FILM CREDITS
Music by Harry Gregson-Williams
Executive in Charge of Music for New Line: Paul Broucek
Music Executive: Bob Bowen
Music Business Affairs Executives: Lori Silfen & John F.X. Walsh
Music Clearances: Lee Blaylock
Music Editor: Adam Milo Smalley
Assistant Music Editor: Scott Johnson
Score Conducted by Harry Gregson-Williams
Music Contractors: Sandy DeCrescent & Peter Rotter
Score Performed by Hollywood Studio Symphony
Score Recorded & Mixed by Malcolm Luker
Score Recorded at Todd-AO Scoring Stage, Radford
Score Mixed at Wavecrest Studios
ProTools Operator: Jamie Luker
Orchestrations by Ladd McIntosh
Music Preparation by Booker White
Synth Recording by Meri Gavin & Costa
Additional Programming by David Buckley, Halli Cauthery, Stephen Barton & Jake Davies
Featured Soloists
Trumpet - Jon Hassell
Electric Violin - Hugh Marsh
Electric Cello - Martin Tillman
Electric Guitar - Peter DiStefano
ALBUM ASSEMBLY
Opening Titles : 1m00 Main Titles + 1m01 v2 Pre Twenty Three
Fingerling's Childhood : 1m09 v14 Childhood - Detective + 2m16 23 Obsession
Suicide Blonde : 2m09B v1 Strange Shadows - Suicide Blonde - Crime Scene - Sex & Death - Coincidence (Edited)
Ned : 3m26 Kyle Flinch
11:12 PM : 3m22 Finishing The Book + 3m23 Chapter 22
Finishing The Book : 4m30 Ned Showdown (Edited) + 4m32 To The Hotel (Edited) + 4m33 Laura Tollins - The Professor (Edited) + 3m25 The Author
Laura Tollins : 5m36 ALT The Book Begins
Room 23 : 3m17 Emotional Leave (Edited) + 3m18 Phoenix Fingered (Edited) + 3m21B Waking Nightmare (Edited)
Atonement : 5m39 Room 23 - Graveside
1m01 v2 Pre Twenty Three (1:08)
1m04 v30 Ned (3:02)
1m05 v3 The Book (0:57)
1m07 v4 First Pages (0:41)
1m08 v5 Reading (0:50)
1m09 v14 Childhood – Detective (2:19)
2m09B v1 Strange Shadows – Suicide Blonde – Crime Scene – Sex & Death – Coincidence (8:42)
2m11-12 Chapter 7 (3:58)
2m15AB To School (1:56)
2m16 23 Obsession (0:52)
3m17 Emotional Leave (2:51)
3m18 Phoenix Fingered (3:48)
3m21B Waking Nightmare (1:37)
3m22 Finishing The Book (1:58)
3m23 Chapter 22 (2:12)
3m24 Catching Up Ned – Brief History Of Ned (1:59)
3m25 The Author (1:26)
3m26 Kyle Flinch (3:03)
4m27 The Old Man (2:28)
4m28 Trip (4:43)
4m29 Unearthing The Past (2:40)
4m30 Ned Showdown (4:07)
4m32 To The Hotel (2:42)
4m33 Laura Tollins – The Professor (1:55)
4m34 Sparrow Attack! (2:01)
5m36 The Book Begins (3:16)
5m36 ALT The Book Begins (Alternate) (3:21)
5m37 Recovery (1:20)
5m38 Back To Present (1:30)
5m39 Room 23 – Graveside (4:56)
Composed & Produced by Harry Gregson-Williams
Recorded & Mixed by Malcolm Luker
Assistant Mixing by Jamie Luker
Synth Recordings by Meri Gavin & Costa
Orchestra Recorded at ToddAO Studios
Score Mixed at Wavecrest Studios
Orchestrated by Ladd MacIntosh
Featured Soloists:
Jon Hassell: Trumpet
Hugh Marsh: Electric Violin
Martin Tillman: Electric Cello
Peter DiStefano: Electric Guitar
Concert Master: Endre Granat
Music Editor: Adam Milo Smalley
Assistant Music Editor: Scott Johnson
Additional Programming by David Buckley, Halli Cauthery & Stephen Barton
Music Contractors: Sandy DeCrescent & Peter Rotter
Score Mastered by Stephen Marsh at Threshold Sound + Vision
Executive in Charge of Music for New Line Cinema: Paul Broucek
Music Executive: Bob Bowen
Soundtrack Executive: Jason Cienkus
Executive for New Line Records: Jason Linn
Music Business Affairs Executives: Lori Silfen & John F.X. Walsh
Soundtrack Coordinator: Sandeep Sriram
Special Thanks: Peter Axelrad, Joe Kara, Kevin Kertes, Matthew Leos, Genevieve Morris, Sohrab Nafici & Rishi Shah
02 – Fingerling’s Childhood (3:02)
03 – Suicide Blonde (7:31)
04 – Ned (2:56)
05 – 11:12 PM (3:58)
06 – Finishing The Book (9:03)
07 – Laura Tollins (3:17)
08 – Room 23 (5:34)
09 – Atonement (4:55)


Great Score…but is there an extended version of the score similar to the movie?
Great Score…but is there an extended version of the score similar to the movie?
Harry scared me by this one, this score shows how Harry could compose an amazing horror score, i know this movie is not a horror movie but this score is really scary.
Harry scared me by this one, this score shows how Harry could compose an amazing horror score, i know this movie is not a horror movie but this score is really scary.
Fajne :)
Fajne :)
Super,podoba mi się ;)
Super,podoba mi się ;)
Clay Duncan and Stephen Barton mad Addittional music,uptade :-)
Clay Duncan and Stephen Barton mad Addittional music,uptade :-)