Hans Zimmer
Composer
Klaus Badelt
Composer
Heitor Pereira
Additional Music
Martin Tillman
Additional Music
Craig Eastman
Additional Music
Michael Brook
Additional Music
Marc Streitenfeld
Music Editor
Slamm Andrews
Music Scoring Mixer
Kevin Globerman
Assistant Score Engineer
Gregg Silk
Assistant Score Engineer
Jim Dooley
Assistant to Hans ZIMMER
Clay Duncan
Assistant to Hans ZIMMER
Moanike’ala Nakamoto
Assistant to Hans ZIMMER
Kazimir Boyle
Assistant to Hans ZIMMER
Ramin Djawadi
Assistant To Composer
THE PLEDGE, 2000, Directed by Sean Penn
FILM CREDITS
Music by Hans Zimmer & Klaus Badelt
Additional Music by Michael Brook & Craig Eastman, Heitor Pereira & Martin Tillman
Vocals by Alison Moynihan
Music Editors: Vicki Hiatt & Marc Streitenfeld
Score Recorded & Mixed by Slamm Andrews
Assistant Engineers: Kevin Globerman & Gregg Silk
Music Production Supervision: Gretchen O'Neal
Assistant to Hans Zimmer: Moanike'ala Nakamoto
Assistant to Klaus Badelt: Ramin Djawadi
Music Consultant: Jason Alexander
Score Recorded & Mixed at Media Ventures, Santa Monica, CA
ALBUM ASSEMBLY
The Angler : 1m1 Opening Salvation (Edited)
Boogie Man : 3m15 Boogie Man (Edited)
Jerry & Lori : 5m26 New Relation
Church Nightmare : 5m32 Church Nightmare (Edited)
Revisit Crime Scene : 4m20 Revisit Crime Scene (Edited)
My Coat : 1m2 Office Look + 1m05 My Coat (Edited)
The Wizard : 6m34-35 The Wizard - Oliver Leaves (Edited)
Ex Cop : 3m18 X-Cop (Edited)
He's Rather Not : 1m4 Dead Chick + 4m19 Black Car Fuels
Land Of Christmas : 2m6 Turkey Farm (Edited)
Reading Stories : 5m28 Reading Stories + 3m12 School Yard (Edited)
Turkeys : 2m8 Indian Suicide
The Pledge : 2m9 Airport (Edited)
The Swing : 6m33 Swinging Salvation
Ginny's Picture : 3m13 Ginny's Picture + 4m25 Fish Frying
You're Crazy : 5m27 Gary Jackson + 6m38 You're Crazy
1m2 Office Look (1:00)
1m3 Indian Runs (1:26)
1m4 Dead Chick (1:49)
1m5 My Coat (2:26)
2m6 Turkey Farm (2:13)
2m7 NEW The Pledge (1:09)
2m8 Indian Suicide (1:42)
2m9 Airport (1:57)
2m10 Land Of Christmas (1:27)
2m11 Angel Story (2:07)
3m12 School Yard (1:30)
3m13 Ginny’s Picture (1:11)
3m14 Entering Monash (0:42)
3m15 Boogie Man (2:44)
3m17 Triangle Man (1:13)
3m18 X-Cop (2:02)
4m19 Black Car Fuels (0:34)
4m20 Revisit Crime Scene (2:27)
4m21 Psychiatrist (2:22)
4m22 Chrissy To School Bus (1:02)
4m23 Pink Balloon (0:53)
4m24 Porcupine Brushes (0:57)
4m25 Fish Frying (1:43)
5m26 New Relation (1:22)
5m27 Gary Jackson (2:14)
5m28 Reading Stories (2:09)
5m29AB Jerry & Lori (2:59)
5m30 Snowmobile Day (1:30)
5m31 Gary’s Cross (1:54)
5m32 Church Nightmare (2:48)
6m33 Swinging Salvation (2:26)
6m34-35 The Wizard – Oliver Leaves (6:29)
6m36-37 Out Of Position – Pulling Out (1:42)
6m38 You’re Crazy (4:07)
Score Composed by Hans Zimmer & Klaus Badelt
Score Produced by Hans Zimmer & Klaus Badelt
Additional Music by Michael Brook, Craig Eastman, Heitor Pereira & Martin Tillman
Vocals by Alison Moynihan
Recorded & Mixed by Slamm Andrews
Music Editor: Vicki Hiatt & Marc Streitenfeld
Assistant Engineers: Kevin Globerman & Gregg Silk
Score Recorded & Mixed at Media Ventures, Santa Monica, CA
Assistants to Hans Zimmer: Moanike'ala Nakamoto, Jim Dooley, Clay Duncan & Kaz Boyle
Album Compiled by Ramin Djawadi & Richie Nieto
Executive Soundtrack Album Producer: Emmanuel Chamboredon
Hans Zimmer would like to thank:
Sean Penn, Don Carmody, Brian W. Cook, Michael Fitzgerald II, Chris Menges, Andrew Stevens, Tom Broderick,, Stacey Gellert, Gavin Greenaway, Harry Gregson-Williams, Michael Gorfaine, Henning Lohner, Murphy Lynch, Sato Masuzawa, Sunny Park, John Powell, Jay Rifkin, Jeff Rona, Sam Schwartz, Jake Zimmer, Suzanne Zimmer, Zoe Zimmer & The Media Ventures Team
Klaus Badelt would like to thank:
Sean Penn, The Jiggies, Hans Zimmer & Patricia
02 – Boogie Man (1:28)
03 – Jerry & Lori (1:01)
04 – Church Nightmare (2:19)
05 – Revisit Crime Scene (1:16)
06 – My Coat (2:47)
07 – The Wizard (4:05)
08 – Ex Cop (1:50)
09 – He’d Rather Not (2:00)
10 – Land Of Christmas (1:22)
11 – Reading Stories (3:03)
12 – Turkeys (1:36)
13 – The Pledge (1:19)
14 – The Swing (2:20)
15 – Ginny’s Picture (2:31)
16 – You’re Crazy (5:57)
so I’ve seen all Zimmer’s big movies. Lately I’ve been watching his less well known projects including this one. Did he actually work on this? I haven’t heard him discuss it in interviews and nothing jumped out at me as “oh that’s Hans” besides one thing in the ending that reminded of Black Hawk Down
Yes he worked a lot on that one, more than he was supposed to. Unlike Invincible that was basically almost all Klaus. But that one was supposed to be “more Klaus” as well but ended up very collaborative (jamming with the soloists) and Hans was very involved.
Thanks, funny you mention Invincible, it was next on my list haha
so I’ve seen all Zimmer’s big movies. Lately I’ve been watching his less well known projects including this one. Did he actually work on this? I haven’t heard him discuss it in interviews and nothing jumped out at me as “oh that’s Hans” besides one thing in the ending that reminded of Black Hawk Down
Yes he worked a lot on that one, more than he was supposed to. Unlike Invincible that was basically almost all Klaus. But that one was supposed to be “more Klaus” as well but ended up very collaborative (jamming with the soloists) and Hans was very involved.
Thanks, funny you mention Invincible, it was next on my list haha
@Hybrid
can you please write down the credits?
@Hybrid
can you please write down the credits?
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.