Steffen Thum
Score Technical Assistant
Thomas Farnon
Score Producer
Shalini Singh
Studio Manager
Stephen Lipson
Music Scoring Mixer
Max Aruj
Score Producer
Steven Kofsky
Music Production Services
Mark Wherry
Digital Instrument Design
Lorne Balfe
Composer
Oscar Senen
Orchestrator
Queenie Li
Music Production Coordinator
Joan Martorell
Additional Orchestrator
Johannes Vogel
Conductor
FILM CREDITS
Music by Lorne Balfe
Music Editor: Will Kaplan
Score Produced by Lorne Balfe, Thomas Farnon & Max Aruj
Orchestrator: Oscar Senen
Score Mixer: Stephen Lipson
Score Coordinators: Elaine Beckett & Queenie Li
Score Engineers: Evan McHugh & Geoff Foster
ProTools Operator: Craig Beckett
Assistant Engineers: Rose MacKenzie-Peterson & Nicholas Rowse
Score Editor: Tim Ryan
Additional Music Editing: Philip Tallman
Conductor: Christopher Gordon
Guitar: Damian de Boos-Smith
Drums: Chad Smith & Laurence Pike
Choir: Cantillation Choir
Boys' Choir: St Mary's Cathedral Choir
Children's Choir: Gondwana Choirs
Music Preparation: Jessica Wells
Music Clearance: Margeret Yen
"Who's The (Bat)Man"
Written by Neal Hefti, Mansa Wakili, Brayden Deskins, Barry Pointer, Colton Fisher, Jason Rabinowitz & Jaron Lamot
Produced by Kato Khandwala & Lorne Balfe
Performed by Patrick Stump
"Pop Goes The Weasel"
Traditional
"I Found You"
Written by Lorne Balfe & Antony Genn
Produced by Lorne Balfe & Max Aruj
Performed by Fraser Murray
"No Seat Belts Required" & "Battle Royale"
Contain "Batman Theme" written by Neal Hefti
"Who's The (Bat)Man"
Written by Neal Hefti, Mansa Wakili, Brayden Deskins, Barry Pointer, Colton Fisher, Jason Rabinowitz & Jaron Lamot
Produced by Kato Khandwala & Lorne Balfe
Performed by Patrick Stump
"I Found You"
Written by Lorne Balfe & Antony Genn
Produced by Lorne Balfe & Max Aruj
Performed by Fraser Murray
Children's Choir: Willa Rose, Lucy Peake, Viola Peake, Raffe Peake, Camille Coburn & Fred Mackenzie
Original Score by Lorne Balfe
Music Production Services: Steven Kofsky
Score Produced by Lorne Balfe, Max Aruj & Thomas Farnon
Score Technical Assistant: Steffen Thum
Music Production Coordinator: Queenie Li
Booth Reader: Thomas Farnon
Score Coordinator: Elaine Beckett
Scoring Consultant: Celeste Chada
Guitar: Damian de Boos-Smith
Guitar Tech: Scott Kirby
Drums: Chad Smith & Laurence Pike
Guitar: Rob Harris
Choir Conductor: Dan Walker
Choir: Cantillation Choir
Choir Contractor: Alison Johnston
Boy's Choir Conductor: Thomas Wilson
Boy's Choir: St. Mary's Cathedral, Sydney
Children Choir Conductor: Sam Allchurch
Children Choir: Gondwana Choirs
London Children Choir Contractor: Jenny O'Grady
Music Preparation: Jigsaw Music, Jessica Wells, Cliff Bradley, Joel Geist, Ellie Cumming, Julian Langdon & Alex Palmer
Orchestrator: Oscar Senen
Assistant Orchestrator: Joan Martorell & Vladimir Tubic
Orchestra Conductor: Christopher Gordon
Orchestra: The Sydney Scoring Orchestra
Score Contractors: Click Track Music & Alex Henery
Score Engineer: Evan McHugh
Score Recordist: Craig Beckett
Assistant Score Engineers: Rose Mackenzie-Peterson & Nicholas Rowse
Score Editor: Tim Ryan
Score Mix Engineer: Stephen Lipson
Assistant Mix Engineer: Edward Hartwell
Air Studios Recording Engineer: Geoff Foster
Air Studio Assistant Engineer: Laurence Anslow
Song Mix Engineer: Seth Waldmann
Technical Music Assistants: Jenny Dirkes, Tom Farries & Joe Cho
Digital Instrument Design: Mark Wherry
Air Studios Manager: Alison Burton
Air Studios Coordinators: Charlotte Matthews & Lucy Matthews
Technical Director Synchron Stage & Chief Audio Engineer: Bernd Mazagg
Synchron Stage Protools Operator: Martin Weismayr
Vienna Musicians Contractor: Christian Buchmann
Score Printing Service: Vienna Music Angels
Synchron Stage Studio Manager: Sabine Tucmandl
Remote Control Productions Studio Manager: Shalini Singh
Score Recorded at:
The Simon Leadley Scoring Stage & The Studio Trackdown Studios, Sydney, Australia
Air Studios, London, United Kingdom
Synchron Stage, Vienna, Austria
Château Routas, Bras, France
Album Mastered by Stephen Marcussen at Marcussen Mastering
Executive Album Producer: Chris McKay
Executive in Charge of Music For Warner Bros. Pictures: Niki Sherrod
Executive in Charge of WaterTower Music: Jason Linn
Music Business Affairs Executives: Lisa Margolis & Ray Gonzalez
Album Clearances: Margaret Yen & John F.X. Walsh
Soundtrack Coordinator: Linda Christie
Song Musicians Contractor: Peter Rotter
Special Thanks:
Chris deFaria, Courtenay Valenti, Dan Lin, Phil Lord, Chris Miller, Will Allegra, Ryan Halprin, Samantha Nisenboim, Sean Wimmer, Chris Leahy, Gabe Hilfer, John Venzon, Will Kaplan, David Burrows, Justin Tranter, Colton Fisher, Mark Davis, Trisha Gum, David & Eva Balfe, Nina & Rufus Balfe
Thanks to: Dustin Addis, Oren Agman, Darrell Alexander, Maria Alonte, Susan Arnold, Pete Axelrad, Bret Bassi, Hayley Beisler, Maria Belli, Audrey Benoualid, Joseph Billé, Randy Bol, Andrew Brightman, Paul Broucek, Christine Calip, Rocco Carrozza, Candace Carlo, Celeste Chada, Wendy Christiansen, Ollie Fitzgerald, Esther Friedman, Greg Garbowsky, Kerrylyn Genetive, Laura Glass, Jesse Goldsmith, Christopher Gutch, Amy Hartman, Dirk Hebert, Kerry Hickey, Patricia Joseph, Joe Kara, Kevin Kertes, Kolette Kleber, Eliot Knapman, Jeff Koenig, Jake Kozarec, Evan Lamberg, Brian Lambert, David Leiman, Raymond Lewis, Queenie Li, Alison Litton, Anna Livingston, Joe Maggini, Tom Marr-Johnson, Craig Marshall, Gary Miller, Robert Minzner, Genevieve Morris, Amber Naismith, Ralph Paredes, Elizabeth Paw, Jasper Randall, Joel Roman, Peter Rotter, Scot Sherrod, Suzanne Strickland, Lauren Sudar, Christina Swintek, Phillip Tallman, Courtney Teixera, Matt Town, Steve Wall, Shelby Weiser, Steph Whittier, Margaret Yen, Clare Yezerski, Cindy Zaplachinski & Robert Zick
01 – Who’s The (Bat)Man – Patrick Stump (3:03)
03 – (I Just) Died In Your Arms – Cutting Crew (4:35)
04 – Invincible – Kirsten Arian (2:59)
05 – One – Harry Nilsson (2:22)
06 – Heroes (We Could Be) (Hard Rock Sofa & Skidka Remix) – Alesso Feat. Tove Lo (6:35)
07 – Man In The Mirror – Alex Aiono (2:23)
08 – Friends Are Family – Oh, Hush! Feat. Will Arnett & Jeff Lewis (3:49)
09 – I Found You – Fraser Murray & Lorne Balfe (3:34)
11 – Forever – Justin Tranter (3:49)
12 – Man In The Mirror – Richard Cheese & Lounge Against The Machine (1:49)
13 – Everything Is Awesome – Richard Cheese & Lounge Against The Machine (2:02)
01 – Black (7:32)
02 – Your Greatest Enemy (2:42)
03 – The Arrival Of Robin (2:52)
04 – Joker Crashes The Party (1:33)
05 – No Seat Belts Required (2:17)
06 – To Cage The Joker (1:59)
07 – The Phantom Zone (3:37)
08 – Open For Business (1:09)
09 – Chaos In Gotham (3:20)
10 – Lava Attack (7:40)
11 – For Your Own Good (1:45)
12 – Joker Manor (2:29)
13 – Batman’s In The Zone (4:40)
14 – The Babs Signal (2:25)
15 – Battle Royale (4:54)
16 – A Long Farewell (2:49)
Yeah it is! I’m sure it’s a nice reference to it lol
Good for him! It's great that this score is getting such acclaim. It's a very fun and enjoyable one. But go out and ask those same people if they like this more or How to Train Your Dragon and then come back and tell me what they say.
In the end credits !
also 1:29-2:50 from 'Black' was for some reason replaced in the movie with new music
no other track has edits like that I think tho
Obviously you haven't been reading the reviews then !!!! I think it's a great score
and the film is a massive success . The music is is big part of the film and works brilliantly
youre an idiot “you havent been reading the reviews” like they matter. everyone should like what they want
By the way, does the credit "score producer" for Max Aruj and Thomas Farnon means, that they are also write additional music and arrangements for this?
I can't stop listening to it . It is everything an animation soundtrack should sound like and more . Just saw the film today and the whole score stands
Out in the film . I think this is the year for Balfe …….
Just been to see it and it's really good . Best Batman since Batman begins. Lorne's score is sensational . Score of the year
Usually I am not into animation movie music because they are way too cheerful happy adventure style. But this one is amaaaaaaazing. I can hear a lot of stuff from other RCP scores but I don't mind.
This is really well orchestrated and badass. Lorne his best score.
I can only hope they will do a "superman lego movie" and he can do the score too
Do we really have to buy the album with all those awful pop songs included?