Nick Glennie-Smith
Composer
Hans Zimmer
Composer
Harry Gregson-Williams
Composer
Don Harper
Additional Music
Steven M. Stern
Additional Music
Christopher Ward
Additional Music Programmer
Bruce Fowler
Conductor
Walt Fowler
Orchestrator
Ladd McIntosh
Orchestrator
Suzette Moriarty
Orchestrator
Brian Richards
Music Recording Assistant
Bob Badami
Music Editor
Alan Meyerson
Music Scoring Mixer
Marc Streitenfeld
Additional Engineering
Bob Daspit
Musician
Michael Stevens
Musician
Gregg Silk
Music Recording Assistant
Emma Burnham
Music Production Coordinator
Justin Burnett
Assistant to Hans ZIMMER
Stéphane Humez
Album Production
THE ROCK, 1996, Directed by Michael Bay
FILM CREDITS
Music Composed by Nick Glennie-Smith & Hans Zimmer
Supervising Music Editor: Bob Badami
Music Editor: John Finklea
Assistant Music Editors: Shannon Erbe & Sienna Pascarella
Executive in Charge of Music for the Walt Disney Motion Pictures Group: Kathy Nelson
Score Production Services by Media Ventures
Score Arranged by Nick Glennie-Smith & Hans Zimmer
Additional Music by Harry Gregson-Williams
"The Chase" by Don Harper
Orchestration by Bruce Fowler, Suzette Moriarty, Ladd McIntosh, Walt Fowler & Dennis Dreith
Score Recorded & Mixed by Alan Meyerson
Music Recorded at Paramount & Sony
Music Preparation: Dominic Fidelibus
Music Contractor: Sandy DeCrescent
Assistants to Composers: Emma Burnham, Marc Streitenfeld & Justin Burnett
ALBUM ASSEMBLY
Hummel Gets The Rockets : 1m1 Opening (Edited) + 1m2 Naval Weapons Depot (Edited)
Rock House Jail : 2m5 Tour's Over Bob (Edited) + 3m6 Hummel Speech - Alcatraz Reopened (Edited) + 7m17 Hummel - SEALs (with Insert) (Edited)
Jade : 6m15A Jade
In The Tunnels : 8m18 Mason Into Furnace - SEALs Tunnel (Edited) + 8m18A SEAL Attack (Edited) + 8m18B SEAL Attack 2nd Half (Edited) + 10m21 PT1 Indiana Jones - Fight With Marines Pt 1 (Edited) + 10m21 PT2 Indiana Jones - Fight With Marines (Edited)
Mason's Walk - First Launch : 11m22 Hostage - Goodspeed Captured (Edited) + 12m24 PT1 Hammer Head Pt 1 (Edited) + 12m24 PT2 Hammer Head Pt 2 (Edited)
Rocket Away : 13m26A Mission's Over - Final Attack - Finale Pt 1 (Edited) + 13m26B PT1 Mission's Over - Final Attack - Finale Pt 2 + 13m26B PT2 Mission's Over - Final Attack - Finale Pt 3 (Edited) + 13m26C PT1 Mission's Over - Final Attack - Finale Pt 4 + 13m26C PT2 Mission's Over - Final Attack - Finale Pt 5
Fort Walton, Kansas : 15m27 Fort Walton, Kansas
The Chase : 5m13-14 Haircut - Escape: The Chase!! (Edited)
Hans Zimmer, Nick Glennie-Smith
1m2 Naval Weapons Depot (4:17)
Hans Zimmer, Nick Glennie-Smith
2m3 Baby Gas (2:26)
Harry Gregson-Williams
2m4A Romance #1 (0:19)
Hans Zimmer, Nick Glennie-Smith
2m5 Tour’s Over Bob (3:29)
Nick Glennie-Smith, Don Harper, Steven Stern
3m6 Hummel Speech – Alcatraz Reopened (2:25)
Hans Zimmer, Nick Glennie-Smith
3m6A Hummel’s Demands To Pentagon (1:21)
Hans Zimmer, Nick Glennie-Smith
3m7A Possible Romantic Cue (0:46)
Hans Zimmer, Nick Glennie-Smith
3m8 Mason Montage (1:24)
Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
4m9 San Francisco Montage (1:17)
Hans Zimmer, Nick Glennie-Smith, Russ Landau
4m9A Interrogation (1:02)
Nick Glennie-Smith, Steven Stern
4m10 Quarter (0:41)
Nick Glennie-Smith, Steven Stern
4m11 Window Crash – Fairmont (2:07)
Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
5m13-14 Haircut – Escape: The Chase!! (8:22)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
6m15 Goodspeed Tracks Jade (0:49)
Harry Gregson-Williams
6m15A Jade (1:59)
Nick Glennie-Smith
6m16 Blueprints (1:06)
Nick Glennie-Smith, Harry Gregson-Williams
7m17 Hummel – SEALs (7:14)
Hans Zimmer, Nick Glennie-Smith
7m17 END INSERT Hummel – SEALs (Insert) (1:56)
Hans Zimmer, Nick Glennie-Smith
Nick Glennie-Smith, Don Harper
8m18A SEAL Attack (3:32)
Hans Zimmer, Nick Glennie-Smith, Steven Stern
8m18A REDO v1 SEAL Attack (Alternate I) (1:37)
Hans Zimmer, Nick Glennie-Smith
8m18A REDO v2 SEAL Attack (Alternate II) (1:31)
Hans Zimmer, Nick Glennie-Smith
Hans Zimmer, Nick Glennie-Smith
9m18C Aftermath (0:49)
Harry Gregson-Williams
9m19 Bombs (3:43)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
9m20 The Morgue (1:52)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
10m21 PT1 Indiana Jones – Fight With Marines Pt 1 (2:12)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
10m21 PT2 Indiana Jones – Fight With Marines Pt 2 (4:12)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
11m22 Hostage – Goodspeed Captured (5:35)
Hans Zimmer, Nick Glennie-Smith
11m23 Plasma Bomb Is Ready (0:51)
Nick Glennie-Smith, Harry Gregson-Williams
12m24 PT1 Hammer Head Pt 1 (4:10)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
12m24 PT2 Hammer Head Pt 2 (1:54)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
12m25 President’s Lament (1:57)
Hans Zimmer, Nick Glennie-Smith
13m26A Mission’s Over – Final Attack – Finale Pt 1 (5:28)
Hans Zimmer, Nick Glennie-Smith
13m26B PT1 Mission’s Over – Final Attack – Finale Pt 2 (3:07)
Hans Zimmer, Nick Glennie-Smith
13m26B PT2 Mission’s Over – Final Attack – Finale Pt 3 (2:26)
Hans Zimmer, Nick Glennie-Smith
13m26C PT1 Mission’s Over – Final Attack – Finale Pt 4 (2:37)
Hans Zimmer, Nick Glennie-Smith
13m26C PT2 Mission’s Over – Final Attack – Finale Pt 5 (3:24)
Hans Zimmer, Nick Glennie-Smith
15m27 Fort Walton, Kansas (1:37)
Hans Zimmer, Nick Glennie-Smith
15m27 ALT Fort Walton, Kansas (Alternate) (1:40)
Hans Zimmer, Nick Glennie-Smith
Suite Demo Idea – Action Theme (2:42)
Nick Glennie-Smith
Suite Demo Idea – Main Theme – Gentle (1:59)
Nick Glennie-Smith
Suite Demo Idea – Pastorale (1:25)
Nick Glennie-Smith
Suite Demo Idea – Main Theme – More Developped And BIG (2:27)
Nick Glennie-Smith
Suite Demo Idea – Portent Theme To Noble Theme (2:47)
Nick Glennie-Smith
Suite Demo Idea – Mystery To Love Theme To Bell Theme (3:35)
Nick Glennie-Smith
Suite Demo Idea – In The Dark Place (2:04)
Nick Glennie-Smith
Suite Demo Idea – Theme That Builds (1:25)
Nick Glennie-Smith
Suite Demo Idea – Theme That Builds With Groove (1:50)
Nick Glennie-Smith
Suite Demo Idea – A Simple Victory (2:51)
Nick Glennie-Smith
Suite Demo Idea – Guitar Study (1:53)
Nick Glennie-Smith
BOOKLET CREDITS
Music Composed & Produced by Nick Glennie-Smith, Hans Zimmer & Harry Gregson-Williams
Music Conducted by Nick Glennie-Smith, Bruce Fowler & Don Harper
Additional Music by Don Harper, Steven Stern & Russ Landau
Orchestrated by Bruce Fowler, Suzette Moriarty, Ladd McIntosh, Walt Fowler & Dennis Dreith
"The Rock" Guitars by Bob Daspit
"The Roll" Guitars by Michael Thomson & Michael Stevens
Score Recorded by Alan Meyerson & Bruce Botnick
Score Mixed by Alan Meyerson
Recording Assistants: Gregg W. Silk & Brian Richards
Music Editors: Bob Badami & John Finklea
Assistant Music Editors: Shannon Erbe & Sienna Pascarella
Paramount Recordist: Paul Wertheimer
Additional Engineering by Marc Streitenfeld
Music Contractor: Sandy DeCrescent
Music Preparation: Dominic Fidelibus
Score Wrangler: Emma Burnham
Assistants to Hans Zimmer: Marc Streitenfeld & Justin Burnett
Score Recorded at Media Ventures, Paramount & Sony
Score Production Services by Media Ventures
Equipment: Euphonix, Steinberg Cubase, Yamaha & Fairlight
Executive Soundtrack Producer: Jerry Bruckheimer
Executives in Charge of Music for the Walt Disney Motion Pictures Group: Kathy Nelson & Bill Green
Executive in Charge of Soundtracks for Hollywood Records: Mitchell Leib
CD Produced by Stéphane Humez
CD Edited & Mastered by Maxime Marion
CD Executive Producers for Intrada: Douglass Fake & Roger Feigelson
CD Art Direction by Kay Marshall
Media Consultant: Joe Sikoryak
Editorial Coordinator: Frank K. DeWald
Liner Notes: Kaya Savas
Special thanks to Jan Glennie-Smith, Jerry Bruckheimer, Michael Bay, Jay Rifkin, Bob Badami, Tom Bocci, Sam Schwartz, Mike Gorfaine, James Newton Howard, Mark Levy, Suzanne Zimmer, Zoe Zimmer & the Media Ventures Gang, Angie, Rubin, Squirt
Special thanks (2023) to Steven Kofsky, Jessica Gibson, Jacob Johnston, Sam Plecker, Nolan Bacardi & Everyone at Remote Control Productions, John Finklea, Bob Daspit, Guillaume Tristant, Bob Badami, Daniel Pinder, Russ Landau, Jan Glennie-Smith & Stacy Stern
Intrada Special Thanks: Mary Ann Fake, Regina Fake, Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams, Andie Childs, Mark Hammon, Jeff Johnson, Anita Moore, Veronika Schroers & Kerry Sullivan
The Rock is dedicated in loving memory to Don Simpson
This album is dedicated to Steven Stern (1967–2015)
Music Published by Hollywood Pictures Music (ASCAP) & Holpic Music Inc. (BMI)
01 – Opening – Naval Weapons Depot (8:07)
02 – Baby Gas (2:28)
Harry Gregson-Williams
03 – Romance I – Tour’s Over Bob (3:46)
Hans Zimmer, Nick Glennie-Smith, Don Harper, Steven Stern
04 – Hummel’s Speech / Alcatraz Reopened (2:25)
Hans Zimmer, Nick Glennie-Smith
05 – Hummel’s Demands To Pentagon (1:21)
Hans Zimmer, Nick Glennie-Smith
06 – Possible Romantic Cue (0:46)
Hans Zimmer, Nick Glennie-Smith
07 – Mason Montage (1:26)
Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
08 – San Francisco Montage (1:17)
Hans Zimmer, Nick Glennie-Smith, Russ Landau
09 – Interrogation – Quarter (1:28)
Nick Glennie-Smith, Steven Stern
10 – Window Crash / Fairmont (2:07)
Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
11 – Haircut / Escape: The Chase!! (8:21)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
12 – Goodspeed Tracks Jade (0:50)
Harry Gregson-Williams
13 – Jade (1:58)
Nick Glennie-Smith
14 – Blueprints (1:05)
Nick Glennie-Smith, Harry Gregson-Williams
15 – Hummel / SEALs (7:14)
Hans Zimmer, Nick Glennie-Smith
16 – Mason Into Furnace / SEALs Tunnel – SEAL Attack (9:24)
Hans Zimmer, Nick Glennie-Smith, Don Harper, Steven Stern
17 – Aftermath (0:51)
Harry Gregson-Williams
18 – Bombs (3:43)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
19 – The Morgue (1:45)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
20 – Indiana Jones / Fight With Marines (6:17)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
CD 2 – THE SCORE (CONTINUED)
01 – Hostage / Goodspeed Captured (5:35)
02 – Plasma Bomb Is Ready (0:52)
Nick Glennie-Smith, Harry Gregson-Williams
03 – Hammer Head (6:02)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
04 – President’s Lament (1:59)
Hans Zimmer, Nick Glennie-Smith
05 – Mission’s Over / Final Attack / Finale (16:19)
Hans Zimmer, Nick Glennie-Smith
06 – Fort Walton, Kansas (1:39)
Hans Zimmer, Nick Glennie-Smith
07 – End Titles (Hummel / SEALs) (2:14)
Hans Zimmer, Nick Glennie-Smith
THE EXTRAS
08 – SEAL Attack (Alternate Segment) (1:34)
Hans Zimmer, Nick Glennie-Smith
09 – Fort Walton, Kansas (Alternate) (1:37)
Hans Zimmer, Nick Glennie-Smith
10 – Main Theme Idea (Nick’s Demo Sketch) (2:36)
Nick Glennie-Smith
11 – Hummel Speech / Alcatraz Reopened (Demo Version) (2:24)
Hans Zimmer, Nick Glennie-Smith
12 – Haircut / Escape: The Chase!! (Demo Version 1) (3:37)
Nick Glennie-Smith, Don Harper
13 – Haircut / Escape: The Chase!! (Demo Version 2) (8:04)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
14 – Haircut / Escape: The Chase!! (Demo Version 3) (8:16)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
15 – Naval Weapons Depot (Rock Mix) (4:17)
Hans Zimmer, Nick Glennie-Smith
Music Composed & Produced by Nick Glennie-Smith, Hans Zimmer & Harry Gregson-Williams
Music Conducted by Nick Glennie-Smith, Bruce Fowler & Don Harper
Additional Music by Don Harper & Steven Stern
Orchestrated by Bruce Fowler, Suzette Moriarty, Ladd McIntosh, Walt Fowler & Dennis Dreith
"The Rock" Guitars by Bob Daspit
"The Roll" Guitars by Michael Thomson & Michael Stevens
Score Recorded by Alan Meyerson & Bruce Botnick
Score Mixed by Alan Meyerson
Recording Assistants: Gregg W. Silk & Brian Richards
Paramount Recordist: Paul Wertheimer
Additional Engineering by Marc Streitenfeld
Music Editors: Bob Badami & John Finklea
Assistant Music Editors: Shannon Erbe & Sienna Pascarella
Music Contractor: Sandy DeCrescent
Music Preparation: Dominic Fidelibus
Score Wrangler: Emma Burnham
Assistants to Hans Zimmer: Marc Streitenfeld & Justin Burnett
Score Recorded at Media Ventures, Sony, Paramount
Album Compiled by Marc Streitenfeld & Nick Glennie-Smith
Equipment: Euphonix, Steinberg Cubase, Yamaha, Fairlight
Mastered at A&M Mastering
Executive Soundtrack Producer: Jerry Bruckheimer
Executives in Charge of Music for The Walt Disney Motion Pictures Group: Kathy Nelson & Bill Green
Executive in Charge of Soundtrack for Hollywood Records: Mitchell Leib
Special thanks to Jan Glennie-Smith, Jerry Bruckheimer, Michael Bay, Jay Rifkin, Bob Badami, Tom Bocci, Sam Schwartz, Mike Gorfaine, James Newton Howard, Mark Levy, Suzanne Zimmer, Zoe Zimmer & the Media Ventures Gang, Angie Rubin, Squirt
Hans Zimmer, Nick Glennie-Smith
02 – Rock House Jail (10:12)
Hans Zimmer, Nick Glennie-Smith, Don Harper, Steven M. Stern
03 – Jade (2:01)
Nick Glennie-Smith
04 – In The Tunnels (8:40)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper, Steven M. Stern
05 – Mason’s Walk – First Launch (9:34)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
06 – Rocket Away (14:25)
Hans Zimmer, Nick Glennie-Smith
07 – Fort Walton – Kansas (1:37)
Hans Zimmer, Nick Glennie-Smith
08 – The Chase (7:35)
Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
I notice that the “End Credits” from the Intrada release is not at all the film version. Completely different. The Intrada “End Credits” is tracked from “Hummel / Seals.” Why is this? Thank you so much for this release! Holy grail of mine.
It is the end credits as heard in the film. They used the alternate segment of Hummel / SEALs (slightly edited), so it made sense to have it featured there instead of the “alternates” section. Part 2 & 3 of the End Credits are edits from Tour’s Over Bob & SEAL Attack, so no need to have it duplicated here…
Stéphane though, I’m 100% sure it’s not the same end credits. The end credits has a wetter mix, slightly fuller instrumentation, and a wailing electric guitar. It’s a totally different recording. I compared right before I left my original comment.
At any rate, top notch job. So happy for this to be out, and I love Demo 2 of The Chase so much :)
It’s the same recording. The mix is different indeed, but that’s the case for the whole score…
The whole score?.. It can’t be… It is all there second by second… Only volume changes, really…
Scores in films are usually adjusted to pictures, the volumes of the different layers might differ from what you hear on album.
And most scores are mixed for 5.1 or Atmos now. The stereo mixes are usually just mixdowns of a more complex work. Depending on how it’s been down mixed, the end result may vary from one version to another.
Would be great if they could release 5.1 soundtracks more often….
But I get it – 4 more channels, basically 3 times size… So either more discs to manufacture… either less music to hear
I don’t think 5.1 CDs exist… that’s more like BluRays that allow surround music. Many musicians / studios keep only the stereo mixdowns of their work, but they don’t necessarily keep 5.1 mixes (apart from the film mix with sound effects).
I notice that the “End Credits” from the Intrada release is not at all the film version. Completely different. The Intrada “End Credits” is tracked from “Hummel / Seals.” Why is this? Thank you so much for this release! Holy grail of mine.
It is the end credits as heard in the film. They used the alternate segment of Hummel / SEALs (slightly edited), so it made sense to have it featured there instead of the “alternates” section. Part 2 & 3 of the End Credits are edits from Tour’s Over Bob & SEAL Attack, so no need to have it duplicated here…
Stéphane though, I’m 100% sure it’s not the same end credits. The end credits has a wetter mix, slightly fuller instrumentation, and a wailing electric guitar. It’s a totally different recording. I compared right before I left my original comment.
At any rate, top notch job. So happy for this to be out, and I love Demo 2 of The Chase so much :)
It’s the same recording. The mix is different indeed, but that’s the case for the whole score…
The whole score?.. It can’t be… It is all there second by second… Only volume changes, really…
Scores in films are usually adjusted to pictures, the volumes of the different layers might differ from what you hear on album.
And most scores are mixed for 5.1 or Atmos now. The stereo mixes are usually just mixdowns of a more complex work. Depending on how it’s been down mixed, the end result may vary from one version to another.
Would be great if they could release 5.1 soundtracks more often….
But I get it – 4 more channels, basically 3 times size… So either more discs to manufacture… either less music to hear
I don’t think 5.1 CDs exist… that’s more like BluRays that allow surround music. Many musicians / studios keep only the stereo mixdowns of their work, but they don’t necessarily keep 5.1 mixes (apart from the film mix with sound effects).
In the track Opening – Naval Weapons Depot ist a “weird” passage or cut of the music during 4:50 and 4:54. It is also in the movie. Do you maybe know why? On the original album that passage is not there.
Thank you very much for the explanation Iguana.
In the track Opening – Naval Weapons Depot ist a “weird” passage or cut of the music during 4:50 and 4:54. It is also in the movie. Do you maybe know why? On the original album that passage is not there.
Thank you very much for the explanation Iguana.