FILM CREDITS
Music by Geoff Zanelli
Music Supervisor: Paul DiFranco
Music Editor: Katia Lewin-Jablonsky
Additional Music by Phill Boucher
Conductor: Allan Wilson
Orchestrator: Alastair King
Additional Orchestrations: David Butterworth & Natalia Villanueva Garcia
Score Recording Engineer: Peter Fuchs
ProTools Operator: Martin Roller
Score Mixer: Jeff Biggers
Orchestra Manager: Marian Turner
Electronic Music Elements Recorded by Philip Eberhart
Score Recording Coordinator: Paul Talkington
Score Performed by The Slovak National Symphony Orchestra
Score Recorded at Slovak Radio Concert Hall, Bratislava
Guitars Performed by Hayden Maringer, Phill Boucher & Mitchell Marlow
Hayden Maringer's Guitars Produced by Richard Feldman
Music Composed by Geoff Zanelli
Music Supervisor: Paul Di Franco
Additional Music: Phill Boucher
Music Editor: Katia Lewin-Jablonsky
Orchestrator: Alastair King
Additional Orchestrations: David Butterworth & Natalia Villanueva Garcia
Score Mixed by Jeff Biggers
Music Performed by The Slovak National Symphony Orchestra
Conductor: Allan Wilson
Orchestra Manager: Marian Turner
Music Recorded at Slovak Radio Concert Hall, Bratislava
ProTools Operator: Martin Roller
Music Recording Coordinator: Paul Talkington
Score Recording Engineer: Peter Fuchs
Electronic Music Elements Recorded by Philip Eberhart
Guitars Performed by Hayden Maringer, Phill Boucher & Mitchell Marlow
Hayden Maringer's Guitars Produced by Richard Feldman
Assistant to Composer: Philip Eberhart
Executive in Charge of Music for Universal Pictures: Mike Knobloch
Album Produced for La-La Land Records by Geoff Zanelli & MV Gerhard
Executive Producer for La-La Land Records: Matt Verboys
Music Business Affairs for Universal Pictures: Philip M. Cohen
Production Director for Back Lot Music: Jake Voulgarides
Mastered by Patricia Sullivan at Bernie Grundman Mastering
Production Assistance: Frank K. DeWald & Neil S. Bulk
Geoff Zanelli wishes to thank:
Mike Elliott, Ogden Gavanski, Greg Holstein, Gary Oldroyd, Patti Jackson, Paul Di Franco, Jake Voulgarides, Jan Kikumoto, Ray Harryhausen, Hans Zimmer, MV Gerhard & everyone at La-La Land Records, Dan Goldwasser, Laura Engel, Richard Kraft & everyone at KEM, Emilie Erskine, Jordan von Netzer, Charley Walters & everyone at CW3, Jennifer Jardine for her never-ending love & support, Dick & MaryAnn Zanelli, Bill & Alberta Schmidt, & the Zanelli, Schmidt & Garcia families
Special Thanks to:
Patti Jackson, George Engel, Lisa Gooding, Kyle Staggs, Eric Polin, Angela Leus, Patrick Strong, Stephanie Sigel, Elizabeth Bishop & Hedy Hobbs
02 – Make Peace (2:20)
03 – Velina (1:29)
04 – The Man-Kettle (2:53)
05 – We Haven’t Eaten Dinner Yet (8:57)
06 – Sorrell, The Birdman (3:47)
07 – We’re A Team (1:49)
08 – Feel Free To Stop Me (2:09)
09 – The Temple Of The Goddess (2:02)
10 – The Golden Key (4:05)
11 – The Cage Fight (2:42)
12 – I’m Not Your Friend (1:18)
13 – Destiny (1:13)
14 – Creeping Death (1:54)
15 – He Is Very Real (1:57)
16 – The Second Time’s The Charm (2:44)
17 – The Lost Throne (7:07)
18 – Time To Make Magic (4:49)
19 – The Crown (4:43)
20 – King And Queen (1:06)
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Well Brent, you're in luck! lol
He tried to hold back any Pirates reference, but on some tracks the influence simply breaks out;-)
This guy just needs to write the Pirates 5 score already. Lol
Sold! Looking forward to hearing it.
This is a really funny and entertaining score. It sounds like Pirates with an egyptian touch! :)
I've heard Badelt's and it's synthy low-budget crap, unfortunately…a bit better than his Starship Troopers one, but not by much. :p
Badelt put his on his Soundcloud page.
Am kinda sad that the previous two Scorpion King-Scores (from Badelt and Morris) were never released.
Funny how they're continuing a series that spins off from another series that is to be rebooted anyway.
I found the first Scorpion King enjoyable if not irrelevant to the plot of the film it spun off from. Yet the other films have not had that enjoyable sense in them.
This will be interesting