Hans Zimmer
Composer
Steve Mazzaro
Co-Composer
Oscar Senen
Orchestrator
Gavin Greenaway
Conductor
Tina Guo
Musician
Aleksandra Suklar
Musician
Pedro Eustache
Musician
Kevin Schroeder
Musician
Stephanie Olmanni
Vocals
Ryan Rubin
Music Editor
Alan Meyerson
Music Scoring Mixer
Jacob Johnston
Assistant Music Mixer
Chuck Choi
Technical Score Engineer
Alejandro Moros
Score Technical Assistant
Mark Wherry
Digital Instrument Design
Jill Streater
Music Preparation
Cynthia Park
Assistant to Hans ZIMMER
Steven Kofsky
Music Production Services
Jessica Gibson
Studio Manager
Music Editors: Ryan Rubin, Graeme Stewart & Nevin Seus
Temp Music Editor: Georgiana Ramsland
Featured Vocalist: Stephanie Olmanni
Pitched Percussion: Aleksandra Suklar
Woodwinds: Pedro Eustache
Cello: Tina Guo
Synths: Matt Bowdler & Kevin Schroeder
Music Clearance & Legal Services: Christine Bergren & Julie Butchko
Music Production Services: Steven Kofsky
Score Recordist: Geoff Foster
Score Editor: Chris Barrett
Score Mixer: Alan Meyerson
Score Mix Assistant: Jacob Johnston
Additional Music: Steve Mazzaro
Orchestration and Music Preparation by Oscar Senén
Orchestra Contractor: Isobel Griffiths
Orchestra Conductor: Gavin Greenaway
Choir Conductor: Ben Parry
Librarian: Jill Streater
Synth Programming: Hans Zimmer
Technical Score Engineer: Chuck Choi
Score Technical Assistant: Alejandro Moros
Digital Instrument Design: Mark Wherry
Studio Manager for Remote Control Productions: Jessica Gibson
Assistant to Hans Zimmer: Cynthia Park
Score Recorded at Air Studios
Score Mixed at Remote Control Productions, Santa Monica
ALBUM ASSEMBLY
They’re Not People : 1m3 v4 C0316 Beach House
A Place In The Sky : 3m20 v4.03 C0315 Travel Montage
Where It All Began : 4m30A v1.04 C0316 Where It All Began (Edited)
Surrounded : 4m30B v1.04 C0316 Nowhere To Run (Edited)
She’s Not Real : 6m38 v1.04 C0316 Mountain Evac (Edited)
Standby : 6m42-43 v5 C0316 Transporting Alfie - Transport Escape
Missile Launch : 7m44 v3.04 C0317 Do It For Mother (Edited)
Prayer : 7m47 v2.03 C0317 Missiles Diverted + 7m45 v2.04 C0317 We Have To Go
The Wounded : 5m33 v2.02 C0315 Floating Village
Lab Raid : 2m9 v6.03 C0315 Lab Raid (Edited)
Heaven : 6m35-36 v6.04 C0316 Part Of Us Now - Please Help Her (Edited)
True Love : 7m48 v3.03 C0317 Ending
1m1B v2 C0316 General Deepfake (1:12)
Hans Zimmer, Steve Mazzaro
1m3 v4 C0316 Beach House (2:23)
Hans Zimmer, Steve Mazzaro
1m6 v6 C0316 New Arm Flashback (0:49)
Hans Zimmer, Steve Mazzaro
1m7 v2.06 C0316 Pool Hologram (1:21)
Hans Zimmer, Steve Mazzaro
2m9 v6.03 C0315 Lab Raid (5:57)
Hans Zimmer, Steve Mazzaro
2m12 v6.02 C0315 Alfie Outside Lab – Evacuate (2:27)
Hans Zimmer, Steve Mazzaro
3m13 v1.02 C0315 Hut Standoff (0:59)
Hans Zimmer, Steve Mazzaro
3m20 v4.03 C0315 Travel Montage (2:27)
Hans Zimmer, Steve Mazzaro
4m21 v4.03 C0316 Get Maya Out (1:47)
Hans Zimmer, Steve Mazzaro
4m23 v3.02 C0316 Drew’s Shop (0:56)
Hans Zimmer, Steve Mazzaro
4m24 v3.03 C0316 Alfie To Drew’s Apartment (3:35)
Hans Zimmer, Steve Mazzaro
4m25 v2.04 C0316 Explosive Ice Cream (1:55)
Hans Zimmer, Steve Mazzaro
4m27 v1.03 C0316 Apartment Fight (1:21)
Hans Zimmer, Steve Mazzaro
4m29 v3.03 C0316 Flee Drew’s Apartment (1:26)
Hans Zimmer, Steve Mazzaro
4m30A v1.04 C0316 Where It All Began (4:28)
Hans Zimmer, Steve Mazzaro
4m30B v1.04 C0316 Nowhere To Run (3:04)
Hans Zimmer, Steve Mazzaro
5m33 v2.02 C0315 Floating Village (3:07)
Hans Zimmer, Steve Mazzaro
6m35-36 v6.04 C0316 Part Of Us Now – Please Help Her (7:18)
Hans Zimmer, Steve Mazzaro
6m38 v1.04 C0316 Mountain Evac (2:22)
Hans Zimmer, Steve Mazzaro
6m42-43 v5 C0316 Transporting Alfie – Transport Escape (6:12)
Hans Zimmer, Steve Mazzaro
7m44 v3.04 C0317 Do It For Mother (3:39)
Hans Zimmer, Steve Mazzaro
7m45 v2.04 C0317 We Have To Go (1:47)
Hans Zimmer, Steve Mazzaro
7m46 v1.04 C0317 Impending Impact (1:30)
Hans Zimmer, Steve Mazzaro
7m47 v2.03 C0317 Missiles Diverted (1:14)
Hans Zimmer, Steve Mazzaro
7m48 v3.03 C0317 Ending (3:30)
Hans Zimmer, Steve Mazzaro
Hans Zimmer, Steve Mazzaro
02 – A Place In The Sky (2:25)
Hans Zimmer, Steve Mazzaro
03 – Where It All Began (4:11)
Hans Zimmer, Steve Mazzaro
04 – Surrounded (2:34)
Hans Zimmer, Steve Mazzaro
05 – She’s Not Real (2:13)
Hans Zimmer, Steve Mazzaro
06 – Standby (6:12)
Hans Zimmer, Steve Mazzaro
07 – Missile Launch (3:01)
Hans Zimmer, Steve Mazzaro
08 – Prayer (2:47)
Hans Zimmer, Steve Mazzaro
09 – The Wounded (3:08)
Hans Zimmer, Steve Mazzaro
10 – Lab Raid (4:31)
Hans Zimmer, Steve Mazzaro
11 – Heaven (6:57)
Hans Zimmer, Steve Mazzaro
12 – True Love (3:30)
Hans Zimmer, Steve Mazzaro
Gareth Edwards is the new director of the new Jurassic World film. I wonder if he will keep Giacchino, use Zimmer, or someone else.
I somehow doubt that Zimmer would want to do Jurassic Park, as it’s one of Williams’ classics but it could be very interesting for sure, depending what direction the movie goes in. I enjoyed Gia’s work on the World movies so that would be a good choice as well.
I have a similar feeling. If this was directly after The Lost World, I doubt Zimmer will even consider. But since it is a brand new restart, and Gia already provided some distance from Williams, he may see it as an opportunity to do things his way. Who knows.
Bad idea bringing in Michael Giacchino. He’s already done his Jurassic movies, which were really good, but I think this film will take things in a new direction and so they need a new guy. I’ll be so thrilled if they announce Hans Zimmer, but I was also thinking they could bring in Ludwig because of what he did for the Mandalorian, which is significant because the precedent was John William’s style.
If have to choose, Desplat would me my first choice.
Also, don’t mind if is Zimmer or Giacchino, they make his best with Edwards (Rogue One is great and The Creator is magnificent)
I think Hans would sleep through this project tbh
I hope he chooses someone more creative. One of the weird things about The Creator was its use of music. Until the last 20 minutes or so, it was all very off-beat and almost counterproductive. It sounded like Edwards had wanted to do something different with the score but then it ended up in a weird semi-experimental start and very traditional closing. The Edwards motto is to do something different with limited resources so not sure a Giacchino standard would work here (and he does not exactly have the best of experiences with Gia after Rogue One). I also seriously doubt the use value or interest in a Hans Jurassic score, unless Universal gives them some crazy arse green light to experiment fully – don’t see what Hans would see in this. I suspect Edwards is by now limited in his options to go rogue so a big studio gig will be what it is. Probably with a Gia score. But please, don’t Balfe it up……even the idea of the banality of Balfe trying to do Williams’ themes hurts my inner core.
Experimental?
You clearly don’t know what’s the mean of that.
Edwards – thank you for that. Made my day, honestly.
Balfe’s not entirely bad, he’s just not a good fit for a big franchise like this. But yeah, considering the studio has high control over the movie, I wouldnt be surprised if they go for giacchino or a generic composer. Which would suck.