The Promise (aka : Mo Gik)
Orchestrated by Robert Elhai & Jeff Toyne
Music Arrangers: Ian Honeyman & Andrew Raiher
Performed by China National Symphony Orchestra
Conducted by Li Xincao
Featured Musical Soloists:
Vocals - Hang Yue
Di Zi Flutes - Liu Huanan
Solo Violin - Li Chuanyun
Recorded and Mixed by Steve McLaughlin
Recorded at Beijing Concert Hall & Beijing Film Studios
- Freedom Of The Wa (2:40)
- Wuji – Main Theme (3:45)
- Love Theme (2:13)
- Kunlun, The Slave (1:48)
- Qingcheng, The Princess (1:22)
- Guangming, The General (1:07)
- Wuhuan, The Duke (1:53)
- Princess Kite (5:03)
- The Promise (5:22)
- Snow Country (4:32)
- The Robe (8:04)
- Save The King (4:00)
- Guilang, The Assassin (2:24)
- Saving a Princess (3:17)
- Feather Fight (2:04)
- Waterfall (2:44)
- Stampede (4:45)
- Come Back (4:28)
- Birdcage (1:53)
- Wuhuan’s Plan (10:20)
Second favorite score ever. Last Samurai still no.1 for me. Princess Kite is just perfect…starts with solo violin and ends with solo violin. I too wish there was an expanded release.
Second favorite score ever. Last Samurai still no.1 for me. Princess Kite is just perfect…starts with solo violin and ends with solo violin. I too wish there was an expanded release.
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By the way, of course it is more powerful and "real" and orchestral soundtrack, but it does depend of production, not just the composer!! It is far more expensive to pay for the whole group of musicians plus the composer than just the composer!!! Has anybody thought of how real could have been a Gladiator or Pearl Harbor soundtracks with a full orchestra?
I do not agree with the opinions that say Klaus is better than Hans, whose Last Samurai or King Arthur soundtracks are as good as The Promise one. Hans has created some of the best epic and action film music ever.Why are you so unfair with this genius who was also Klaus’ and so many other’s inspiration? I do think they both are among the best in the actual scene and probaly are creating the most beautiful soundtracks of the moment. It is a stupid debate.
By the way, of course it is more powerful and "real" and orchestral soundtrack, but it does depend of production, not just the composer!! It is far more expensive to pay for the whole group of musicians plus the composer than just the composer!!! Has anybody thought of how real could have been a Gladiator or Pearl Harbor soundtracks with a full orchestra?
I do not agree with the opinions that say Klaus is better than Hans, whose Last Samurai or King Arthur soundtracks are as good as The Promise one. Hans has created some of the best epic and action film music ever.Why are you so unfair with this genius who was also Klaus’ and so many other’s inspiration? I do think they both are among the best in the actual scene and probaly are creating the most beautiful soundtracks of the moment. It is a stupid debate.
I allways was an Hans Zimmer Fan, but since The Promise I know, Klaus Badelt is so much better!!!
He is the one who can make a score lyric wihtout an stupid Synthesizer!!!
Now I´m a huge Klaus Badelt Fan he is so talented and gorgeous!!! You´ll see, in the near future he will be famous as Zimmer ,John Williams or Jerry Goldsmith!!!
Just wait for Rescue Dawn and Turtles, they sure will be superb like every Klaus Badelt Score!!!
forget Zimmer, Klaus Badelt blows you away!!!
I allways was an Hans Zimmer Fan, but since The Promise I know, Klaus Badelt is so much better!!!
He is the one who can make a score lyric wihtout an stupid Synthesizer!!!
Now I´m a huge Klaus Badelt Fan he is so talented and gorgeous!!! You´ll see, in the near future he will be famous as Zimmer ,John Williams or Jerry Goldsmith!!!
Just wait for Rescue Dawn and Turtles, they sure will be superb like every Klaus Badelt Score!!!
forget Zimmer, Klaus Badelt blows you away!!!