FILM CREDITS
Music by Harry Gregson-Williams
Supervising Music Editors: Allegra de Souza & Adam Milo Smalley
Music Editor: Peter Oso Snell
Assistant Music Editor: Paul Thomason
Additional Music by Stephanie Economou
Orchestrations by Alastair King
Music Coordinator: Christian Buchmann
Score Recorded by Bernd Mazagg
Score Pro Tools Operator: Martin Weismayr
Score Mixed by Al Clay
Technical Score Engineers: Alvin Wee & Slamm Andrews
Score Consultant: Monica Zierhut
Music Preparation by Booker White & Vienna Music Angels
Chinese Percussion Performed by F3NG Singapore
Chinese Percussion Leader: Mike Chiang
Chinese Percussion Recorded by Gao Yang
ALBUM ASSEMBLY
Sub Disaster : Sub Rescue (Edited)
Mana One : Helicopter
A New World : O Level + Deploy The Lights (Edited) + Origin Attack (Edited)
Jonas Descends : The Descent (Edited) + Jonas Descends (1st part)
Prehistoric Species : Jonas Descends (Squid Attack Insert) (Edited) + Jonas Descends (2nd part) (Edited)
Toshi's Sacrifice : Toshi's Sacrifice
Non-Extinct : Shower + The Megalodon
Meiying Explores : Meiying Meets Meg (Edited)
Even The Score : Even The Score (Edited) + Toshi's Letter
Tracker : Jonas Tracks Meg (Edited)
Shark Cage : Shark Cage (Edited)
You Saved Me : Photo Opportunity
Dr. Zhang : Zhang Dies
We Have A Plan : We Have A Plan
Pippin : Wedding Crasher
Beach Attack : Beach Attack (Edited)
Jonas Vs Meg : Jonas Vs Meg Pt A (Edited) + Jonas Vs Meg Pt B (Edited) + Suyin Resurfaces + Jonas Vs Meg Pt C
To Our Friends : To Our Friends
Helicopter (1:32)
O Level (0:53)
Deploy The Lights (3:21)
Origin Attack (1:50)
It’s Lori (0:59)
Toshi’s Letter (1:15)
Suyin’s Rescue (2:17)
The Descent (1:36)
Jonas Descends (5:37)
Jonas Descends (Squid Attack Insert) (0:44)
Toshi’s Sacrifice (2:35)
Shower (0:35)
The Megalodon (1:11)
Meiying Meets Meg (3:44)
Even The Score (1:42)
Jonas Tracks Meg (3:30)
Shark Cage (6:04)
Photo Opportunity (0:57)
Capsize (0:56)
Heller’s Sacrifice (1:24)
Where’s Mack? (0:23)
Zhang Dies (2:34)
Meg Attacks Morris (1:32)
We Have A Plan (1:21)
Wedding Crasher (0:43)
Sanya Bay (1:02)
Beach Attack (2:58)
Jonas Vs Meg Pt A (1:27)
Jonas Vs Meg Pt B (3:15)
Suyin Resurfaces (0:43)
Jonas Vs Meg Pt C (2:00)
To Our Friends (4:42)
02 – Mana One (1:32)
03 – A New World (4:57)
04 – Jonas Descends (3:12)
05 – Prehistoric Species (2:41)
06 – Toshi’s Sacrifice (2:33)
07 – Non-Extinct (1:46)
08 – Meiying Explores (2:24)
09 – Even The Score (2:10)
10 – Tracker (2:42)
11 – Shark Cage (3:52)
12 – You Saved Me (0:56)
13 – Dr. Zhang (2:35)
14 – We Have A Plan (1:20)
15 – Pippin (0:43)
16 – Beach Attack (2:48)
17 – Jonas Vs Meg (5:56)
18 – To Our Friends (4:41)
HGW is returning for The Meg 2!!
tread carefully hybrid might ban you for posting credits here lmao
This news has me WAY more excited than Zimmer and Wonder Woman. Lol.
A Chinese version of Narnia + Kingdom of Heaven + Some of his animated scores.
I would be very happy.
Yep. I stopped listening to Powell after Bourne Ultimatum/Hancock years, then picked him up again for Star Wars. Big difference, cuz i found his other works to be lackluster for me.
HGW? Oh Lordy….Man On Fire/Domino for me was his final era to shine. Then he just went downhill…Equalizer seemed to bring back that HGW I loved since Man on Fire, but Equalizer 2 sounds like he phoned it in. Meg? It sounds like he was more interested in doing this score than EQ2, and that's not even sayinfg much because this score is vanilla.
Probably family. HGW has had three children in the last decade.
I agree that HGW doesn't seem to pour much enthusiasm into his works lately but quite frankly I don't think the projects themselves were calling for something special either. To me, Martian was proof enough that HGW's still got it cracking. He just needs the right gig. I see the live action adaption of Mulan is being helmed by the director of Zookeeper's Wife which he previously scored. That's about the right sort of stuff to get his engines lit.
I think you mistake The Meg with The Equalizer 2
IMO
One of the most enjoyable scores of this year.
Harry Gregson-Williams in his top noch form (ok, is not Sinbad, right?), but the two main themes and the fun with the action and more epic (the beautiful A New World, for example) or the more action packed tracks like the terrific Jonas vs Meg (the brass writing is terrific) or Beach Attack (that chinese percussion are epic), also the main theme for the human characters, gave a sense of adventure i thought never listen again.
I really like this score which Gregson-Williams wrote.