The Bourne Ultimatum – Project Details

2007
THE BOURNE ULTIMATUM, 2007, Directed by Paul Greengrass

FILM CREDITS

Music by John Powell

Music Supervisor: Kathy Nelson
Supervising Music Editor: Tom Carlson
Music Editors: Peter Myles, Curt Sobel & Ramiro Belgardt
Additional Music & Programming: John Ashton Thomas & James McKee Smith
Orchestra Conducted by Gavin Greenaway
Orchestration: David Butterworth, Jake Parker & Gary K. Thomas
Orchestral Leader: Perry Montague-Mason
Bassoon: Richard Skinner
Percussion: Luis Jardim, Paul Clarvis & Frank Ricotti
Orchestral Contractor: Isobel Griffiths
Asst. Orchestral Contractor: Charlotte Matthews
Music Preparation: Rob Sneddon, David Hage, Nick Mera & David Foster
Score Recorded by Nick Wollage
Synths Recorded by Daniel Lerner
Recordists: Chris Barrett & Sam Jones
Recorded at Air Studios, Lyndhurst Hall, London
Score Mixed by Shawn Murphy
Score Mixed at Todd-AO West
Mix Recordist: Craig Mann
Score Consultants: David Channing, Erik Swanson & Kogi Egawa
Score Production Coordinator: Germaine Franco

ALBUM ASSEMBLY

Six Weeks Ago : 1m01 Moscow, Six Weeks Ago
Tangiers :
5m16 Tangier Bike Chase + 5m17 Rooftop Pursuit
Thinking Of Marie :
Marie's Theme
Assets And Targets :
4m10-12 Unsafe House (Edited)
Faces Without Names :
6m20A Faces Without Names
Waterloo :
2m03-06 PT1 Waterloo Pt 1 (Edited) + 2m03-06 PT2 Waterloo Pt 2
Coming Home :
7m26 Coming Home
Man Versus Man :
1m02 Turin Meeting + 7m27 Remembering (Edited) + 4m13 Vosen's Papers
Jason Is Reborn :
7m28 Corners Of My Mind + 7m29 Bourne Adrift

1m01 Moscow, Six Weeks Ago (4:31)
John Powell
1m02 Turin Meeting (2:12)
John Powell
2m03-06 PT1 Waterloo Pt 1 (9:36)
John Powell
2m03-06 PT2 Waterloo Pt 2 (5:29)
John Powell
3m07 Internet Bar (3:03)
John Powell
3m08 Daniels Clears Out (1:47)
John Powell
4m10-12 Unsafe House (12:25)
John Powell
4m13 Vosen’s Papers (1:29)
John Powell, John Ashton Thomas
5m14-15 Assets & Targets (7:59)
John Powell
5m16 Tangier Bike Chase (3:30)
John Powell
5m17 Rooftop Pursuit (4:13)
John Powell
5m18 Apartment Cat & Mouse (2:30)
John Powell, John Ashton Thomas
6m20A Faces Without Names (3:31)
John Powell
6m20B Morgue (3:00)
John Powell
6m21-22 Contact – Going Mobile (6:20)
John Powell
6m23 Breaking & Entering (3:05)
John Powell, James McKee Smith
6m24 NY Car Chase (2:31)
John Powell
7m26 Coming Home (3:20)
John Powell
7m27 Remembering (3:49)
John Powell
7m28 Corners Of My Mind (4:27)
John Powell
7m29 Bourne Adrift (3:09)
John Powell
Suite – Marie’s Theme (3:51) 
John Powell 
The Bourne Ultimatum

The Bourne Ultimatum

2007 55'00 (Score: 50'38)
Release date : 07/31/2007
BOOKLET CREDITS

Music Composed, Produced, Arranged, & Programmed by John Powell

Music Editor: Tom Carlson
Assistant Music Editor: Pete Miles
Additional Music & Programming by John Ashton Thomas & James McKee Smith
Orchestra Conducted by Gavin Greenaway
Orchestrations by David Butterworth, Jake Parker & Gary K. Thomas
Orchestra Leader: Perry Montague-Mason
Orchestral Contractor: Isobel Griffiths
Assistant Orchestral Contractor: Charlotte Matthews
Music Preparation: Rob Sneddon, David Hage, Nick Mera & David Foster for Dakota Music
Session Librarian: David Hage
Recorded by Nick Wollage
Additional Recording by Daniel Lerner
Assistant Score Engineer: Chris Barrett & Sam Jones
Recorded at Air Studios, Lyndhurst Hall, London
Film & Music Manager: Alison Burton at Air Studios
Scoring Editor: David Channing
Digital Score Recordist: Erik Swanson
Score Production Coordinator: Germaine Franco
Scoring Technical Consultant: Kogi Egawa
Mix Recordist: Craig Mann

Score Album Edited & Compiled by Daniel Lerner
Mastered by Pat Sullivan at Bernie Grundman Mastering
Bass Supplied by Fender Musical Instruments Co.
Guitar Technician: Brett Allen
Percussion Hire: Mike Perry, Bell Percussion
Executives in Charge of Music for Universal Pictures: Kathy Nelson & Harry Garfield
Music Business Affairs for Universal Pictures: Phil Cohen
Music Business Affairs for Decca Label Group: Sheryl Gold
Chairman, Decca Label Group: Chris Roberts
A&R Direction for Decca Label Group: Brian Drutman
Album Direction for Universal Pictures: David Buntz
Soundtrack Coordination for Decca Label Group: Meredith Friedman & Paul Altomari

John Powell would like to thank
Paul Greengrass, Frank Marshall, Christopher Rouse, Doug Liman, Kathy Nelson, Harry Garfield, Taffany Jones, David Buntz, Isobel Griffiths, Alison Burton, Gavin Greenaway, John Ashton Thomas, James McKee Smith, Laura Engel, Richard Kraft, Tom Carlson, Curt Sobel, Brett Allen, Alex Perez at Fender Musical Instruments, Betty Bennett & Sophie Kipner at Apogee, Gerhard Lengeling & Bob Hunt at Logic Pro, Mitch Thomas at Soundtoys, Brian Druman at Decca Records & of course, I must thank Matt Damon for his impeccable performances in all three films that inspired the music

This music is dedicated to Oliver & Melinda

Special Thanks 
Eddie Egan, Adam Fogelson, Linda Friedman, Paul Greengrass, Eric Harle, Jimmy Horowitz, Tiffany Jones, Trevon Kezios, Anita LaBonte, Donna Langley, Fiorenza Lewis, David Linde, Kittie Lo, Frank Marshall, Laurie McCluggage, Keith Palmer, Eric Polin, Wayne Rooks, Christopher Rouse, Chris Saranec, Joe Serling, Angie Sharma, Marc Shmuger, Pam Springs, Barry Taylor & Robin Ward

01 – Six Weeks Ago (4:31)
02 – Tangiers (7:40)
03 – Thinking Of Marie (3:51)
04 – Assets And Targets (7:18)
05 – Faces Without Names (3:31)
06 – Waterloo (10:38)
07 – Coming Home (3:19)
08 – Man Versus Man (5:46)
09 – Jason Is Reborn (4:04)
10 – Extreme Ways (Bourne’s Ultimatum) – Moby (4:22) 

20 Comments

  1. An0n November 19, 2022 at 10:33 pm - Reply

    6m20A Faces Without Names is slightly different on Album

    so album version could there an alternate cue

    • An0n November 19, 2022 at 10:39 pm - Reply

      Difference is hard to hear, but if you overlap that one from bootleg on one from album in Adobe Audition (or another music editor programm), you will see difference

  2. An0n November 19, 2022 at 10:33 pm - Reply

    6m20A Faces Without Names is slightly different on Album

    so album version could there an alternate cue

    • An0n November 19, 2022 at 10:39 pm - Reply

      Difference is hard to hear, but if you overlap that one from bootleg on one from album in Adobe Audition (or another music editor programm), you will see difference

  3. sticks June 4, 2022 at 3:27 pm - Reply

    Six Weeks Ago – Moscow, Six Weeks Ago
    Tangiers – Tangier Bike Chase & Rooftop Pursuit
    Thinking Of Marie – Marie’s Theme
    Assets And Targets – Unsafe House (edited)
    Faces Without Names – Faces Without Names
    Waterloo – Waterloo (Part 1) (edited) + Waterloo (Part 2) (edited)
    Coming Home – Coming Home
    Man Verses Man – Turin Meeting + Remembering (edited) + Vosen’s Papers
    Jason Is Reborn – ??? + Bonus Cue

  4. sticks June 4, 2022 at 3:27 pm - Reply

    Six Weeks Ago – Moscow, Six Weeks Ago
    Tangiers – Tangier Bike Chase & Rooftop Pursuit
    Thinking Of Marie – Marie’s Theme
    Assets And Targets – Unsafe House (edited)
    Faces Without Names – Faces Without Names
    Waterloo – Waterloo (Part 1) (edited) + Waterloo (Part 2) (edited)
    Coming Home – Coming Home
    Man Verses Man – Turin Meeting + Remembering (edited) + Vosen’s Papers
    Jason Is Reborn – ??? + Bonus Cue

  5. Anon June 4, 2022 at 2:51 pm - Reply

    Tangier Bike Chase – Rooftop Pursuit
    those are separated on album

  6. Anon June 4, 2022 at 2:51 pm - Reply

    Tangier Bike Chase – Rooftop Pursuit
    those are separated on album

  7. Anonymous January 19, 2011 at 12:00 am - Reply

    A Stressed Dude : "Hotel brecker" , it’s on a bootleg

  8. Anonymous January 19, 2011 at 12:00 am - Reply

    A Stressed Dude : "Hotel brecker" , it’s on a bootleg

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