The Darkest Minds
- The Darkest Minds (7:04)
- Ruby’s Theme (2:18)
- Lady Jane (2:30)
- Escape (3:35)
- Cate (1:26)
- Runaway (1:06)
- Picnic (1:21)
- Zu’s Dream (1:46)
- E.D.O. (1:34)
- Home (4:39)
- The Slip Kid (1:44)
- Mind Control (3:37)
- Memories (3:48)
- Red (5:44)
- Liam (3:37)
- The Children’s League (1:36)

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What did Paesano and his team do here?
Paesano and his co-writer Roger Suen are credited on at least 3 cues:
1m02 Young Ruby
1m03C Color Test / Main Title
3m31 A Favor
No, Knight. Usually i watch movies till the credits and find all information in end titles.
MOVIE CREDITS:
Music By
BENJAMIN WALLFISCH
Music Supervisor
DEVA ANDERSON
Music Editor
AMANDA GOODPASTER
Orchestrated By
DAVID J. KRYSTAL
PETER BATEMAN
CHRIS RYAN
Orchestra Conducted By
TIM WILLIAMS
BENJAMIN WALLFISCH
Music Preparation By
BOOKER WHITE
Orchestra Contracted By
PETER ROTTER
Score Recorded & Mixed By
JOEL IWATAKI
Additional Programming By
ALEX LU
OWEN GURRY
Guitars
OWEN GURRY
Solo Vocals
HOLLY SEDILLOS
Vocal Contractor
JASPER RANDALL
Score Technical Assistants
MAX SANDLER
MICHAEL DEAN PARSONS
NATE UNDERKUFFLER
Digital Score Recordists
VINCENT CIRILLI
LARRY MAH
ALICE WOOD
Score Recorded At
THE NEWMAN STAGE, 20th CENTURY FOX POST PRODUCTION SERVICES
Newman Stage Engineer
DENIS ST. AMAND
Newman Recordist
TIM LAUBER
Newman Stage Managers
PETER NELSON
DAMON TEDESCO
Score Mixed At
REMOTE CONTROL PRODUCTIONS
Score Mix Assistant
ALFREDO PASQUEL
Music Coordinator
RACHEL LAUTZENHEISER
As for my taste, Mephariel, I have more enjoyement with Tomb Raider than Mad Max, IMO.
Actually, I like Ender's Game, even if the main theme is something like Game of Thrones (altough, I think has more in common with the main theme from A Nightmare on Elm Street).
As for The Darkest Minds, if is not of the best works by Wallfisch, i like it, a lot, his more emotional tracks are the best (the action tracks are the expected, but more engaging than the actual kind of stuff of this YA movies), and i have to say, i don't consider Divergent Junkie's best, is kinda enyojable, as for my taste (i prefer The Dark Tower or the recent Tomb Raider, even Black Mass more)
Lol that really was a crime, JXL’s score for that was probably one of his best.
And wasn’t this directed by the same lady who did KFP2 and 3? Which could explain the temp issues, going by what happened on KFP2…
2 cues from Junkie XL’s Divergent Score are used towards the end of this film. Does stuff like that bother anyone else? It was supposed to be an emotional scene but all I could do was think about how the music was being reused.
Lady Jane track
https: / /m.soundcloud.com/milanrecords/benjamin-wallfisch-lady-jane- from-the-darkest-minds-ost
So you can't wait to hear the score but you already say it's a great score ?
#inception