Hans Zimmer
Composer
David Fleming
Co-Composer
Aldo Arechar
Additional Music Programmer
Oscar Senen
Orchestrator
Nick Glennie-Smith
Conductor
Andy Pask
Musician
Leah Zeger
Musician
Tina Guo
Musician
Rusanda Panfili
Musician
Molly Rogers
Musician
Ryan Rubin
Music Editor
Seth Waldmann
Music Scoring Mixer
Jacob Johnston
Assistant Music Mixer
Chuck Choi
Technical Score Engineer
Alejandro Moros
Technical Music Assistant
Mark Wherry
Digital Instrument Design
Taurees Habib
Digital Instrument Preparation
Raul Vega
Digital Instrument Preparation
Jill Streater
Music Preparation
Cynthia Park
Assistant to Hans ZIMMER
Steven Kofsky
Music Production Services
Jessica Gibson
Studio Manager
THE SON, 2022, Directed by Florian Zeller
FILM CREDITS
Music by Hans Zimmer
Score Produced by David Fleming
Supervising Music Editor: Ryan Rubin
Music Editor: Timeri Duplat
Double Bass: Andrew Pask
Violins: Rusanda Panfili & Leah Zeger
Viola/Violin: Molly Rogers
Cello: Tina Guo
Music Production Services: Steven Kofsky
Score Recordist: Jonny Solway
Score Mixer: Seth Waldmann
Score Mix Assistant: Jacob Johnston
Additional Music by David Fleming
Orchestration & Music Preparation by Oscar Senen
Orchestra Conducted by Nick Glennie-Smith
Librarian: Jill Streater
Synth Programming: Hans Zimmer
Additional Programming: Aldo Arechar
Technical Score Engineer: Chuck Choi
Score Technical Assistants: Aldo Arechar & Alejandro Moros
Digital Instrument Design: Mark Wherry
Digital Instrument Preparation: Taurees Habib & Raul Vega
Studio Manager for Remote Control Productions: Jessica Gibson
Assistant to Hans Zimmer: Cynthia Park
Score Recorded at Dean Street Studios, London
Score Mixed at Remote Control Productions, Santa Monica
Phone Call (1:17)
Hans Zimmer, David Fleming
Welcome Home (1:46)
Hans Zimmer, David Fleming
First Day Of School (1:20)
Hans Zimmer, David Fleming
Wandering – Didn’t Call Dad (1:13)
Hans Zimmer, David Fleming
The Photo (1:55)
Hans Zimmer, David Fleming
First Flashback (2:00)
Hans Zimmer, David Fleming
Washing Machine (0:35)
Hans Zimmer, David Fleming
Never Measure Up (2:24)
Hans Zimmer, David Fleming
Nicholas Hasn’t Been To School (0:57)
Hans Zimmer, David Fleming
Second Flashback (1:27)
Hans Zimmer, David Fleming
Peter Calls Kate – Elevator (0:57)
Hans Zimmer, David Fleming
Goodbye Theo – Waiting At Hospital (1:35)
Hans Zimmer, David Fleming
Take Nick Out Of Hospital (3:00)
Hans Zimmer, David Fleming
Third Flashback (2:03)
Hans Zimmer, David Fleming
The End (3:14)
Hans Zimmer, David Fleming
End Credits #1 (3:07)
Hans Zimmer, David Fleming
End Credits #2 (3:09)
Hans Zimmer, David Fleming
It’s weird that there is this huge list of scores that Hans has done in the past few years that should have been significant and Oscar winning but have just completely disappeared from…..everything. Hans – booby – I am your white kinght. – spend your time on MUSICAL projects, not trying to reinvent sound design for films that do not need music – your gift is melodic. Ben Burtt is the other guy
I don’t even remember there being music in this. Maybe MAYBE one scene. Then again, the film itself is absolutely appalling
I hope Zimmer will do more scores like this in the Future.
I like this approach for a drama much more than the overly melodramatic style he chose for The Survivor.
the reference sheet would be Zimmer/Fleming in all of them, right?
Most likely, but the cuesheet isn’t available yet.
I really missed those celli passages. The score is so atonal with the sparse soundscape. I don’t love the sustained strings lines that’s trendy now. I don’t like it. There’s no personality to this.
No CD released?
Wait for ir
Only digitally?
1. Waves 1 (1:59)
2. Love Is Not Enough (3:21)
3. Mirror (1:36)
4. Bridge (1:19)
5. Waves 2 (2:28)
6. Nicholas (3:23)
7. Divide (0:59)
8. Waves 3 (2:04)
9. Mirage (3:10)
“For “The Son,” Zeller has brought back many of his crack production team from “The Father,” including editor Yorgos Lamprinos and cinematographer Ben Smithard while adding production designer Simon Bowles and composer Hans Zimmer, who contributes a gloriously melodic score. As with “The Father,” it’s first-class production work all across the board.”
https://nextbestpicture.com/the-son/
I am curious about this score now.
In retrospect I have to wonder what the fuck this reviewer was smoking to describe this score as “gloriously melodic”.