Tim Gill
Guitars: Tom Strahle, Steve Jablonsky & Bryce Jacobs
Drums: Jon Jablonsky
Technical Score Engineer: Lori Castro
Additional Music & Arrangements: Luke Richards, Christian Wibe & Bryce Jacobs
Orchestrators: Larry Rench & Jeremy Borum
Booth Reader: Cliff Masterson
Librarian: Jill Streater Music
Copyist: Black Ribbon Pro
Orchestra Contractor: Amy Stewart for Isobel Griffiths Ltd.
Assistant Engineers: Matt Jones & George Oulton
Recorded at Abbey Road Studios
Mixed at Arata Music Studios
Executive Album Producers for Milan Records: Stefan Karrer & JC Chamboredon
Production Manager: Pablo Manyer
Album Mastered by Patricia Sullivan
Music Supervisors: Peter Afterman & Margaret Yen
Associate Music Supervisor: Alison Litton
Music Coordinator: Oriana Pedone
Executive in Charge of Music for Universal Pictures: Mike Knobloch
Music Supervised for Universal Pictures: Natalie Hayden
The composer would like to thank: Rawson Marshall Thurber, Michael Sale, Julian Clarke, Beau Flynn, Wendy Jacobson, Dwayne Johnson, Mary Parent, Peter Afterman, Margaret Yen, Ron Webb, David Metzner, Darrell Hall, Petra Holtorf-Stratton, Jon Taylor, Frank Montaño, Per Hallberg, Madeline Jablonsky, Lennon Jablonsky, Katia Jablonsky, Lucy Jablonsky, Jon Jablonsky, Harry Gregson-Williams, Hans Zimmer, Bob Badami, Pat Sandston, Sam Schwartz, Michael Gorfaine, Cheryl Tiano, Maria Machado, Jingyi Guo, & everyone at Legendary Entertainment, Milan Records & Arata Music
02 – Will & Sarah (3:56)
03 – Welcome To Heaven (2:40)
04 – Botha (3:22)
05 – The Crane (7:06)
06 – Chopper Ambush (3:54)
07 – Duct Tape (2:38)
08 – Bridge Collapse (3:10)
09 – Proper Motivation (3:44)
10 – Out On A Ledge (4:27)
11 – Georgia & Henry (2:52)
12 – Reflections (5:25)
13 – Hostage, Pt. 2 (1:56)
14 – Reboot (2:19)
15 – Lucky Man (5:07)
16 – Skyscraper (5:00)
17 – The Pearl (5:38)
18 – Walls – Jamie N Commons (3:55)
Tracklist for Bloodshot
Tracklist:
1 Mombasa Mission
2 Martin Axe
3 Wake Up
4 Second Chance
5 Training Montage
6 KT
7 The Tunnel
8 Harting
9 RST
10 Barris Mission
11 Wigans
12 Gina
13 London Chase
14 KT's Plan
15 Shafted
16 Die Already
17 Bloodshot
18 Ray Garrison
19 Initiate Sequence
And it's coming this Friday :D
It could be cool to hear Jablonsky's score in superhero movie.
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I clearly remember reading in some of the "dark corners of the web" (after TF3 came out) that Steve was actually offered a Marvel movie but he declined. Of course, I don't know if there's any truth to it…..
It could be cool to hear Jablonsky's score in superhero movie.
Yes, Bloodshot coming out in the next month, but I don't expected much from it. Yet, I would be happy to be proved wrong on this.
Aside from those, yeah…..
By the way, the director of Red Notice is the director of Skyscraper. Yet another filmmaker who uses Steve more than once :) Good for Steve.
As someone who really enjoyed Skyscraper (movie and score), I'm very much looking forward to Red Notice.
This complete album sound like Lit!! I like to hear about this album in one day soon.
Guys… he-he's not getting it…
his suites for tf5 are melodic is just that in the movie they were chopped to Hell. The la la land cd has them. It’s great
What are the best parts of the Transformers scores that everyone loves? Optimus, Arrival to Earth, Autobots, The AllSpark, Matrix of Leadership, Infinite White, Sentinel Prime, Our Final Hope, Dinobot Charge, Decision, Seglass Ni Tonday, Sacrifice, and Merlin's Staff. All of which feature strong melodic content and the orchestra being the main feature/draw.
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In the All Access interview Steve acknowledged that he often has to do non-melodic stuff, especially on Peter Berg films. He didn't seem bothered by it, he clearly is a guy who is not forcing his views on the directors. Now, that doesn't mean he's a pushover, just that he understands the most important thing – he is there to serve the vision of the director.
So again, if people don't like a certain score they shouldn't just blame the composer. Things are much more complicated….
And I don’t necessarily agree with the argument that the music fits the film. Look at Transformers as an example. True, it could have worked with a largely electronic score and maybe 2-3 themes. But then we would not have gotten the amazing score we did, which blended orchestral/electronic with a number of amazing themes and ideas.
Cut to the movie Rampage from earlier this year. Imagine a massive TF styled score with power anthems, heroic themes, and badass action. What did we get? The reheated portions left over from the past few years. All for a movie that was ridiculous to begin with.
What if we get these in-depth interviews because he knows it’s a bland sounding score so he almost has to defend the reason as “this is what fit the story, and what the director wanted,” etc. Last year with Dunkirk, we got some good interviews about the process of building that score because maybe Hans had to explain what he made it sound so mad to defend himself against the people upset with how annoying that score was to listen to. But then take the kung fu panda movies, or pirates, we don’t get these in depth interviews other than the bonus features on the DVD, maybe because they don’t need explained or “defended” because they work well on their own as pieces of music. Idk, just a thought.