Rupert Gregson-Williams
Composer
Lorne Balfe
Composer
Evan Jolly
Additional Music
Jon Monroe
Additional Music
Max Aruj
Additional Music
Steffen Thum
Additional Music
Hans Zimmer
Score Producer
Shane Rutherfoord-Jones
Orchestrator
Forest Christenson
Music Scoring Mixer
Seth Waldmann
Music Scoring Mixer
Queenie Li
Music Production Coordinator
Steven Kofsky
Music Production Services
Shalini Singh
Studio Manager
SERIES CREDITS
Main Theme by Hans Zimmer
Music by Rupert Gregson-Williams & Lorne Balfe
Produced by Hans Zimmer
Music Supervisor: Sue Crawshaw
Music Editor: Rod Berling
Music Production Services: Steven Kofsky
Additional Music by Evan Jolly (Episodes 1, 2 & 3) & Jon Monroe (Episodes 8 & 9)
Additional Arrangements by Max Aruj (Episodes 4, 7 & 10) & Steffen Thum (Episodes 5 & 6)
Orchestrator: Shane Rutherfoord-Jones
Score Mixed by Forest Christenson (Episodes 1, 2, 3, 4, 7, 8, 9 & 10) & Seth Waldmann (Episodes 4, 5, 6, 7 & 10)
Studio Manager: Shalini Singh
Music Coordinator: Queenie Li
Recording Engineer: Plamen Penchev
Assistant Engineer: Alexander Kostov (Episodes 1, 2, 3, 4, 7 & 10), Simeon Edward (Episodes 4, 5, 6, 7, 8, 9 & 10) & Angelina Vihrova (Episodes 4, 5, 6, 7, 8, 9 & 10)
Music by Rupert Gregson-Williams & Lorne Balfe
Main Theme by Hans Zimmer
Produced by Hans Zimmer
Album Produced by Rupert Gregson-Williams & Lorne Balfe
Additional Music by Evan Jolly & Jon Monroe
Additional Arrangements by Max Aruj & Steffen Thum
Music Conducted by George Strezov & Lyubomir Denev Jr.
Orchestrator: Shane Rutherfoord-Jones
Performed by Sofia Session Orchestra
Concertmasters: Jordan Dimitrov, Desislava Cholakova & Irina Stoyanova
Music Editor: Rod Berling
Music Production Services: Steven Kofsky
Recording Engineer: Plamen Penchev
Assistant Recording Engineers: Simeon Edward, Alexander Kostov & Angelina Vihrova
Studio Manager: Shalini Singh
Music Coordinator: Queenie Li
Score Mixed by Forest Christenson & Seth Waldmann at Remote Control Productions, Santa Monica, CA
Session Producers: Georgi Elenkov PhD, Yuliyan Stoyanov & George Strezov
Contracting Services: Boris Radilov, Yuliyan Stoyanov & Delyan Kolev at Four For Music Ltd.
Session Librarians: Simeon Edward & Alexander Kostov
Copyists/Assistants: Delyan Kolev & Miroslav Georgiev
Recording Coordinator: Yuliyan Stoyanov
Album Mastered by Pat Sullivan at Bernie Grundman Mastering
Recorded 22 May - 31 August, 2017 at Sofia Session Studio, Sofia, Bulgaria
Sony Classical Licensing: Mark Cavell
Sony Classical Product Development: Jennifer Liebeskind
Special thanks to Jill Abood, Darrell Alexander, Max Aruj, David Balfe, Eva Balfe, Nina Balfe, Rufus Balfe, Rod Berling, Tony Clarke, Ollie Fitzgeralrd, Christopher Gutch, Rich Jacobellis, Steven Kofsky, Jake Kozarec, Queenie Li, Shane Rutherfood-Jones, Shalini Singh, Steffen Thum, Jo Tizard, Emma Gregson-Williams, Saskia Gregson-Williams & Hans Zimmer
02 – Dismissed (3:41)
03 – The Downfall (6:20)
04 – Homesick (3:42)
05 – Your Majesty (4:15)
06 – Headlines (4:26)
07 – Radio Speech (3:52)
08 – Future King (2:23)
09 – Christmas Message (3:59)
10 – New Guinea Match (1:58)
11 – We Shall Go To War (2:19)
12 – Be My Portrait (2:39)
13 – Philip’s Dream (3:01)
14 – Princess Margaret (3:03)
15 – Critical Article (1:25)
16 – I Have No Choice (3:29)
17 – A New Chapter (1:57)
18 – Bring Him Home (3:09)
Does anyone know what the process was like between Gregson-Williams and Lorne? I mean, in the first season it was Rupert, but Lorne was in the shadows and in the second season Lorne shared credit. Rupert was replaced by Lorne at the last minute? I think there is an interesting story here.
Episodes 1, 2, 3, 8 & 9 scored by RGW.
Episodes 4, 5, 6, 7 & 10 by LB !
Nice, thanks for the Information
Thank you very much for the information, do you know anything about how the process was in the first season? LB was also involved.
Season 1 looked more like the usual Lorne rescue mission !
How does that division of episodes translate to the tracklist? I don’t remember which music was used in which episode…
Never seen any episode of that show, so I couldn’t help there ! lol
@Edmund I’ve made quite a few attempts to map out the episodes, and the reality is there is a lot of reuse of particular themes and motifs, often mildly reorchestrated, and the OST is fairly out of order
I’d be curious know if particular themes were done by one composer or another. Prince Philip’s theme on oboe is exceptional and extremely not stylistically RCP, and The Downfall is classic RCP power anthem + Goldsmith-esque calling and answering
In totality this might be my favorite RCP score barring A&D, and honestly it’s more listenable than even that
Btw lol at the French cover being used here
I certainly hope Rupert and Lorne come back for the final two seasons. I missed their style and I definitely want more versions of the “Duck Shoot” theme.
How come? Are they going to be busy?