Hans Zimmer
Composer
Lorne Balfe
Composer
Steve Mazzaro
Additional Music
David Fleming
Additional Music
Jasha Klebe
Additional Music
Max Aruj
Additional Music
Gary Dworetsky
Additional Music
Andrew James Christie
Additional Music
Satnam Ramgotra
Additional Music
Mel Wesson
Music Designer
Lisa Gerrard
Vocals
Steven Kofsky
Score Producer
Satoshi Noguchi
Music Recording Engineer
Nathan Stornetta
Score Technical Assistant
Mark Wherry
Digital Instrument Design
Kelly Johnson
Music Production Coordinator
Czarina Russell
Studio Manager
SERIES CREDITS
Music Composed by Hans Zimmer & Lorne Balfe
Soloist: Lisa Gerrard
Music Production Services: Steven Kofsky
Music Editors: Jessica Weiss & Rodney Berling
Additional Arrangements: Jasha Klebe, Steve Mazzaro, Dave Fleming, Satnam Ramgotra, Gary Dworetsky, Andrew Christie & Max Aruj
Technical Assistant: Nathan Stornetta
Score Preparation: Andrew Christie
Recording Engineer: Satoshi Noguchi
Digital Instrument Design: Mark Wherry
Music Recorded & Mixed at Remote Control Productions
Studio Manager: Czarina Russell
Music Sound Design: Mel Wesson
Music Composed by Hans Zimmer & Lorne Balfe
Soloist: Lisa Gerrard
Score Produced by Lorne Balfe, Hans Zimmer & Steven Kofsky
Music Production Services: Steven Kofsky
Music Production Coordinator: Kelly Johnson
Music Editors: Jessica Weiss & Rodney Berling
Additional Arrangements: Jasha Klebe, Steve Mazzaro, Dave Fleming, Satnam Ramgotra, Gary Dworetsky, Andrew Christie & Max Aruj
Technical Assistant: Nathan Stornetta
Score Preparation: Andrew Christie
Recording Engineer: Satoshi Noguchi
Digital Instrument Design: Mark Wherry
Music Recorded & Mixed at Remote Control Productions
Studio Manager: Czarina Russell
Mark Burnett & Roma Downey would like to thank:
Hans Zimmer, Lorne Balfe, Lisa Gerrard, Steven Kofsky, Max Aruj, John Kilcullen, Jess Weiss, Kelly Johnson, Richard Bedser, Rob Hall, Alex Marengo, Annie MacNee, Michael Waterhouse, Crispin Reece, Tony Mitchell, Christopher Spencer, Mishy Turner & Randy Sollenbeger, The entire Bible Team, Remote Controle Productions, Downtown Records, Reilly, James & Cameron
Hans Zimmer would like to thank:
Mark Burnett & Roma Downey, Lisa Gerrard, Lorne Balfe, Bonnie Abaunza, Tiffany Bordenave, Chuck Choi Ariel Emanuel, Max Golfar, Andrew Kawczynski, Steven Kofsky, Christina Mansky, Amos Newman, Satoshi Noguchi, Czarina Russell, Shalini Singh, Chris Strong, Brian Wherry, Mark Wherry, Suzanne Zimmer & The Mini Z's & Zoe Zimmer
Lorne Balfe would like to thank:
Hans Zimmer, Mark Burnett & Roma Downey, Lisa Gerrard, Steven Kofsky, Rob Hall, Richard Bedser, Rodney Berling, Alex Marengo, Michelle "Mishy" Turner, Bradley Rainey Darrell Alexander & Christopher Gutch at Cool Music Ltd, Max Aruj, Andrew Christie, Gary Dworetsky, Kelly Johnson, Nathan Stornetta, Jess Weiss, Fraser Murray, Emily Bremner, Donald Sinclair, Nina Poulsson, & David & Eva Balfe
02 – In The Beginning (3:47)
03 – Roma’s Lament (5:31)
04 – Hope (2:22)
05 – Journey (3:18)
06 – Zedekiah’s Sons (1:56)
07 – Daniel Prays (2:12)
08 – The Road To Jerusalem (2:06)
09 – Pentecost (2:16)
10 – King David (1:42)
11 – I Am (3:45)
12 – Pray For Us (1:51)
13 – Free Us, Save Us (2:28)
14 – The Nativity (4:34)
15 – Creation Choral (2:14)
16 – Rise Up In Faith (2:45)
Well the Bible theme is playing on the website so perhaps…
I would Imagine That He Did at least 55%
For me it depends on the style of the score – they would bug me in more "lyrical" scores (like Da Vinci Code, PotC 3), but they are great when it comes to the sheer force. :)
While TDKR can truly be called a Hans score, however, I do understand the question with regards to Inception (which I mentioned on that page), where Lorne not only arranged the score as heard in the film but wrote a couple themes himself (Fischer's theme, Kick It Suite, and possibly even Saito's theme). In that case I would say he should be given credit as a co-composer.
That would be awesome. It shouldn't be hard, as Lorne himself is lately so generous with his own material. SWEENEY and RESTLESS both offer legal complete scores, so why not THE BIBLE? It seems it is up to Hans Zimmer's views regarding his contributions…
Also, it feels like this score was done with sampled orchestra and live players, so the re-use should be minimal.
Our souls need a complete recording sessions. Terrific mini-series and divine score!!! The official album is also fantastic. I love this masterpiece *__*
cheers
I'm loving this score and some of the great variations of the themes throughout the series. What's the possibility more score will be released?
The use of "Faith" on screen is fantastic (Crucifixion scene)… :)
I think the soundtrack is nice enough, like a mix of prince of egypt and gladiator (mainly due to Lisa Gerrard of course). I didn't expect anything ground-breaking new of a mini-series about the Bible, tbh.
This will keep me above water til Man of steel drops ;)
In reading all that is here, I must admit the criticisms of Hans and Lorne are quite strong, and I'm not certain as to why. It seems like if the output is not some bombastic output, or if his (Hans') work is not singular, it's a disappointment. What gives? I personally think this is a wonderful, inspired and spirited work. Seems like the quotient for Hans has been set unreasonably high. This score is the eventual outcome of a terrific collabation between Hans, Lorne, and Lisa, written to underscore a profound religious film. It fits the series perfectly, so far. For those that "expected more", what does that mean? There are themes, variety, collaboration, structure, and a musical spirit that connects to the religious aspects — who said it must be overtly precise…..rather, quite profound in just about every place so far, simple in others, and overall, the just right match to the scripture it was meant to support.
Hans (and Lorne, by extension in this example) has an evolving style. Everyone was slobbering over TDKR. This is just as excellent — shame the score on CD is only a small representation of the larger work. Certain if that was available, the critics would be at bay.