The Replacement Killers

The Replacement Killers

1998 36'12
Release date : 03/10/1998
BOOKLET CREDITS

Music Composed & Produced by Harry Gregson-Williams

Executive Producer for Varese Sarabande: Robert Townson
Music Editor: Richard Whitfield
Score Recorded by Steve Jablonsky & Gregg Silk
Score Mixed by Alan Meyerson
Electric Cello: Martin Tillman
Bass Flute: Stephen Kujala
Additional Music: Steve Jablonsky
Album Compiled by Slamm Andrews & Kevin Globerman
Music Production Services by Media Ventures

Special Thanks to Antoine "turn up the music" Fuqua and his editor Jay Cassidy for involving me so early in the process, Sam & Cheryl at Gorfaine/Schwartz, Brian Richards at Frog, Burt Berman at Sony Pictures, my resilient wife Karen, Mark Levy & the Media Ventures Midi "Orchestra"

01 – John’s Theme (2:43)
02 – Stalked (3:58)
03 – The Temple (2:28)
04 – He Means Business (3:16)
05 – Kill Or Be Replaced (2:18)
06 – We Have Visitors? (2:11)
07 – John Reflects (2:04)
08 – Surreal Shoot-Out (3:57)
09 – John Straps His Man (3:47)
10 – Race Against Time (3:04)
11 – The Heavies Arrive (2:53)
12 – Final Confrontation (3:38) 

The Replacement Killers – Projece Details

1998
THE REPLACEMENT KILLERS, 1998, Directed by Antoine Fuqua

FILM CREDITS

Music by Harry Gregson-Williams

Music Supervisor: Ralph Sall
Music Editor: Richard Whitfield
Score Recorded by Steve Jablonsky & Gregg Silk
Score Mixed by Alan Meyerson

ALBUM ASSEMBLY

John's Theme : Big Finale (2nd part) (Edited)
Stalked :
Car Wash Shootout & Escape (2nd part) (Edited)
The Temple :
Dark Arcade Shootout (Edited)
He Means Business :
Big Finale (1st part) (Edited)
Kill Or Be Replaced :
John's Last Assignment (Edited)
We Have Visitors... :
Meg's Apartment Shootout (Edited)
John Reflects :
Peter Wei Stakeout & Funeral (2nd part) (Edited)
Surreal Shoot-Out :
Theatre Shootout (2nd part) (Edited)
John Traps His Man :
Big Finale (2nd part)
Race Against Time :
Theatre Shootout (1st part) (Edited)
The Heavies Arrive :
Car Wash Shootout & Escape (1st part) (Edited)
Final Confrontation :
Peter Wei Stakeout & Funeral (1st part) (Edited)

Peter Wei Stakeout & Funeral (6:27)
Harry Gregson-Williams
My Son Is Dead (1:18)
Harry Gregson-Williams
John’s Last Assignment (4:27)
Harry Gregson-Williams, Steve Jablonsky
I Need A Passport (1:00)
Harry Gregson-Williams
Meg’s Apartment Shootout (6:05)
Harry Gregson-Williams
Meg’s Interrogation & Trashed Apartment (3:57)
Harry Gregson-Williams
You’re Safer With Me (1:12)
Harry Gregson-Williams
Car Wash Shootout & Escape (9:33)
Harry Gregson-Williams
John’s Story (2:32)
Harry Gregson-Williams
It Was His 7 Years Old (2:04)
Harry Gregson-Williams
The Heavies Arrive (0:35)
Harry Gregson-Williams
Dark Arcade Shootout (6:35)
Harry Gregson-Williams
Zeedo’s Boy Must Die In His Arms (2:32)
Harry Gregson-Williams, Steve Jablonsky
Theatre Shootout (5:55)
Harry Gregson-Williams
Big Finale (12:23)
Harry Gregson-Williams
Airport Goodbye (1:37)
Harry Gregson-Williams, Steve Jablonsky 

10 Comments

  1. SPECTER December 26, 2022 at 3:15 pm - Reply

    Does a complete/expanded album exist?

  2. SPECTER December 26, 2022 at 3:15 pm - Reply

    Does a complete/expanded album exist?

  3. SPECTER November 17, 2019 at 11:22 pm - Reply

    I want that film version of John's theme. heard in the arcade scene and airport scene at the end of the film.

  4. SPECTER November 17, 2019 at 11:22 pm - Reply

    I want that film version of John's theme. heard in the arcade scene and airport scene at the end of the film.

  5. GermanRCPFan June 16, 2019 at 11:53 pm - Reply

    Which cues were written by Steve Jablonsky?

  6. GermanRCPFan June 16, 2019 at 11:53 pm - Reply

    Which cues were written by Steve Jablonsky?

  7. Bayhem June 30, 2017 at 10:21 am - Reply

    One of my all-time favorite HGW scores. So freakin' atmospheric….so underrated. John Reflects, John's Theme and The Temple literally transport you to another world. Great for meditation. Too bad that not a lot of people (even here) seem to care or like that score as much as I do. I guess when it comes to 1998 it's all about one MV/RC score – "Armageddon". And the rest – like "The Replacement Killers" – are pretty much ignored. Oh, well…

  8. Bayhem June 30, 2017 at 10:21 am - Reply

    One of my all-time favorite HGW scores. So freakin' atmospheric….so underrated. John Reflects, John's Theme and The Temple literally transport you to another world. Great for meditation. Too bad that not a lot of people (even here) seem to care or like that score as much as I do. I guess when it comes to 1998 it's all about one MV/RC score – "Armageddon". And the rest – like "The Replacement Killers" – are pretty much ignored. Oh, well…

  9. Anonymous August 17, 2006 at 12:00 am - Reply
  10. Anonymous August 17, 2006 at 12:00 am - Reply

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