Maverick Dugger
Technical Score Engineer
John Witt Chapman
Assistant Music Mixer
Victor Chaga
Score Producer
Kevin Globerman
Digital Score Recordist
Stephen Coleman
Orchestrator
Henry Jackman
Composer
Nick Glennie-Smith
Conductor
Julian Pastorelli
Technical Music Assistant
Daniel Futcher
Technical Score Engineer
FILM CREDITS
Music by Henry Jackman
Music Editors: Tom Kramer & Richard Ford
Additional Music by Alex Nelson Belcher & Andrew Kawczynski
Score Mixer: Chris Fogel
Orchestrations: Stephen Coleman & Andrew Kinney
Conducted by Nick Glennie-Smith
Music Production Services: Matthew K. Justmann
Synth Programming: Kevin Globerman, Victor Olegovich Chaga & Maverick Dugger
Music Contractor: Peter Rotter
Music Preparation: Booker White
ALBUM ASSEMBLY
Prologue : 1m01 v2.1 Main Title (Edited)
Tsunami : 2m09 v2 Nasty Waves (Edited)
Aftermath : 2m09A v2.7 Mom Dies (Edited) + 2m10-11 v5.5 Family Sets Out - Camp
Wright Patterson : 4m18 v3.4 Arriving At Patterson
The Others : 3m14 v1.3 Let's Get You People Outta Here + 3m16 v3.3 Adults Killed (Edited)
One Degree Of Separation : 3m15 v1.7 Cassie Runs After Bus + 3m17 v5.7 Dead Dad - Cassie Runs - Breaks Down (Edited)
Reznik : 4m20 v1.5 Ben Meets Reznik
Cassie : 4m21-24 v4.2 Cassie On The Move - Store (Edited)
In The Sights : 4m25 v1.3 Cassie Shot (Edited)
A Call To Arms : 4m26 v1.7 Vosch Speech
Evan : 5m33A v4 I Could Save You + 6m42 v3.5 Photos - Finding Car
Dayton : 7m45 v4 Attack On Dayton (Edited)
5th Wave : 7m47 We Are The 5th Wave
Under Fire : 7m46 v1.5 Bus Explosion (Edited)
Flashback : 8m49 v3.1 Flashback (Edited)
Extinction : 8m51 v1.1 Vosch & Ben
Finding Sam : 8m52 v1.5 Cassie & Ben - Evan Fights Guards (Edited) + 9m54 v2 Loading Planes (Edited) + 9m53 v3.5 Statutory Kiss
Gateway : 9m55 v1.2 Escaping Base - Sink Hole (Edited)
Epilogue : 9m56 v1.2 Cassie & Ben
Humanity : Humanity Suite v1.3
Vosch : Vosch Suite (Edited)
Ringer : 6m37 v2.5 Ringer & Ben Spar (Edited)
Henry Jackman
1m05 v2.2 Cassie Looks In On Sammy (0:53)
Henry Jackman, Alex Belcher
1m07 v1.9 Playing Field – TV News (1:36)
Henry Jackman, Andrew Kawczynski
1m08 v2 Power Grid Down (1:15)
Henry Jackman, Andrew Kawczynski
2m09 v2 Nasty Waves (4:25)
Henry Jackman, Victor Chaga
2m09A v2.7 Mom Dies (1:48)
Henry Jackman, Alex Belcher
2m10-11 v5.5 Family Sets Out – Camp (1:58)
Henry Jackman, Alex Belcher
2m12 v3.6 Dad Gives Cassie Gun (1:07)
Henry Jackman, Alex Belcher
3m13 v2.3 Army Arrive At Camp (1:15)
Henry Jackman
3m14 v1.3 Let’s Get You People Outta Here (0:48)
Henry Jackman
3m15 v1.7 Cassie Runs After Bus (0:55)
Henry Jackman, Andrew Kawczynski
3m16 v3.3 Adults Killed (2:14)
Henry Jackman, Andrew Kawczynski
3m16B v1.1 Aftermath (0:26)
Henry Jackman
3m17 v5.7 Dead Dad – Cassie Runs – Breaks Down (2:06)
Henry Jackman, Alex Belcher
4m18 v3.4 Arriving At Patterson (1:17)
Henry Jackman
4m19 v1.6 Ben’s Number Is Called (0:43)
Henry Jackman, Andrew Kawczynski
4m20 v1.5 Ben Meets Reznik (2:37)
Henry Jackman
4m21-24 v4.2 Cassie On The Move – Store (3:22)
Henry Jackman, Alex Belcher
4m25 v1.3 Cassie Shot (2:23)
Henry Jackman, Victor Chaga
4m26 v1.7 Vosch Speech (2:14)
Henry Jackman
5m31-32 v3 Evan Checks (2:21)
Henry Jackman, Alex Belcher
5m32A v3.5 Evan Treats Wound (1:30)
Henry Jackman, Alex Belcher
5m33A v4 I Could Save You (0:47)
Henry Jackman, Alex Belcher
5m33B v6.6 Cassie Looks Around – Flees (2:40)
Henry Jackman, Alex Belcher
5m34 v1.2 You Think That Sammy’s Already Dead (0:59)
Henry Jackman
6m36 v3.1 Cassie & Evan Set Off (0:33)
Henry Jackman, Alex Belcher
Henry Jackman, Victor Chaga
6m38 v1.2 Vosch Summons Ben (1:33)
Henry Jackman
Henry Jackman, Alex Belcher
6m40A v2.5 Beautiful World (0:37)
Henry Jackman, Alex Belcher
6m41 v5.5 Evan Bathes (0:51)
Henry Jackman, Alex Belcher
6m42 v3.5 Photos – Finding Car (2:08)
Henry Jackman, Alex Belcher
7m44 v2.6 Evan & Cassie Kiss (0:37)
Henry Jackman, Alex Belcher
7m45 v4 Attack On Dayton (3:21)
Henry Jackman, Victor Chaga
7m46 v1.5 Bus Explosion (1:43)
Henry Jackman, Andrew Kawczynski, Victor Chaga
7m47 We Are The 5th Wave (1:31)
Henry Jackman
8m48 v1.5 Evan’s Fight (2:25)
Henry Jackman, Andrew Kawczynski, Victor Chaga
8m49 v3.1 Flashback (4:22)
Henry Jackman
8m50 v1.6 Cassie To Base – Meets Reznik (2:38)
Henry Jackman, Andrew Kawczynski
8m51 v1.1 Vosch & Ben (1:43)
Henry Jackman
8m52 v1.5 Cassie & Ben – Evan Fights Guards (2:42)
Henry Jackman, Andrew Kawczynski
9m53 v3.5 Statutory Kiss (1:08)
Henry Jackman, Alex Belcher
9m54 v2 Loading Planes (2:30)
Henry Jackman, Alex Belcher
9m55 v1.2 Escaping Base – Sink Hole (2:48)
Henry Jackman
9m56 v1.2 Cassie & Ben (2:48)
Henry Jackman
Suite – Vosch Suite (6:20)
Henry Jackman
Suite – Humanity Suite v1.3 (3:58)
Henry Jackman
Suite – Plus Unum Idea (2:51)
Henry Jackman, Andrew Kawczynski
Original Score Composed by Henry Jackman
Original Score Produced by Henry Jackman & Victor Olegovich Chaga
Executive in Charge of Music for Sony Pictures: Lia Vollack
Additional Music by Alex Belcher & Andrew Kawczynski
Score Recorded & Mixed by Chris Fogel
Music Contractor: Peter Rotter
Music Editors: Tom Kramer & Richard Ford
Score Technical Engineers: Victor Olegovich Chaga & Maverick Dugger
Music Production Services: Matthew K. Justmann
Score Conducted by Nick Glennie-Smith
Digital Score Recordist: Kevin Globerman
Orchestrations by Stephen Coleman & Andrew Kinney
Music Preparation by Booker White
Score Mix Assistant: John Chapman
Score Recorded at The Eastwood Scoring Stage
Concermaster: Bruce Dukov
Score Mixed at ELBO Studios
Stage Manager: Jamie Olvera
Studio Recording Engineer: Tom Hardisty
Warner Bros. Studio Stage Crew: Ryan Robinson
Henry would like to thank:
J Blakeson, Lia Vollack, Raul Perez, Paul Rubell, Steven Kofsky, Amos Newman, Laura Engel, Jesica Yap, Victoria de la Vega, Ralph, Becca, Ellie, Esme Rose & Mum
Henry Jackman
02 – Tsunami (2:35)
Henry Jackman, Victor Chaga
03 – Aftermath (2:40)
Henry Jackman, Alex Belcher
04 – Wright Patterson (1:15)
Henry Jackman
05 – The Others (1:55)
Henry Jackman, Andrew Kawczynski
06 – One Degree Of Separation (1:46)
Henry Jackman, Andrew Kawczynski, Alex Belcher
07 – Reznik (2:32)
Henry Jackman
08 – Cassie (2:03)
Henry Jackman, Alex Belcher
09 – In The Sights (2:10)
Henry Jackman, Victor Chaga
10 – A Call To Arms (2:12)
Henry Jackman
11 – Evan (2:54)
Henry Jackman, Alex Belcher
12 – Dayton (2:33)
Henry Jackman, Victor Chaga
13 – 5th Wave (1:30)
Henry Jackman
14 – Under Fire (1:28)
Henry Jackman, Andrew Kawczynski, Victor Chaga
15 – Flashback (2:51)
Henry Jackman
16 – Extinction (1:41)
Henry Jackman
17 – Finding Sam (3:04)
Henry Jackman, Andrew Kawczynski, Alex Belcher
18 – Getaway (2:13)
Henry Jackman
19 – Epilogue (3:07)
Henry Jackman
20 – Humanity (3:57)
Henry Jackman
21 – Vosch (6:09)
Henry Jackman
22 – Ringer (0:44)
Henry Jackman, Victor Chaga
Seriously, are these comments randomly generated? What's the point of this?
Also, this score was pretty dreadful.
This MusIc From The 5th Wave Is Better With Orchestral +Electronic Music +Guitar=A Good,Better And Interesting Soundtrack By Henry Jackman
With Andrew Kawczynski & Alex Belcher They Are Good Additional Music
Well, none of them did anything particularly worthwhile… :p
But thanks. :)
Little "who did what"…
Yeah, kind of reminds me of how boring and monotonous Interstellar sounded.
The movie is OK. It's well under two hours so it's never boring and paced fairly well. But it definitely doesn't feel like a complete story. Even though it's based on the one book, it has the feeling of one of those "part 1" movies (or a Hobbit movie) where there's absolutely no effort to make the individual films feel like they can stand on their own. That's what I always appreciated about the Harry Potter books and films (except the last two) – they felt like individual stories that still added up to a greater whole. That's become a lost art in franchises (just look at the Marvel movies where each one feels like a full length trailer for the next one).
Other than that it's entertaining enough if you like that sort of thing. To put it next to the other YA apocalyptic stuff, I liked it a bit more than Divergent and Maze Runner, a bit less than Hunger Games.
Was the movie boring? Did it have good pacing to it? Did it feel long? Was there an open end to it, or did it feel like a standalone movie?
I suppose nothing else was expected for this concept. But his recent project choices seem somewhat strange. I expected to see him for Goosebumps and Zootopia but instead he took this one here and some video game project which will likely call for nothing different than what he did here. Are these easy pays, fun, or the man simply doesn't like flicks that call for thematic orchestral scores?
Just got back from a press screening of this film. Score is very bland, sadly – no themes to speak of, a lot of generic string ostinato + synth percussion action stuff that sounds like leftovers from every Jackman action score from X-Men: First Class onwards. The "Tsunami" cue had an appropriately swirling, chaotic energy to it though, that one should be not bad.
Can't wait to buy & listen to it:)