FILM CREDITS
Music by Tom Holkenborg
Supervising Music Editor: Michael Bauer
Music Editor: Jason Schmid
Score Composed, Produced, Programmed, Mixed & Mastered by Tom Holkenborg
Additional Music by Antonio Di Iorio
Additional Synth Programming & Technical Score Engineer: Jacopo Trifone
Additional Synth Programming by Steven Silvers, Shwan Askari & Jarrod Royles-Atkins
Technical Score Engineer: Sara Barone
Music Production Services by Michiel Groeneveld
Score Mixed at Computer Hell Cabin
Score Conducted by Conrad Pope
Score Conducted, Orchestrated & Copied by Edward Trybek
Score Orchestrated by Jonathan Beard & Tom Holkenborg
Score Orchestrated & Copied by Henri Wilkenson
Score Contracted by Peter Rotter
Score Recorded by Alan Meyerson & Chris Fogel
Digital Recording by Kevin Globerman
Score Recorded at Newman Scoring Stage
Newman Stage Engineers: Mark Gebauer & Erin Michael Rettig
Newman Stage Recordist & ADR Recordist: Tim Lauber
Newman Stage Managers: Damon Tedesco, Hoss Yekband & Peter Nelson
"The Terminator Theme" & "Desert Suite" from "Terminator 2 - Judgment Day"
Written by Brad Ira Fiedel
"I'll Be Back" from "Terminator 2 - Judgment Day"
Written & Performed by Brad Ira Fiedel
Score Composed, Produced, Programmed, Mixed & Mastered by Tom Holkenborg
Additional Music: Antonio Di Iorio
Orchestration & Copy: Jonathan Beard, Edward Trybek, Henri Wilkenson & Tom Holkenborg
Additional Synth Programming: Jacopo Trifone, Steve Silvers, Shwan Askari & Jarrod Royles-Atkins
Technical Score Engineers: Sara Barone & Jacopo Trifone
Music Production Services: Michiel Groeneveld
Music Recorded at Newman Scoring Stage, Twentieth Century Fox
Music Contractor: Peter Rotter
Concertmaster: Bruce Dukov
Music Conducted by Conrad Pope & Edward Trybek
Music Recorded by Alan Meyerson & Chris Fogel
Music Mixed at Computer Hell Cabin
Art Direction by Dan Goldwasser at Warm Butter Design
Production Assistance: Frank K. DeWald & Neil S. Bulk
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Executive Album Producers for La-La Land Records: MV Gerhard & Matt Verboys
Special Thanks:
Saskia Holkenborg, Julian & Darren Holkenborg, David Altschul, Ann Cobb, Allison Dotson, Hisham Dahud & Alastair Duncan
Paramount Pictures Thanks:
Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicoll, Alex Mosley, Michael Murphy, Vanessa Palmer, Areli Quirarte, Maddy Van Remortel, Eric Ybanez & Clare Yezerski
02 – My Name Is Dani (3:39)
03 – Rev 9 (3:10)
04 – Iron Spike (2:52)
05 – Enter Sarah (0:59)
06 – Grace (4:24)
07 – Drones Coming (1:46)
08 – The Wall (4:12)
09 – Terminator (2:57)
10 – Coyote (2:18)
11 – The Picture On The Fridge (0:42)
12 – C5 (4:10)
13 – Humv (1:59)
14 – You Saved Me (5:41)
15 – Screaming Turbines (4:13)
16 – For John (7:59)
17 – Epilogue (1:10)
18 – Dark Fate (4:19)
So, where was ‘Desert Suite’ from Terminator 2 used? Is it actually part of the theme?
Ok, i don't remember put this one, but there is goes..
Sonic the Hedgehog by Tom Holkenborg is going to be released by Paramount Music
Because Hans Zimmer doesn't want to continue other composer's work?
Zimmer likes to do his own thing. If he scores Avatar, he will have to basically expand Horner's work.
"his style and ideas are different from Hans"…but similar to junkie xl? lol) really? this is funny :)
Haven’t listened to Magnificent 7 yet so I can’t really speak to Simon Franglen’s abilities, but he has worked with James Horner for quite a while, and I did enjoy his arrangements for Pandora so this is definitely not a bad choice (as long it’s not a rehash score).
Admittedly I’m disappointed that Tom isn’t attached to these films. Mortal Engines and Alita showed huge improvements in his writing and ability to interweave themes intelligently throughout the underscores. I feel like Avatar would have been a great opportunity to have him expand his styles and grow as a composer. As long as he keeps collaborating with solid directors like Cameron and Peter Jackson I’ll be happy.
Great news! Simon Franglen is scoring Avatar 2 & 3. I've been waiting two years for this news, and after I heard Pandora: The World of Avatar – it became clear, that Franglen is the only person who is able to recreate the style of James Horner. I'm glad. Avatar music in safe hands!
Thanks to Cameron for this appointment, and it's a good thing Tom won't do it.
P.s I like Tom, but Avatar obviously is not his league
just saw No Time to Die trailer and the music sounds so much like it´s Junkie, or somebody just stole his drum sample libraries
My mistake, for some reason I thought Pope had done some orchestration as well. I do remember Tom mentioning in Studio Time that Pope had some input in terms of improving the orchestrations or at least giving some feedback, which I do think shows immensely in Alita and Mortal Engines.
For some reason I thought Tom was going to use a more electronic sound for the film, I was genuinely surprised that the score is as orchestral/acoustic as it is.
But yeah, I’m definitely not a fan of Deadpool or Tomb Raider. I think his collabs with Conrad Pope have produced his best material thus far, especially when he has a great orchestrator who can flesh out his material.
I hate Deadpool (weird me, because i like a lot Tomb Raider and Rise of an Empire) and consider OK Mad Max and Divergent.
But when comes to Mortal Engines (an i wasn't expecting Dark Fate sound like that) and Alita are really good.