Hans Zimmer
Composer
Gavin Greenaway
Additional Music
Bruce Fowler
Orchestrator
Ladd McIntosh
Orchestrator
Suzette Moriarty
Orchestrator
Harry Gregson-Williams
Conductor
Adam Smalley
Score Producer
Nick Glennie-Smith
Musician
Lisbeth Scott
Vocals
Alan Meyerson
Music Scoring Mixer
Claude Letessier
Music Designer
Marc Streitenfeld
Music Recording Engineer
Gregg Silk
Assistant Score Engineer
Klaus Badelt
Technical Score Advisor
Thomas Broderick
Assistant to Hans ZIMMER
Justin Burnett
Assistant to Hans ZIMMER
THE PEACEMAKER, 1997, Directed by Mimi Leder
FILM CREDITS
Music by Hans Zimmer
Music Conducted by Gavin Greenaway & Harry Gregson-Williams
Orchestration: Bruce L. Fowler, Y. S. Moriarty & Ladd McIntosh
Music Editor: Adam Milo Smalley
Score Recorded & Mixed by Alan Meyerson
Score Recorded & Mixed at Air Lyndhurst, London & Media Ventures, Los Angeles
Choir Recorded by Paul Hulme at Abbey Road, London
London Music Coordinator: Maggie Rodford at Air Edel Associates
Technical Score Advisor: Marc Streitenfeld
Musicians Contractor: Tonia Davall
Music Preparation: JoAnn Kane Music Services
Assistants to Composer: Justin Burnett, James B. Weiss & Thomas Broderick
"Nocture In C# Minor"
Composed by Frederic Chopin
Performed by Nick Glennie-Smith
"Devoe's Revenge"
Written by Gavin Greenaway
ALBUM ASSEMBLY
Train : 1m2 Vassily's Dilemma + 2m3 Hijack (Edited) + 3m6 Exporting Good Will
Devoe's Revenge : 6m19 ALT Car Chase
Sarajevo : 4m11 Kodoroff's Alive (Edited) + 6m20 Fourty-Four (Edited) + 12m39 Dr Kelly Is OK + 9m30 Dusan's Speech + 10m34 Dusan's Flashback (Edited) + 7m22-23 Truck Convoy - License Plate (Edited)
Chase : 8m27 Helicopter Chase (Edited) + 11m35 Dusan With Bomb (Edited) + 12m40 Dr Kelly Got 10 More (Edited)
Peacemaker : The Peacemaker Ideas
1m2 Vassily’s Dilemma (6:05)
2m3 Hijack (7:46)
3m4 It Wasn’t An Accident (1:41)
3m6 Exporting Good Will (1:54)
3m7 Smoke Screen (0:41)
3m8 Bombs On The Move (0:45)
4m9 Alexsander Kodoroff (2:37)
4m11 Kodoroff’s Alive (2:09)
4m12 Good Guys/Bad Guys (1:02)
5m13 Dusan’s Village (0:57)
5m14 Piano Lesson/Bad Guy On Phone (0:57)
5m16 Keep On Truckin’ (0:56)
5m17 Head Of Transportation (0:23)
5m18 Hasselhoff/Escape (3:25)
6m19 Car Chase (5:51)
Hans Zimmer, Gavin Greenaway
6m19 ALT Car Chase (Alternate Intro) (5:16)
Hans Zimmer, Gavin Greenaway
6m20 Fourty-Four (2:48)
7m21 Dusan’s Confession (1:03)
7m22-23 Truck Convoy/License Plate (2:46)
7m24 Dusan Piano/Nocturne In C# Minor (1:17)
7m25 Get Me Authorized (2:40)
7m25 ALT VOX Get Me Authorized (Lisbeth Scott Vocals) (2:38)
7m26 Checkpoint (0:47)
8m27 Helicopter Chase (11:32)
9m28 One Unaccounted For (1:45)
9m29 Dusan Gets Bomb (2:01)
9m30 Dusan’s Speech (1:33)
9m31-32 He’s Going To New York/FBI N.Y. (3:29)
10m33 Swiss Flight #1204 (1:12)
10m34 Dusan’s Flashback (6:26)
11m35 Dusan With Bomb (9:45)
Hans Zimmer, Gavin Greenaway
11m37 Dusan In Church (1:40)
12m38 Dusan Kills Himself (3:28)
12m39 Dr. Kelly Is O.K. (1:23)
12m40 Dr. Kelly Got 10 More (2:10)
Suite – The Peacemaker Ideas (9:44)
Hans Zimmer
Trailer – The Peacemaker Trailer Music (2:16)
Hans Zimmer, Harry Gregson-Williams
Music Composed & Arranged by Hans Zimmer
All Songs Written by Hans Zimmer Except
"Devoe's Revenge" Written by Gavin Greenaway
& "The Peacemaker Trailer Music" Written by Harry Gregson-Williams
Executive Album Producer: Dan Goldwasser
Executive Album Producers for La-La Land Records: MV Gerhard & Matt Verboys
Score Produced by Hans Zimmer & Adam Smalley
Music Conducted by Gavin Greenaway & Harry Gregson-Williams
Orchestra Leader: Gavyn Wright
Vocals: Mamak Khadem
Orchestrated by Bruce Fowler, Ladd McIntosh & Y.S. Moriarty
Score Recorded & Mixed by Alan Meyerson
Music Editor: Adam Smalley
Music Recorded at Media Ventures, Los Angeles & Air Lyndhurst, London
Choir Recorded by Paul Hulme at Abbey Road, London
Music Mixed at Media Ventures, Los Angeles
Recording Engineer: Marc Streitenfeld
Assistant Engineers: Gregg W. Silk, Los Angeles & Ben Georgiades, London
Original Album Compiled by Jeff Rona
London Music Coordinator: Maggie Rodford at Air Edel Associates, Ltd
Music Contractor: Tonia Davall
Music Preparation: Jo Ann Kane Music Services
Assistants to Hans Zimmer: Justin Burnett, James B. Weiss & Thomas Broderick
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Soundtrack Album Coordinators: Kim Seiniger & Eric Ybanez
Mastering by Doug Schwartz at Mulholland Music
Project Consultant: Lukas Kendall
Production Assistance: Frank K. DeWald & Neil S. Bulk
La-La Land Records Special Thanks:
Hans Zimmer, Steve Kofsky, Shalini Singh, Harry Gregson-Williams, Bruce Gilbert, Mark Graham & Eric Swanson
Paramount Pictures Special Thanks:
Mary Jo Braun, Dan Butler, Eric Caldwell, Shery Carlin, Jeff Cava, Adam Ehrlich, Robert Gasper, David Gueringer, Natalie Hayden, Elizabeth Kirkcsey, Flora Lopez, Elise Mann, Liz McNicoll, Sarah Montgomery, Aron Pinsky, Jason Richmond, Jennifer Schiller, Susan Siering, David Sooc, Linda Springer, Laura Thornburg, Christina Toth, Hallie Volman & Lauren Waggoner
Original Album Special Thanks:
Mimi Leder, Branko Lustig, Michael Grillo, Walter Parkes, Laurie MacDonald, David Rosenbloom, Steven Spielberg, Jeffrey Katzenberg, David Geffen, George Clooney, Celine Balitran, Tom 'n Tracy, Marty Cohen, Andy Nelson, George Martin, Emma Burnham, Sam Schwartz, Michael Gorfaine, Mo Ostin, Lenny Waronker, Michael Ostin, Gary Stiffelman, Stuart Brotman, Chuck Kaye, Bob Daspit, Roy Hay, John Powell, Elisa Perlman, P.J. Hanke, Jay Rifkin, Mark Levy, Claude Letessier, Henning Lohner, Max Golfar, Bruno Roussel, Slamm Andrews, Brian Richards, The Media Ventures Team, The Air Lyndhurst Team & Zoe Zimmer
CD1
01 – Voice Of God – Vassily’s Dilemma (6:49)
02 – Hijack (7:46)
03 – It Wasn’t An Accident – Exporting Good Will – Smoke Screen (3:55)
04 – Bombs On The Move – Alexsander Kodoroff – Kodoroff’s Alive (5:11)
05 – Good Guys – Bad Guys – Dusan’s Village (1:51)
06 – Keep On Truckin’ – Head Of Transportation – Hasselhoff – Escape (4:38)
07 – Car Chase (5:51)
08 – Forty-Four E – Dusan’s Confession (3:24)
09 – Truck Convoy – License Plate (2:46)
10 – Nocturne In C# Minor (1:15) (Frederic Chopin)
11 – Get Me Authorized (feat. Mamak Khadem) (2:38)
12 – Checkpoint – Helicopter Chase (12:11)
13 – One Unaccounted For – Dusan Gets Bomb – Dusan’s speech (5:06)
14 – He’s Going To New York – F.B.I. N.Y. – Swiss Flight #1204 (4:37)
15 – Dusan’s Flashback (6:18)
CD2
01 – Dusan With Bomb – Dusan In Church (11:18)
02 – Dusan Kills Himself (3:28)
03 – Dr. Kelly Is O.K. – Dr. Kelly Got 10 More (3:28)
BONUS TRACKS
04 – Trains (Original Album Version) (13:54)
05 – Devoe’s Revenge (Original Album Version) (5:16)
06 – Sarajevo (Original Album Version) (8:43)
07 – Chase (Original Album Version) (17:06)
08 – Peacemaker (Original Album Version) (9:45)
09 – Get Me Authorized (Alternate Vocals feat. Lisbeth Scott) (2:42)
10 – The Peacemaker Trailer Music (2:18)
Music Composed & Arranged by Hans Zimmer
All Songs Written by Hans Zimmer except "Devoe's Revenge" Written by Gavin Greenaway
Score Produced by Hans Zimmer & Adam Smalley
Music Conducted by Gavin Greenaway & Harry Gregson-Williams
Orchestra Leader: Gavyn Wright
Vocals: Mamak Khadem
Head Orchestrator: Bruce L. Fowler
Score Recorded & Mixed by Alan Meyerson
Music Editor: Adam Smalley
Music Recorded at Media Ventures, Los Angeles & Air Lyndhurst, London
Choir Recorded by Paul Hulme at Abbey Road, London
Music Mixed at Media Ventures, Los Angeles
Recording Engineer: Marc Streitenfeld
Assistant Engineers: Gregg W. Silk, Los Angeles & Ben Georgiades, London
Mastered by Patricia Sullivan at A&M, Los Angeles
Album Compiled by Jeff Rona
London Music Coordinator: Maggie Rodford at Air Edel Associates, Limited
Executives in Charge of Music: Todd Homme & Marylata E. Jacob
Music Contractor: Tonia Davall
Music Preparation: Jo Ann Kane Music Services
Assistants to Hans Zimmer: Justin Burnett, James B. Weiss & Thomas Broderick
Equipment: Euphonix, Steinberg, Yamaha & EMU
Thanks to:
Mimi Leder, Branko Lustig, Michael Grillo, Walter Parkes, Laurie MacDonald, David Rosenbloom, Steven Spielberg, Jeffrey Katzenberg, David Geffen, George Clooney, Celine Balitran, Tom 'n Tracy, Marty Cohen, Andy Nelson, George Martin, Emma Burnham, Sam Schwartz, Michael Gorfaine, Mo Ostin, Lenny Waronker, Michael Ostin, Gary Stiffelman, Stuart Brotman, Chuck Kaye, Bob Daspit, Roy Hay, John Powell, Elisa Perlman, P.J. Hanke, Jay Rifkin, Mark Levy, Claude Letessier, Henning Lohner, Max Golfar, Bruno Roussel, Slamm Andrews, Brian Richards, The Media Ventures Team, The Air Lyndhurst Team & Zoe Zimmer
For Suzanne from Hans
02 – Devoe’s Revenge (5:15)
03 – Sarajevo (8:42)
04 – Chase (17:07)
05 – Peacemaker (9:44)
Almost 30 years have passed and cuesheet is still mostly empty…
Almost 30 years have passed and cuesheet is still mostly empty…
So, this is more or less where HAZ transitioned from NGS as co-composer as he was probably busy with Man in the Iron Mask – surprised Powell and HGW were not more explict here, but Powell would have been busy doing Face/Off.
So, this is more or less where HAZ transitioned from NGS as co-composer as he was probably busy with Man in the Iron Mask – surprised Powell and HGW were not more explict here, but Powell would have been busy doing Face/Off.
What Greenaway did on this one except chase scene?
Gavin wrote/arranged about 1/4 of the score. The Chase scene but also had a hand on the Helicopter Chase or Dusan With Bomb for instance. The rest is Hans. To keep it simple with the cuesheet they rather gave Gavin 100% of one of his cues rather than, say, 20% of 5 cues.
Thank you for the explanation. That makes so much sense. I LOVED this score in 1997 and have to say it is not that amazing nowadays. The HZ use of samples and silly compressions really take the toll here. It just often sounds like a sole German guy, sitting at home, hammering away at a keyboard. Despite the 200 performers in the CD credits. Where did the expansive sound go and why?
What Greenaway did on this one except chase scene?
Gavin wrote/arranged about 1/4 of the score. The Chase scene but also had a hand on the Helicopter Chase or Dusan With Bomb for instance. The rest is Hans. To keep it simple with the cuesheet they rather gave Gavin 100% of one of his cues rather than, say, 20% of 5 cues.
Thank you for the explanation. That makes so much sense. I LOVED this score in 1997 and have to say it is not that amazing nowadays. The HZ use of samples and silly compressions really take the toll here. It just often sounds like a sole German guy, sitting at home, hammering away at a keyboard. Despite the 200 performers in the CD credits. Where did the expansive sound go and why?