The Lone Ranger

Supervising Music Editor: Kenneth Karman
Music Wrangler: Bob Badami
Music Editors: Peter Oso Snell & Katie Greathouse
Music Production Supervisor: Monica Zierhut
Additional Music by Geoff Zanelli, Rupert Gregson-Williams, Steve Mazzaro, Andrew Kawczynski, Jasha Klebe & Lorne Balfe
Featured Musicians: Nico Abondolo, Jason Bonham, Ann Marie Calhoun, Anthony Clarke, Mike Einziger, Pedro Eustache, Aleksey Igudesman, Arturo Sandoval & Tristan Schulze
Supervising Orchestrator: Bruce Fowler
Orchestrations by Walt Fowler, Kevin Kaska, Suzette Moriarty & Carl Rydlund
Music Preparation: Booker White, Walt Disney Music Library
Score Recorded by Joel Iwataki
Score Mixed by Daniel Kresco & Satoshi Noguchi
Digital Workstation Operators: Kevin Globerman & Vincent Cirilli
Orchestra Conducted by Nick Glennie-Smith
Score Recorded at Sony Scoring Stage, The Newman Scoring Stage
Score Recorded & Mixed at Remote Control Studios
Orchestra Contractor: Peter Rotter
Concert Master: Belinda Broughton
Music Production Services: Steve Kofsky
Score Coordination for Remote Control Studios: Czarina Russell
Technical Assistants: Chuck Choi, Brian Wherry & Phill Boucher
Digital Instrument Design: Mark Wherry
Assistant Engineers: Christian Wenger, Tim Lauber & Adam Michalak
On-Camera Supervising Music Mixer: Joseph Magee
On-Camera Music Arranged by Geoff Zanelli
Pre-Record Orchestrations by Marshall Bowen, Dave Giuli & Jennifer Hammond
Vocal Contractor: Jasper Randall

"After The Battle Of Aughrim"
Arranged by Hans Zimmer & Ann Marie Calhoun

"Hanson Place (Shall We Gather At The River)"
Arranged by Marshall Bowen

"Battle Hymn Of The Republic"
Arranged by Geoff Zanelli

"Red's Theater Of The Absurd"
Written & Produced by Jack White
Performed by Pokey LaFarge & the South City Three

"Beautiful Dreamer"
Arranged & Produced by Jack White
Performed by Pokey LaFarge & the South City Three

"The Girl In The Flying Trapeze"
Arranged & Produced by Jack White
Performed by Pokey LaFarge & the South City Three

"Dixie"
Arranged by Kenneth Karman

"Stars And Stripes Forever"
Written by John Philip Sousa
Arranged by Geoff Zanelli

"Marse Henry March"
Arranged by Geoff Zanelli

"The Star Spangled Banner"
Written by Francis Scott Key
Arranged by Geoff Zanelli

"William Tell Overture"
Arranged by Geoff Zanelli

ALBUM ASSEMBLY

Never Take Off The Mask : 1m1 Logos - Exhibit
Absurdity : Absurdity Suite
Silver : Silver Suite
Ride : 1m9 The Rangers + 1m10 Meet John + 2m28B-29 Ride Out - Spirit Horse (Edited) + 3m36 Spirit Horse - John (Edited)
You've Looked Better : 1m12 Cavendish (Edited) + 3m33 Cannibal (Edited) + 3m34 Dead Rangers
The Railroad Waits For No One : 2m23 Runaway Train (Edited)
You're Just A Man In A Mask : 6m68A ALT Cave Walkout + 6m68B Finish Him (Edited) + 6m68C John Captures Cavendish + 6m71 ALT Prayer
For God And For Country : 7m78 Night Mine (Edited) + 7m79 Aftermath - Wear The Mask
Finale : 8m88A Train Chase Part 1 (Edited) + 9m88B Train Chase Part 2
Home : Home Suite

1m1 Logos – Exhibit (1:33)
1m4 Meet Old Tonto (1:14)
1m5-7 This Is A Robbery (1:16)
Geoff Zanelli (Gioacchino Rossini)
1m8 Building Railroad (1:13)
1m9 The Rangers (1:02)
Hans Zimmer, Andrew Kawczynski
1m10 Meet John (1:05)
1m11 Hanson Place (Shall We Gather At The River) (0:18)
Marshall Bowen (Robert Lowry)
1m12 Cavendish (0:35)
1m14-15 Cavendish’s Gang – Gun (2:05)
2m16-22 Gang Boards – Cavendish Escapes (3:59)
2m23 Runaway Train (5:30)
Hans Zimmer, Steve Mazzaro
2m25 Arrest Tonto (0:42)
2m26 John & Becca (1:50)
2m27 Tonto Chant (0:48)
2m28B-29 Dan Goodbye – Ride Out – Spirit Horse (2:53)
2m30 Tracking (1:30)
2m31 No Cover (0:53)
3m32 Ambush (1:29)
3m33 Cannibal (2:37)
Hans Zimmer, Andrew Kawczynski
3m34 Dead Rangers (1:28)
Hans Zimmer, Andrew Kawczynski
3m35 Old Tonto Pre Burial (0:36)
3m35B Burial (1:04)
3m36 Spirit Horse – John (1:08)
3m36B Poop (0:21)
3m36B ALT Poop (Alternate) (0:21)
3m37 John’s Vision (0:31)
3m38 Precarious Perch (0:24)
4m39 Sneaking (0:38)
4m40 Silver Bullet (0:41)
4m41 Justice (1:58)
4m42 Battly Hymn For The Republic (0:39)
Geoff Zanelli, Marshall Bowen (Julia Ward Howe)
4m47 Windingo Getting Away (0:32)
4m48 Silver Vision (0:21)
4m49 Leaving Red’s (1:58)
4m49 INS Leaving Red’s (Insert) (0:23)
4m50 Comanche On Ridge (0:42)
4m51 Ranch Attack (0:44)
4m52 Embers (1:19)
5m53-54 Barn Burn – Stand Off (2:51)
5m55A Limp Crow (0:17)
5m55B Wrong Brother (1:12)
5m55B ALT Wrong Brother (Alternate) (1:12)
5m55C Valley Of Tears (0:48)
5m56 Collins – Dead Horse (2:08)
5m57 Because I Am Savage (2:02)
5m57A Comanche Border Train (1:18)
5m60 Old Tonto Pauses (0:15)
5m61C Young Tonto – Silver Discovery (2:02)
5m62 Aftermath Village Slaughter (2:05)
6m65A Scorpions (2:11)
6m65B Where The River Begins (0:47)
6m66 Frank In Tunnel (0:27)
6m66 ALT Frank In Tunnel (Alternate) (0:26)
6m68A ALT Cave Walkout (0:47)
6m68B Finish Him (3:16)
Hans Zimmer, Andrew Kawczynski
6m68C John Captures Cavendish (0:31)
6m70 Alexander The Great (0:53)
6m71 Prayer (2:09)
6m71 ALT Prayer (Alternate) (1:52)
6m71A Supply Car (1:00)
6m71A INS Stupid White Man (0:30)
7m72-73 Daddy Dead (4:38)
7m76B Build To Execution (3:27)
7m78 Night Mine (2:58)
7m79 Aftermath – Wear The Mask (2:08)
8m81 Stars & Stripes Forever (1:16)
Geoff Zanelli (John Philip Sousa)
8m82 Ignition (0:39)
8m84 Bank Robbery (0:27)
Geoff Zanelli
8m85 Marse Henry March (3:14)
Geoff Zanelli (Traditional)
8m86 Star Spangled Banner (1:14)
Geoff Zanelli (Francis Scott Key)
8m88A Train Chase Part 1 (10:09)
Hans Zimmer, Geoff Zanelli, Ann Marie Simpson (Gioacchino Rossini)
9m88B Train Chase Part 2 (1:09)
Geoff Zanelli (Gioacchino Rossini)
9m90 World Evolving (3:15)
9m90 INS World Evolving (Insert) (0:55)
9m91 Crow (0:25)
9m91 ALT Crow (Alternate) (0:25)
9m92 End Credits (2:53)
Hans Zimmer, Geoff Zanelli (Gioacchino Rossini)
Suite – Home Suite (6:54)
Suite – Absurdity Suite (4:03)
Suite – Silver Suite (4:03)
Hans Zimmer, Ann Marie Simpson

2013 49'36 Intrada / Walt Disney Records

Video

Release date : 07/02/2013

BOOKLET CREDITS

"Red's Theater Of The Absurd"
Written & Produced by Jack White
Performed by Pokey LaFarge & The South City Three
Band Members: Pokey LaFarge, Joey Glynn, Adam Hoskins & Ryan Koening

Score Composed & Produced by Hans Zimmer

Executive Soundtrack Album Producers: Jerry Bruckheimer & Gore Verbinski
Executive in Charge of Music & Soundtracks for The Walt Disney Studios Motion Pictures Group & The Disney Music Group: Mitchell Leib

Additional Music by Geoff Zanelli, Rupert Gregon-Williams, Steve Mazzaro, Andrew Kawczynski, Jasha Klebe & Lorne Balfe

Music Business/Legal Affairs for The Walt Disney Studios Motion Pictures Group: Scott Holtzman, Sylvia Krask & Don Welty
Music Production for The Walt Disney Studios Motion Pictures Group: Monica Zierhut
Supervising Music Editor: Kenneth Karman
Music Wrangler: Bob Badami
Music Editors: Pete Oso Snell & Katie Greathouse
Sample Development: Claudius Bruese, Ben Robinson, Raul Vega & Taurees Habib
Digital Instrument Design: Mark Wherry

Featured Musicians: Nico Abondolo, Jason Bonham, Ann Marie Calhoun, Anthony Clarke, Mike Einzinger, Pedro Eustache, Aleksey Igudesman, Arturo Sandoval & Tristan Schulze

Supervising Orchestrator: Bruce Fowler
Orchestrations by Walt Fowler, Kevin Kaska, Suzette Moriarty & Carl Rydlund
Music Preparation by Booker White, Walt Disney Music Library
Score Recorded by Joel Iwataki
Score Mixed by Daniel Kresco & Satoshi Noguchi
Album Mixed by Daniel Kresco
Digital Workstation Operators: Kevin Globerman & Vincent Cirilli
Orchestra Conducted by Nick Glennie-Smith
Scored Recorded at Sony Scoring Stage, The Newman Scoring Stage
Scored Recorded & Mixed at Remote Control Studios
Orchestra Contractor: Peter Rotter
Assistant Orchestra Contractors: Megan Wintory & Yvonne Tranne-MacDonald
Concert Master: Belinda Broughton
Music Production Services: Steve Kofsky
Score Coordination for Remote Control Productions: Czarina Russell
Technical Assistants: Chuck Choi, Brian Wherry & Phill Boucher
Digital Instrument Design: Mark Wherry
Assistant Engineers: Christian Wenger, Tim Lauber & Adam Michalak

Hans Zimmer would like to thank: Gore Verbinski, Jerry Bruckheimer, Morgan Des Griseillers, Mitchell Leib, Monica Zierhut, Amy Robinson, Michael Breidenbrücker, Pat Sandston, Craig Wood, James Haygood, Shari Hanson

Bonnie Abaunza, Jillian Abood, Lorne Balfe, Tiffany Bordenave, Chris Boyes, Candace Carlo, Jordi Vazquez Cecilia, Leland Cox, Nick Douillard, Mike Einziger, Ariel Emanuel, James, Trish & Max Golfar, Peter Gorges, Michael Hein, Axel Henson, Elizabeth & Martin Holdgate, Kai Krause, Chaz Labrecque, Amy Magrish, Christina Mansky, Paul Massey, Amos Newman, Albert Nolasco, Ryan Ouchida, Kathy & Stephen Paine, Bradley Rainey, Catherine Sanderson, Shalini Singh, Chris Strong, Stéphane Vidali, Brigitte Zimmer, Zoë Zimmer, Jake, Annabel, Max & Suzanne Zimmer, and the entire staff at The Walt Disney Studios Music Department and the Disney Music Group

01 – Never Take Off The Mask (1:08)
02 – Absurdity (4:58)
03 – Silver (4:00)
04 – Ride (4:17)
05 – You’ve Looked Better (3:09)
06 – Red’s Theater Of The Absurd – Pokey LaFarge & The South City Three (3:02)
07 – The Railroad Waits For No One (3:09)
08 – You’re Just A Man In A Mask (4:14)
09 – For God And For Country (4:53)
10 – Finale (9:51)
11 – Home (6:55)

11 Comments

An0n June 8, 2024 at 7:29 pm - Reply

Stephane, I want to address controversy:
Suite – Absurdity Suite on Prpject Details is 4:03, but on Album this track is 4:58

But how it could be if: “Absurdity : Absurdity Suite”?
- An0n June 8, 2024 at 8:24 pm - Reply
  
  Also Train Chase Pt 1 on Album is slightly different, so maybe should be an ALT? Movie version is mix between both…
- Tom April 8, 2025 at 6:56 pm - Reply
  
  It’s called a temp track. It doesn’t mean the composer had a hand in the Hans piece. MI Fallout, “The Exchange,” also copies from Gotham’s Reckoning aka Bane suite. Lorne ripping off Hans by adhering too closely to temp is nothing new.
Zan January 29, 2024 at 11:59 pm - Reply

This one is a bit of a masterpiece that does not get the recognition it deserves. The Zanelli led Tell Overture is some of the best work to ever come from MV or RCP. Need this type of experimentation from HZ, instead of the non-sense attempts to sound like a sound designer – dude, you compose melodies for film, leave the sound designing to the Ben Burttities of this world
An0n September 19, 2022 at 5:35 pm - Reply

Hybrid
Out there should be an ALT for Train Chase Part 1
(Album version is different)

Or I mistaken?
Stéphane H. August 9, 2020 at 12:59 am - Reply

Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.

Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.

Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.

The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
- An0n April 8, 2025 at 10:27 am - Reply
  
  I’m pretty sure we can add Lorne Balfe credit on Runaway Train cue… The whole last section is almost beat by beat reprised in Pulpit Rock Fight in MI-Fallout
  
  Also Leaving Red’s is something out of Sherlock score too, so one can throw Lorne’s name here
- Tom April 8, 2025 at 6:57 pm - Reply
  
  Put this in the wrong thread lol…. It’s called a temp track. It doesn’t mean the composer had a hand in the Hans piece. MI Fallout, “The Exchange,” also copies from Gotham’s Reckoning aka Bane suite. Lorne ripping off Hans by adhering too closely to temp is nothing new.
- An0n April 9, 2025 at 5:42 am - Reply
  
  The exchange isn’t exactly ripping Hans, because Lorne worked closely on those scores, maybe even did all this programming… Also, Lorne does “ripping Bane’s theme” as part of his “style”, so no big deal at this point, I guess…
  
  I said about Runaway Train being Balfe’s work because it has a lot of Balfe’s ID..
  
  Look at any known credits in HZ/LB work from Dark Knight to this movie… Hans does themes and important cues, Lorne always writes action scenes, and always in this bombastic way…
  
  Probably Lorne never contributed to “Finale” aka “Train Chase”, I am seeing less and less his “fingerprints” in this
  
  “Gang Boards – Cavendish Escape” kinda sonds Balfe to me too…
- Anonymous April 9, 2025 at 10:36 am - Reply
  
  Yeah but you also have to consider the fact that this is the point in time which Steve Mazzaro was more involved than Lorn. Steve probably worked on more cues than you may think. I also think a lot people are just undermining Zimmers own distinctive voice especially when making the Sherlock scores connections.
- An0n April 9, 2025 at 2:00 pm - Reply
  
  Probably)
  But still, when it’s Mazarro, I can tell it’s Mazarro
  Late HZ/SM scores sound more different than HZ/LB

The Lone Ranger – Project Details

The Lone Ranger

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