FILM CREDITS
Music by David Julyan
Music Editor: Alex Gibson
Executive Music Producer: Hans Zimmer
Orchestrations by Dana Niu
Music Programmer: David Hoskins
Orchestra Conducted by Blake Neely
Score Recorded & Mixed by Alan Meyerson
Orchestra Contractors: Peter Rotter & Sandy DeCrescent
Score Recorded at Todd AO Scoring Stage
Score Mixed at Remote Control Productions
Score Recordist: Tom Hardisty
Assistant Engineer: Greg Vines
Technical Assistant: Matt Ward
Music Preparation: Booker White, Walt Disney Music Library
BOOKLET CREDITS
Music Composed & Produced by David Julyan
Executive Soundtrack Album Producers: Christopher Nolan & Hans Zimmer
Executive in Charge of Music & Soundtracks for Walt Disney Pictures & the Buena Vista Music Group: Mitchell Leib
Director of Soundtracks for the Buena Vista Music Group: Desirée Craig-Ramos
Published by Buena Vista Music Co. (BMI)
Music Editor: Alex Gibson
Orchestrations by Dana Niu
Orchestra Conducted by Blake Neely
Orchestra: The Hollywood Studio Symphony
Score Recorded & Mixed by Alan Meyerson
Music Programmer: David Hoskins
Music Contractor: Peter Rotter & Sandy DeCrescent
Score Recorded at Todd AO Scoring Stage
Score Production & Mixed at Remote Control Productions
Technical Assistant: Matt Ward
Music Preparation by Booker White, Walt Disney Music Library
Mastered by Louis Teran at Marcussen Mastering, Los Angeles, CA
David Julyan would like to give special thanks to:
Gemma Day, Les Fuller, David Hoskins, Alan Meyerson, Dana Niu, Christopher Nolan, Howard Ricklow, Dominik Spitzer, John Tempereau, Monica Zierhut & Hans Zimmer
Special Thanks to:
David Abdo, David Agnew, Lesley Allery, Ken Bunt, Bob Cavallo, Charlie D'Atri, Christy Dean, Nancy Dolan, Curt Eddy, Kaylin Frank, Margaret Goldfarb, Stephanie Harris, Veronica Hart, Scott Holtzman, Ryan Hopman, Carolyn Javier, Alison Koerper, Abbey Konowitch, Sylvia Krask, Lillian Matulic, Ashley Olauson, Deb Paris, Chris Phife, Dave Snow, Sharrin Summers, Lori Tedds, Don Welty, Keith Wilson & Reggie Wilson
01 – Are You Watching Closely? (1:51)
02 – Colorado Springs (4:15)
03 – The Light Field (1:50)
04 – Borden Meets Sarah (2:11)
05 – Adiago For Julia (2:08)
THE TURN
06 – A New Trick (4:29)
07 – The Journal (2:55)
08 – The Transported Man (2:36)
09 – No, Not Today (2:31)
10 – Caught (1:39)
11 – Cutter Returns (2:13)
12 – The Real Transported Man (2:28)
13 – Man’s Reach Exceeds His Imagination (2:08)
14 – Goodbye To Jess (2:58)
THE PRESTIGE
15 – Sacrifice (5:15)
16 – The Price Of A Good Trick (5:06)
17 – The Prestige (1:40)
I really don't care for this score much, nor David Julyan's music in general. Such a cool, interesting, twisty movie with a great premise and all he can do is slap drones over it?
I really don't care for this score much, nor David Julyan's music in general. Such a cool, interesting, twisty movie with a great premise and all he can do is slap drones over it?
What exactly was Hans' role as producer here? I know what it means when he's producing for other RCP composers. But is there a difference in this case?
What exactly was Hans' role as producer here? I know what it means when he's producing for other RCP composers. But is there a difference in this case?